Everything you need to know about theatre history but was afraid to ask

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132 Terms

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Sor Juana Ines de la Cruz

Considered the first feminist of the New World, wrote extensively and defended women's rights to education.

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The Triumph of Horus

Horus battles Set to avenge his father Osiris and claim his throne; themes include the unification of Upper and Lower Egypt.

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Medea by Euripides

Medea, betrayed by her husband Jason, exacts revenge by murdering his new wife and her own sons; explores themes of betrayal, revenge, and gender roles.

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Lysistrata by Aristophanes

A comical account of Lysistrata persuading women to withhold sex to end the Peloponnesian War; themes include war and patriarchy.

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Sakuntala by Kalidasa

The tale of King Dushyanta's love and subsequent rejection of Shakuntala, highlighting themes of spirituality and duty.

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Dulcitius by Hrosvitha

Follows three Christian sisters persecuted for their faith under Diocletian; themes include faith, divine intervention, and morality.

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Everyman

Everyman seeks companions before judgment, ultimately achieving salvation; themes include the inevitability of death and moral accountability.

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The Crucifixion

Depicts the crucifixion of Jesus through the eyes of Roman soldiers, contrasting their cruelty with Jesus’ forgiveness; themes include redemption and compassion.

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The Taming of the Shrew by Shakespeare

Petruchio attempts to 'tame' the strong-willed Katharina while her sister Bianca's suitors compete for her love; themes include gender roles and marriage.

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Life is a Dream by Calderón de la Barca

Prince Segismundo, imprisoned by his father due to a prophecy, struggles with identity and freedom; themes include free will and honor.

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Rabinal Achi

A captured warrior dances a dance of death, reflecting his connection to homeland and cultural pride amid impending execution; themes include war and sacrifice.

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Spanish Conquest of the Aztecs

Spanish forces, led by Hernán Cortés, defeated the Aztecs in 1521, resulting in the capture of their emperor Moctezuma II.

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Catholic Colonization in New Spain

The Catholic Church aimed to convert indigenous peoples, believing in universal salvation and recognizing marriages between Europeans and natives.

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Indigenous Assimilation

The Catholic Church established systems for indigenous people to assimilate to European values during the colonial period in Mexico.

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Sor Juana Ines de la Cruz

A prominent 17th-century writer and advocate for women's education; entered a convent at 18 to escape marriage and pursue learning.

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Sor Juana's Literary Contributions

Sor Juana wrote love poems, songs, comedia nuevas, sacred poems, and theology, defending women's right to education.

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The Court's Interest in Sor Juana

Despite her seclusion in a convent, the court continued to visit Sor Juana for her performances and advice.

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Church Restrictions on Sor Juana

The Church pressured Sor Juana to stop her studies, compelling her to write a vow in her own blood to cease her intellectual pursuits.

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The Loa of the Divine Narcissus

A prologue to an autos sacramentales that serves as an allegory of the Spanish conversion of indigenous peoples to Christianity.

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Aztec Empire

A military empire that expanded by conquering neighboring tribes and established its capital at Tenochtitlan.

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Tenochtitlan

The capital city of the Aztec Empire, known for its impressive architecture and complex urban planning.

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Aztec Sacrifice

A practice that involved the ritual sacrifice of many people, believed to appease gods and ensure agricultural fertility.

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Diego Duran

A Dominican friar who wrote "The History of the Indies of New Spain," documenting Aztec rituals and critiquing colonial practices.

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Tezcatlipoca

The Aztec god of the night sky and conflict, central to many aspects of Aztec mythology.

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Tlaloc

The Aztec god of rain and thunder, essential for agriculture and often invoked for water-related needs.

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Huitzilopochtli

The patron god of the Mexica people, associated with warfare and childbirth.

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Cihuacoatl

The Aztec goddess of fertility and motherhood, representing the earth and childbirth.

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Quetzalcoatl

The Aztec god of wind and wisdom, known as the patron of the priesthood.

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Antichrist Plays

Dramatic narratives featuring a false messiah figure, often mocking Christ's majesty and performing deceptive miracles.

