LEC 13: The Era of the World Wars In Europe & the Americas (POST-IMPRESSIONISM, FAUVISM/EXPRESSIONISM, CUBISM, DADA, SURREALISM)

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Last updated 8:10 PM on 5/2/24
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12 Terms

1
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Night Cafe (by Vincent Van Gogh)

1888 (Post-impressionism)
Arles, France

<p>1888 (Post-impressionism)<br>Arles, France</p>
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Luxe, Calme et Volupte (by Henri Matisse)

1904 (Fauvism/Expressionism)
St. Tropez, France

<p>1904 (Fauvism/Expressionism)<br>St. Tropez, France</p>
3
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Les Demoiselles d'Avignon (by Pablo Picasso)

1907 (Cubism)
Paris, France

<p>1907 (Cubism)<br>Paris, France</p>
4
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Violin and Palette (by George Braque)

1909 (Cubism)
France

<p>1909 (Cubism)<br>France</p>
5
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Fountain (by Marcel Duchamp)

1917 (Dada)
New York, US

<p>1917 (Dada)<br>New York, US</p>
6
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Object (by Meret Oppenheim)

1936 (Surrealism)
France

<p>1936 (Surrealism)<br>France</p>
7
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The Two Fridas (by Frida Kahlo)

1939 (Surrealism)
Mexico

<p>1939 (Surrealism)<br>Mexico</p>
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Rural Schoolteacher (by Diego Rivera)

1928 (Mexican Modernism)
Mexico

<p>1928 (Mexican Modernism)<br>Mexico</p>
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Readymade

An object from popular or material culture presented without further manipulation as an artwork by the artist.

10
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Muralism

Promotion of mural painting in Mexico starting in the 1920s with political and social messages.

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Analytic cubism

the early phase of cubism, chiefly characterized by a pronounced use of geometric shapes and by a tendency toward a monochromatic use of color.

<p>the early phase of cubism, chiefly characterized by a pronounced use of geometric shapes and by a tendency toward a monochromatic use of color.</p>
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Synthetic cubism

the late phase of cubism, characterized chiefly by an increased use of color and the imitation or introduction of a wide range of textures and material into painting.

<p>the late phase of cubism, characterized chiefly by an increased use of color and the imitation or introduction of a wide range of textures and material into painting.</p>