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Monument of the Eponymous Heroes
A marble podium that displayed bronze statues of the 10 legendary heroes representing the 10 Athenian tribes. The marble base was surrounded by a fence where decrees, military call-ups, and honorary commendations were posted. Drafts of proposed laws were left here to be reviewed before going to the ekklesia
Stoa Basileios
The administrative seat of the King Archon, who was responsible for the city's religious rites, sacred laws, and homicide trials (Socrates trial was here). Solon's laws were engraved on stone slabs displayed at the stoa (showed public transparency).
Bouleuterion
the heart of the Ancient Agora, where the city’s democratic council (boule) met. It housed the representatives who drafted legislation, managed state administration, and prepared the agenda for the Ekklesia
Tholos (Prytaneion)
a circular building that was basically a hotel for the rotating executive council where they would dine and sleep. This allowed some members to be close to the Bouleuterion in case there was a state emergency
Hephaisteion
A well-preserved temple dedicated to Hephaestus and Athena overlooking the Agora. It reflects Athenian craftsmanship, religion, and civic pride.
Metopes (Hephaisteion)
A documented transition from early classical period to art of the Golden Age. Also highlighted Athenian pride by showcasing Heracles and Theseus symbolizing civilization defeating chaos
Eastern most - Labors of Heracles
North and South - Deed of Theseus - Theseus’s victory over the Pallantids
Kleroterion
A randomization device used to select citizens for juries (boule) and various state offices.
A large stone slab with rows of slots where citizens placed identification tokens in. A black and white marble would be dropped in a tube attached to the side. If a white marble emerged that row of citizens served while the black marble signified dismissal
Klepshydra
A water clock used in Athenian courts to measure speaking time during trials and ensure equal time for each speaker during their defense. Used during Socrates’ trial.
Boundary Stone (Horos)
a horos, a stone that was inscribed to mark the legal and sacred limits of the Agora. It separated sacred public spaces from private property.
Importance: only men over 30 years who weren’t criminals were allowed in the Agora
Propylaea
this is the gateway into the Acropolis, included doric order for exterior columns and ionic order for the interior columns. It is a sacred transition point for visitors and showcases chariots and processional crowds during the Panathenais Festival on the doorway
Erechtheion
This temple was built where Athena and Poseidon contented for the patronage of Athens (housed the olive tree and marks of Poseidon’s trident). It includes the Porch of Carytids (six female figures said to be the sewers of Athena’s cloak). It houses the cult statue of Athena (focus of the Panathenaic Festival)
Frieze (Parthenon)
A continuous sculpted band depicting the Panathenaic Procession, showing Athenian citizens participating in religious ritual. Battle between Athenians and Persians where the Athenians defeat the Persians (only true event that’s featured on the Parthenon)
Pediments (Parthenon)
The triangular sculptures at each end of the temple. The east pediment depicts Athena's birth, while the west pediment depicts Athena's contest with Poseidon to be the patron god of Athens.
Metopes (Parthenon)
East - Gigantomachy (battle between Olympian gods and Giants)
West - Amazonomachy (battle between the Athenians and the Amazons)
North - the sack of Troy (Trojan War in Turkey)
South - Centauromachy (battle between Lapiths and Centaurs)
Old Temple of Athena
Doric temple that housed the Athena Polias (Athena statue for the Panathenaia festival), was the main focus of the festival. It was destroyed by the invading Persians in 480 BC. The Erechtheion was built to replace its religious duties
Pediments (Temple of Athena Nike)
Broke from Classical norms and features battle scenes showing Athenian military dominance and divine favor
East - Gigantomachy
West - Amazonomachy
Athena Promachos
a 9 meter tall bronze statue of Athena that stood between the Propylaea and the Parthenon. Was said you could see the tip of her spear and glint of her helmet from the sea and symbolized Athenian victory over the Persians
Hecatompedon
was a temple to Athena before the Parthenon. It symbolized Athenian power and showcased Archaic Greek art. It included the pediment that featured Herakles fighting Triton and Bluebeard. It reflected the rise of political and religious dominance of Athens before the Classical Period.
Artemis Brauronia
it serves as the official urban counterpart to the goddess’s main coastal sanctuary in Brauron. The same rituals at Brauron are performed here.
Theater of Dionysos
The birthplace of Greek tragedy and comedy on the south slope of the Acropolis where the plays of Aeschylus, Sophocles, Euripides, and Aristophanes premiered.