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Two Witnesses

Figures in Antichrist plays, often Old Testament prophets, who confront the Antichrist and preach against his false doctrine.

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The Hermit

A character in Antichrist theatre who denounces idol worship and promotes Christianity, primarily to indigenous peoples.

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Papantla

A town in Mexico known for the ritual performance of the Voladores, or Flyers.

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Mysterious Decline of the Mayans

The potential decline of the Mayan civilization attributed to factors like environmental degradation.

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Papantla Voladores

A traditional Mexican ceremony that involves acrobatics and dancing to invoke rain during drought.

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Voladores

Participants in the Papantla Voladores ceremony who perform aerial feats by spiraling down from a tall pole.

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Rain Ceremony-Dance

A sacred dance performed by the Voladores as part of their ritual to please the god of fertility and bring rain.

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Tall Pole Selection

The ritual begins with the careful selection of the tallest, straightest tree, symbolizing the connection with nature and the divine.

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Traditional Costumes

Costumes worn by the Voladores that are adorned with symbolic elements, representing cultural heritage and spirituality.

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Launching from the Platform

The act where the Voladores tie themselves to ropes and launch backward off a small platform, representing a connection with the heavens.

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Historical Context of Egyptian Theatre

Egyptian theatre emerged as a form of artistic expression tied to religious rituals and nationalism, serving to promote national pride.

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The Triumph of Horus

Considered the oldest known Egyptian play, it depicts the battle between Horus and Set, emphasizing themes of divine justice and national identity.

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Medieval Theatre Origins

Medieval theatre began in the 5th century AD after the fall of Rome, evolving from religious rites and ceremonies.

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End of Medieval Theatre

The Reformation in the 16th century signaled a decline in medieval theatre, as the church's influence waned.

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Spanish Golden Age Overview

The Spanish Golden Age began after the unification of Spain under Ferdinand and Isabel, and it flourished during the 16th and 17th centuries.

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The Moors in Spain

The Moors ruled parts of Spain for several centuries, influencing its culture, language, and the arts during the medieval period.

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The English Renaissance

The English Renaissance began with Henry Tudor's ascension to the throne, marking a resurgence in arts and culture that continued until the English Civil War.

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Shakespeare's Theatrical Innovations

Shakespeare broke classical conventions by not adhering to the three unities and instead employed a five-act structure in his plays.

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Influence of Shakespeare

Shakespeare significantly contributed to the English language, inventing numerous words and phrases that are still in use today.

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Decline of the Mayan Civilization

The decline of the Mayan civilization is theorized to be linked to environmental factors, such as deforestation and resource depletion.

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Spanish Conquest of the Aztecs

In 1521, Spanish forces led by Hernán Cortés defeated the Aztecs and captured Emperor Moctezuma II, leading to significant cultural shifts.

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Catholic Colonization in Colonial Mexico

Spanish colonial efforts included the conversion of indigenous peoples to Catholicism, emphasizing the church's authority and influence.

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Syncretism in Religion

Syncretism refers to the blending of different religious and cultural traditions, exemplified by the Catholic Church's incorporation of indigenous practices.

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Theatron

The viewing space in ancient Greek theatres where the audience sat.

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Orchestra

The dancing space in ancient Greek theatre, a circular area used for chorus performances.

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Proscenium

The area in front of the stage in a theatre, often framed by an arch.

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Skene

Originally referred to a tent or hut, it was the structure behind the stage in Greek theatre used for dressing and storage.

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Parados

The entrance to the orchestra in ancient Greek theatres, used by the chorus.

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Morality Plays

A genre of medieval theatre performed frequently in churches, focusing on moral lessons.

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Mystery Plays

Medieval theatrical performances depicting biblical stories, often presented on pageant wagons.

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Castle of Perseverance

The first surviving example of set design from medieval theatre.

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Teatro Olimpico

The oldest surviving stage set from the Italian Renaissance, built of wood and plaster.

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Flexible Staging

A characteristic of Comedia del Arte that allowed performances to occur without permanent buildings.

