Olivia Cole
āMen are intrigued by and subconsciously desirous of sexual women, yet will simultaneously condemn free and open female sexuality in publicā
Judy Berman
āShe canāt help but speak volumes about the social expectations and psychological pressures that govern women, men and the interactions between genderā
Sowerby (TBC)
āCuriosity and disobedience are essential weapons from a woman to free herself from being infantilised by male controlā
Harriet Parks (TBC)
āCarterās use of cultural and intertextual references reveals the historical depth and breadth of these sadistic visions of femininityā
Harriet Parks (TBC)
āSome psychological thinkers ā¦ have interpreted the Bluebeard tale as a psychological punishment for womenās sexual curiosityā
Harriet Parks (TBC)
āwomenās curiosity was given quite negative connotations, whereas men with the same attribute were called investigativeā
Harriet Parks (TBC)
āThe key represents the deepest, darkest secrets of the psyche. Bluebeard forbids the young woman to use the one key that would bring her to consciousnessā
Ray Cluley (TSC)
āā¦uses a Freudian focus to explore aspects of male power and desire and how these dictate female behaviours and appearanceā
Kimberley J. Lau (TLOTHOL)
āA young woman who exploits menās sexual appetites in order to obtain her preyā
Harriet Parks (TWW)
āThe evil character is not the wolf but the people in the villageā
Helen Simpson
āThe heroines of Carterās stories are struggling out of the straitjackets of historyā
Patricia Dunker
āAll men are beasts to womenā
Amy Taylor-Davis
āTransgression provides rich material for du Maurier, enabling her to illuminate dark desire and what happens when the private is made publicā
Amy Taylor-Davis
āRebeccaās character is decidedly unfeminine according to gender expectations of the timeā
Amy Taylor-Davis
āIn a modern novel, some of Rebeccaās behaviours would be lauded for challenging restrictive gender and class stereotypesā
Laura Varnam
āRebeccaās famous opening line, ālast night I dreamt I went to Manderly againā, sets the scene for a novel in which dreams become nightmares, obsessions take root in the mindā
Daphne Du Maurier
āA study in jealousyā