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Cinema of Attractions
A term coined by film historian Tom Gunning, it refers to an early cinema approach characterized by a focus on spectacle and direct engagement with the audience, emphasizing visual wonder over narrative storytelling.
Trompe l’oeil
Pre-cinematic device uses light to create optical illusions and make visible ghosts, phantasms, spirits, and demons

Thaumatrope
Pre-cinematic device that creates the illusion of motion through the use of two images on either side of a rotating disk.

Phenakistoscopes
Pre-cinematic device consisting of a disk with images that, when spun, creates the illusion of movement via a series of slits that allow the viewer to see successive images in motion.

Praxinoscope
Pre-cinematic device that uses a spinning drum with pictures inside that creates a smooth moving scene from still images.

Zoopraxiscope
Pre-cinematic device that animates still drawings when spun rapidly (form of stop motion animation)

Daguerreotype
Creating an image developed by the exposure of sunlight for an extended period of time

Chronophotography
Captures several phases of a moving object in regular time intervals

Kinetoscope
Invented by Thomas Edison, allows a single person to view a short film through a peep hole lens

Projection
Projected motion pictures

Reel
S cylindrical spool or frame used to hold, wind, and project a continuous strip of motion-picture film

Celluloid
The physical plastic film strips that movies are filmed on, goes in the reel.

Multiple Exposure
Created by George Méliès, exposing one section of film multiple times to place several images on top of each other. (In-camera editing)

Substitution Splice
Created by George Méliès, an illusion of disappearance, appearance, or transformation by altering some aspect between two shots.

Dissolve
One sequence fades into another by overlapping two separate shots.

Film Strip
Laboratory scan of a film, which allows you to see the entire sequence of individual frames