Road of the Tripods
processional route leading to the theater of Dionysos. It connected the city center to the sanctuary. Bronze tripods were awarded to the wealthy sponsors of the best winning drama and place on this street and monuments were built for these tripods like the choregic monument of Lysicrates.
Choregic Monument of Lysicrates
The oldest known building to use the Corinthian order on its exterior. The frieze depicts the myth of Dionysus and the inscription records Lysicrates of its sponsor illustrate how wealthy citizens funded cultural and theatrical festivals as a civic duty. It was later used for monastic purposes are a library and reading room for monks
Amphiprostyle Temple
Classical doric style temple, included a porch with columns.
Stoa
Features distinct feasting rooms lined with couches and serves as the ritual housing for the young Athenian girls performing sacred rite for Artemis
Krateriskoi
Miniature vases that were votive offerings to Artemis at Brauron → features the girls dancing and performing “play the bear” (a ritual young girls around 10 years would perform to ask Artemis permission to marry)
Bears (Arkteia)
Young girls who symbolically "played the bear" for Artemis through dance and ritual before marriage, marking their transition into adulthood. + A woman who was s3xually assaulted by Zeus and impregnated was turned into a bear by Artemis. The woman’s son was human and becomes a hunter that almost kills his mother but then Artemis turns them into Ursa major and minor
Plague
According to myth, a plague struck Athens after one of Artemis' sacred bears was killed, leading to the establishment of the Brauronian rituals. The plague of Athens was extreme and killed ⅓ of Athenians → during this all stayed in the walls of Attica due to the Spartans (war) making the plague spread worse
Kallichoron Well
The well where Demeter rested and grieved while searching for Persephone in the Homeric Hymn to Demeter. People visit the well & drank from it dancing around it, water source in Eleusis
Eschara
A large low ground altar used for sacrifices to the underworld gods, since it is low it allowed the blood from the offerings to seep into the earth
Greater and Lesser Propylaea
Lesser Propylaea - monumental gateway to the Sanctuary private courtyard and signifies entrance into the underworld (after this spot you can’t talk about that happens)
Metopes are flowers (honoring Persephone) and wheat (honoring Demeter)
Greater Propylaea - serves as the outer grand main entrance to the sanctuary
Propylaea Caryatids
- 2 Statues that depict a maiden carrying the kiste (basket holding the secrets) → supported the roof of the Lesser Propylaea
Telesterion
The grand initiation hall where the ritual occurred. Baskets would be brought out and the secrets inside were revealed, very large seating 3,000 to 7,000 initiates
Kallithea Monument
this is a grave for a metic father and his son along with one of their servants. It shows that metics can be wealthy and gain power while still not being Athenian citizens due to the size and detail of this monument. The metopes feature Amazonomachy
Suburban Theater
A theater located outside the center of Athens that demonstrates the spread of dramatic culture beyond the city. plays would go on tour and travel to different theaters throughout Greece with each audience reacting differently to the play.
Bronze Theater Mask
a votive offering that has characteristics of tragic theater.
Temple of Aphaia
It was thought to be a temple for Athena however, the inscription is to Aphaia.
2 types of columns: 1 on inside & 1 on outside (monolithic columns - no stacked individual pieces)
Metopes didn’t survive
Each pediment depicts one of the Trojan wars and both feature Athena (goddess of strategy aiding in victory of war) flanked by warriors
1st Trojan War (east) - includes Heracles & Telamon(late archaic, early classic)
2nd Trojan War (west) - features Ajax, Teucer, and Achilles (Archaic style)
Bomos
A sacrificial altar. At Aegina, its dedicatory inscription records offerings made to Aphaia and demonstrates public acts of worship.
Krater
A large 2-handed vessel used to mix wine with water during the symposium. Drinking unmixed wine was considered uncivilized.
Hydria
a 3-handled water jug used to collect, transport, and pour water from public fountains to the symposia (this water was later used by the enslaved to dilute the wine in the Krater
Kline
A reclining couch used by elite men during symposia for eating, drinking, and conversation. Many were places along the walls
Amphora
a tall 2-handled ceramic jar used to store and transport goods like wine, olive oil, and grain. The Karameikos Amphora is large and includes many geometric designs that show that it was made during the Geometric era. It also shows a funeral procession while many of the people kneeling and pulling out their hair in grief