Art hi notes

Jacques-Louis David, The Oath of the Horatii, 1784. Oil on canvas, 10’10” × 13’11⅜”. Neoclassicism (French)

Antoine-Jean Gros, Napoleon in the Plague House at Jaffa, 1804. Oil on canvas, 17’5” x 23’7”.  Romanticism (French)

Théodore Géricault, Raft of the Medusa, 1819. Oil on canvas, 12’1⅜” × 17’9⅞” Romanticism (French)

Alexandre Cabanel, Birth of Venus, 1863. Oil on canvas.  Academic art. (French)

Charles Garnier Opéra, Paris, France. 1861-1875. Beaux-Arts. Cast-iron, masonry, marble 

Joseph Paxton, Crystal Palace, Hyde Park, London, 1851. Cast-iron, plate glass.

Louis Sullivan, Guaranty (Prudential) Building, Buffalo, New York, 1896. (Early Modern architecture – steel frame construction with terracotta masonry) (textbook pg. 1060)

Honoré Daumier (French), Rue Transnonain, 1834, lithograph (French)

Louis-Jacques-Mandé Daguerre, View of the Boulevard du Temple, c. 1839. Daguerreotype. (French)

Timothy O’Sullivan, Harvest of Death, Gettysburg, Pennsylvania, July 1863.  Albumen print, wet-plate photography, 1863. (American)

Taj Mahal, 1631–48, Mughal, Agra, India. Marble with pietra dura using lapis lazuli, amber, carnelian, and amethyst.

Unknown artist, Kingdom of Mysore, South India. Tipu’s Tiger, Automata with its keyboard visible, late  18^th century, painted wood with metal fixtures.

Unknown artist, Pleasures of the Hunt, c. 1800. Kangra court painting, Kangra, Pubjab Hills, India. Ink, opaque watercolor, gold, and silver on paper. 

Lala Deen Dayal (India) , General View of Sanchi Tope (Stupa) looking north,” from Views of Bhopal and Sanchi album, c. 1882. Albumen print.

Raja Ravi Varma, (Kingdom of Travancore, Kerala, southern India), A Swan telling Damayanti of Nala’s Love, c. 1900. Chromolithographic print of oil painting.

Abanindranath Tagore, Bharat Mata (Mother India), 1905. Bengal School. Watercolor on paper. 

Raden Saleh (Java, Indonesia), The Arrest of Pangeran Diponegoro, 1857. Oil on canvas

A.B. Hubbock, Jamek Mosque, 1909, Kuala Lumpur, Malay peninsula, Southeast Asia. Indo-Saracenic style.

Mirza Baba, Portrait of Fath ‘Ali Shah, 1798-99, Qajar period, Iran. 

Oil on canvas, 6ft x 42 in 

Antoin Sevruguin (Armenian-Russian-Iranian), Hall of mirrors, Sahibqaraniyya Palace, Tehran, Iran, c. 1890. Qajar period, Iran. Gelatin silver print.

Garabet Balyan and Nigogayos Balyan (architects), Dolmabahce Palace, 1843-56. Ottoman period, Istanbul, Turkey. Beaux-Arts style.

Osman Hamdi Bey (Turkish), The Tortoise Trainer, 1906. Ottoman period. Oil on canvas, 7 ft 3 ¼” x 47 ¼”

Roger Fenton, Pasha and Bayadere, 1858. Albumen silver print. Orientalism.

Jean-Léon Gérôme, Snake Charmer, c. 1879, oil on canvas. Orientalism/Romanticism (French)

John Nash, The Royal Pavilion, 1815-23, Brighton, England. Orientalist architecture

Bada Shanren (Zhu Da), Fish and Rocks (detail). Qing dynasty, c. 1691. Handscroll, ink on paper. Literati painting - Orthodox style

Shitao, Self-Portrait Supervising the Planting of Pines (detail), Qing dynasty, 1674, 

Handscroll, ink & light color on paper, Literati painting

Unknown artist, Three Hundred and Sixty Trades, Qing dynasty, Late Imperial China, 1723. 

Woodblock prints, hand colored. (showing area near gate of city Suzhou). 

