fanfiction, fragmentation, genre appropriation

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fanfiction

UNDER FANFICS:

based sa isang umiiral na kwento & mananatiling may mahalagang ugnayan sa orihinal na materyal;

Nasa labas ng propesyunal na pamilihang pampanitikan;

Pakikialam sa mga kwentong kasalukuyang pag-aari ng iba;

Umiiral sa loob ng iisang pamayanan ng mga kapwa tagahanga

textual poaching

UNDER FANFICS:

mula consumer patungong producer;

“participating culture”

Recontextualization

TYPES OF FANFICS:

paglalagay ng missing scene/s na nagpapaliwanag sa mga patlang o tanong sa kwento ng tauhan

expanding series/timeline

TYPES OF FANFICS:

pagpapalawak by means of prequel/sequel

Refocalization

TYPES OF FANFICS:

Retelling story from a different perspective/POV

moral reaalignment

TYPES OF FANFICS:

pagtaob sa moralidad ng kwento

genre shifting

TYPES OF FANFICS:

pagbabago sa tono at estilo ng kwento

crossover

TYPES OF FANFICS:

pagtatagpo ng mga tauhan mula sa magkaibang palabas

character dislocation (alternate universe)

TYPES OF FANFICS:

paglalagay ng kwento o tauhan sa ibang tagpuan

Personalization

TYPES OF FANFICS:

paglalagay ng manunulat sa sarili sa kwento o kaya naman ay pagbasag ng tauhan sa fourth wall

emotional intensifcation

TYPES OF FANFICS:

paggawa ng eksenang naglalaan ng panahon sa emosyonal na krisis ng tauhan;

dramatikong monologo ng isang tauhan

eroticization & shipping

TYPES OF FANFICS:

paghiraya sa sekswal na pagnanasa o pagtatalik ng mga tauhan o romantikong pagtatambal sa mga tauhang hindi nagkatuluyan o malabong mag-ibigan

Fragmentation sa world

FRAGMENTATION DEFINITIONS:

functional and based on how the media is used;

Different chronology and use of non-linear narration;

“Digital aesthetics often challenge linear time by creating stories that loop, rewind, or unfold simultaneously across different narrative threads”

Fragmentation sa Philippines

FRAGMENTATION DEFINITIONS:

existential and based on one’s experiences;

manifestation of “fractured self”;

hati-hating identity dahil sa ibat ibang katapatan, uncertainty and displacement

multiphrenia

ANG POSTMODERNONG SARILI:

sarili ay multi-dimensional;

the fragmented, "populated" self experienced in the modern, technology-saturated world

Protean

ANG POSTMODERNONG SARILI:

sarili ay patuloy na umaangkop & nagbabago;

developing a flexible, constantly shifting identity in response to a fragmented, chaotic, and rapidly changing postmodern world

De-centered

ANG POSTMODERNONG SARILI:

sarili ay nililikha;

there is no single, stable center of power, truth, or identity

• instead, reality is experienced as a "multiverse" of fractured, fleeting, and disparate element

ex. unreliable narrators

Self-in-relation

ANG POSTMODERNONG SARILI:

sarili ay umaayon depende sa “entablado” kung saan ito ginaganap

fragmentation bilang kasangkapan

ang mga ito ay kabilang sa ______:

1. Pagsalamin sa sikolohikal na kondisyon (anxiety, trauma, memory distortion, unstable identity)

2. Paggaya sa digital media (hyperlinks, threads, alters)

3. Tutulan ang mga dakilang naratibo (POVs)

4. Isali ang mambabasa sa pagpapakahulugan (reconstructing chronology, inferring associations, deciding credibility)

Fragmented character

TYPES OF FRAGMENTATION:

literal na hati ang pagkatao ng tauhan;

• ex. Ampola, Babagwa, Kate Plays Christine

Character sketch

TYPES OF FRAGMENTATION:

pagbuo ng isang impresyon sa isang tauhan;

pinag-usapan ng maraming mga tauhan & mga testimonya bilang puzzle pieces

• ex. The Kirishima Thing, Celebrity

Rashomon effect

TYPES OF FRAGMENTATION:

iba’t ibang bersyon ng isang pangyayari depende sa pagsaksi

• ex. Rashomon, Confessions

hyperlink narrative

TYPES OF FRAGMENTATION:

complex or multilinear narrative structures with multiple characters under one unifying theme

• ex. Pagluwas, To Tame A House, Elephant, Ang Pag-Ikot ng Salapi sa Panahon ni JLC, BABEL

retelling

TYPES OF FRAGMENTATION:

pag-uulit ng scenes, repetition;

new version of a story, myth, or folktale that maintains the core elements—characters, setting, and main events—while often changing the style, genre, or perspective

• ex. Gnomeo & Juliet, Warm Bodies

collage essay

TYPES OF FRAGMENTATION:

isang sanaysay na walang coherence tumatalon-talon ang paksa o naratibo

• ex. Animalia - Wilfredo Pascual

  • mala-hayop ung tatay and has an unaccepting father;

  • author being queer is significant to understanding the story 

genre appropriation

G_____ A_____ DEFINITIONS:

hybridity in which an entire text borrows the form of a text representing another genre in order to exploit the meanings related to a particular generic form for a particular purpose, often for an ironic purpose;

discrepancy between the author's intentions and our initial generic impression of the text;

contaminate the literary genres w/ extra-literary modes of discourse

genre

UNDER GENRE APPROPRIATION:

classification system of texts based on shared formal characteristics

• carry assumptions about text’s purpose, subject matter, its writer, & expected reader;

dynamic rhetorical forms that are developed from actors’

• ppl use genres to ease their way, meet expectations, but these can be boxed;

order imposed by taxonomy, when stripped of negotiability breeds artistic  ossification more than anything else

• reduced to a checklist of moves, petrified rather than preserved

Creativity Theory

UNDER GENRE APPROPRIATION:

this includes the concept that creativity derives from constraint as much as from freedom;

genres conventionalize specific formal expectations, but they make visible opportunities for variations.

creative nonfiction

UNDER GENRE APPROPRIATION:

nonfiction prose which utilizes the techniques of fiction

True

TRUE OR FALSE:

The problem with creative nonfiction is that nonfiction is not “creative” (enough) and can only be defined as borrowing from fiction.

essay/sanaysay

UNDER GENRE APPROPRIATION:

this is the “better” term for creative nonfiction

• derived from French etymology

  • essayer: to try

  • essair: try or attempt