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Autos Sacramentales

Religious plays of the Spanish Golden Age performed outdoors in public spaces using moving stages known as carros.

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Corrales

Open-air theatres used during the Spanish Golden Age, which had designated areas for women.

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Elizabethan Public Theatres

The style of theatres in the English Renaissance that were unroofed, circular or octagonal with an elevated thrust stage.

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The Globe Theatre

The first permanent theatre in England, built after dismantling The Theatre, located on the south bank of the Thames.

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Triumph of Horus

The oldest known Egyptian play, evidenced by temple carvings and dialogue indicating performance.

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Catharsis in Greek Tragedy

The emotional purification experienced by the audience through the release of emotions.

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Aspects of Greek Comedy

Includes verbal humor, comedy of character, plot complications, and the suspension of natural laws.

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Perspective in Italian Renaissance Theatre

Introduced single-point perspective in set design, enhancing visual focus.

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Commedia dell'arte

An improvised theatrical form descended from Roman mimes, characterized by itinerant acting troupes.

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Women on the European Stage

Marked the first time women were permitted to perform onstage in Europe through Commedia dell'arte.

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Rise of Professional Acting Companies

The emergence of professional acting troupes in Western Europe during the Italian Renaissance, elevating theatre as an art form.

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Improvisation as an Art Form

Commedia dell'arte developed improvisation into a recognized and respected theatrical art form.

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Greek New Comedy

A style focused on sexual and political satire, often exploring domestic situations and personal relationships.

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Greek Old Comedy

A theatrical style that dealt primarily with domestic issues and socio-political satire.

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Sanskrit Theatre

A prominent theatre form known for its integrated use of music, dance, poetry, dialogue, and elaborate costumes.

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Rasa

In Sanskrit theatre, rasa refers to the taste or essence of sublime emotion experienced by the audience.

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Bhava

Facial expressions in Sanskrit theatre that convey emotional states and enhance the performance.

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Mudras

Hand gestures used in Sanskrit theatre to express specific meanings and emotions.

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Kahanas

Dance positions in Sanskrit theatre that contribute to the storytelling and aesthetic quality of the performance.

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Italian Renaissance Theatre

A period marked by the development of acting styles that combined classical traditions with innovative performances.

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Comedia del Arte

An Italian theatrical form characterized by stock characters, improvisation, and physical comedy.

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Pantalone

A stock character in Comedia del Arte; a rich, gullible old man prone to jealousy and fear of infidelity.

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Doctorre

A Comedia del Arte character; a pretentious scholar who is unaware of his wife's infidelity.

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Il Capitano

A boastful and hyper-masculine stock character in Comedia del Arte, often portrayed as a coward in romantic pursuits.

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Innamorato and Innamorati

The handsome, unmasked lovers in Comedia del Arte whose romantic pursuits drive the plot.

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Harlequin

A clever, agile servant character in Comedia del Arte, known for his slapstick humor and acrobatics.

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Colombina

A cunning and flirtatious servant character in Comedia del Arte, often involved in romantic plots.

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Pulcinella

A violent and deceitful servant character in Comedia del Arte, known for his brutish behavior.

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Brighella

A smart and shrewd servant in Comedia del Arte, who helps young lovers while being opportunistic.

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Lazzi

Physical comedy gags that are either planned or improvised in Comedia del Arte performances.

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Hunger Lazzi

A type of lazzi where actors portray exaggerated hunger, often eating inanimate objects humorously.

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Animal Mimicry Lazzi

A lazzi involving an actor pretending to be various animals for comedic effect.

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Attempted Suicide Lazzi

A comedic lazzi where an actor pretends to attempt suicide but fails in an exaggerated, humorous way.

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Scenarios in Comedia del Arte

Roughly outlined plots that lack scripted dialogue, allowing for improvisation by the actors.

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English Renaissance Theatre

The period in which theatre became a business with regular performances and male-only acting troupes.

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Lord Chamberlain's Men

The most popular acting troupe of the English Renaissance, with Shakespeare as a key member.

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The King's Men

The rebranded Lord Chamberlain's Men after being acquired by King James, marking royal patronage.