Hall of Supreme Harmony, Forbidden City, Beijing, China. originally Ming dynasty c. 1406, rebuilt in Qing dynasty, c. 1697. Late Imperial period

Giuseppe Castiglione (Lang Shining), 

“Imperial Visage” of the Qianlong emperor, 

Qing dynasty, Late Imperial period, China, 1736. hanging scroll, color on silk

Tokuyama Gyokuran, Akashi Bay with a Poem, Edo period, fan mounted as hanging scroll, ink on mica paper. Bunjinga/Shinkeizu

Katsushika Ōi, Three Women Playing Musical Instruments ,ukiyo-e painting,  Edo period, Japan c. 1818-44. Hanging scroll, ink and color on silk

Kasushika Hokusai, Under the Wave Off Kanagawa (The Great Wave) from series Thirty-Six Views of Mount Fuji, ukiyo-e print, Edo period, Japan c. 1830-32 Polychrome woodblock print, ink on paper

Utagawa Hiroshige (Andō Hiroshige), Mannen Bridge, Fukagawa, from series One Hundred Famous Views of Edo, Edo period, Japan, ukiyo-e print, 1858, polychrome woodblock print, ink on paper.

Kitagawa Utamaro, The Nakadaya Tea-House, c. 1794-95. Edo period, Japan. Ukiyo-e print. Color woodblock print, ink on paper

Gustave Courbet, The Stonebreakers, 1849, Oil on canvas. Realism. (French)

Courbet, Burial at Ornans, 1850. Oil on canvas, 10 ‘3 ½” x 21’9”. Realism (French)

Edouard Manet, Le Déjeuner sur l’Herbe (Luncheon on the Grass), 1863. 

Oil on canvas, Realism (French)

Eduoard Manet, Olympia, 1863. Oil on canvas, Realism. (French)

James Abbott McNeill Whistler (American working in England)
Nocturn in Black and Gold: The Falling Rocket, 1875. 

Oil on panel, Aesthetic Movement

Claude Monet, Impression Sunrise, 1872. Oil on canvas, Impressionism (French)

Pierre-Auguste Renoir, Moulin de la Galette, 1876. Oil on canvas, Impressionism (French)

Edgar Degas, The Rehersal, c.1874. Oil on canvas, Impressionism (French)

Edgar Degas, The Tub, 1886. Pastel, 23⅝ x 32⅝”. Impressionism (French) 

Mary Cassatt (American working in France) , In the Loge, 1878. Oil on canvas, 32 x 26 in. 

Impressionism

Mary Cassatt (American working in France), Maternal Caress, 1890-91.

 Drypoint, aquatint, and softground etching, printed in color from three plates. Impressionism/ Japonisme

Berthe Morisot (French) Summer’s Day, 1879. Oil on canvas, Impressionism

Georges Seurat (French), A Sunday on La Grande Jatte, 1884–6. Oil on canvas, Post-impressionism – Pointillism 

Paul Cézanne, Mont Sainte-Victoire with Large Pine, c. 1887.  Oil on canvas, 25 ½ x 32 in.  Post-Impressionism - French

Paul Cézanne (French), The Basket of Apples, c. 1893. Oil on canvas, Post-Impressionism

Van Gogh (Dutch, working in France), Starry Night, 1889. Oil on canvas, Post-impressionism

Paul Gauguin (French), The Vision after the Sermon (Jacob Wrestling with the Angel), 1888. 

Oil on canvas, Post-impressionism

Michael Tjakamarra Nelson and Marjorie Napaljarri, Five Dreamings, 1984. Papunya, Northern Territory, Australia. Synthetic polymer paint on canvas. Desert Acrylic Movement.

Yirawala, Mimi Spirits, c. 1970. Western Arnhem Land, Australia. Ocher on bark, 35 3/8” x 18 7/8”. Bark painting

The Barunga Statement

 Various aboriginal artists from Arnhem Land and Central Australia, 1988.

Men’s ceremonial house

 Iatmul culture, Kaminibit village, Middle Sepik River region, Papua New Guinea, late 20^th-early 21^st centuries

Kawa Rigit (men’s debating stool)

Iatmu people, Papua New Guinea, 19^th century. 

Wood, paint, shell, 39 ½”

Abelam people, Yam Mask, early to mid 20^th century. Papaua New Guinea, Melanesia. Fiber, wood, clay, paint.

Buk Mask 

Torres Strait Islanders, Mabuiag Island, mid-to-late 19^th century. Turtle shell, wood, fiver, feathers, shell, 21 ½”

kavat mask (night dance mask - in performance), Baining people, New Britain, Melanesia, image taken 2008. Mask estimated late 20^th-early 21^st century. Bamboo, barkcloth, pigment.

Bis pole, Asmat people, Omanesp village, Papua New Guinea, Melanesia, mid-20^th century. Wood, paint. 18 ft.

Hos (weather charm), Namonuito, Caroline Islands, Micronesia, 19^th century. Wood, stingray spines, lime, fiber, paint. Height 16”

Kūkā’ilimoku figure, Hawai’I, Polynesian Islands, late 18^th-early 19^th century. Wood, Height 8’ 9”

Ahu’ula (feather cloak), Hawaiian. Late 18^th century – early 19^th century. Feathers and fiber.