music 1 (the facts)

0.0(0)
Studied by 0 people
call kaiCall Kai
Locked
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
GameKnowt Play
Card Sorting

1/318

encourage image

There's no tags or description

Looks like no tags are added yet.

Last updated 10:46 PM on 8/18/26
Name
Mastery
Learn
Test
Matching
Spaced
Call with Kai
Chat

No analytics yet

Send a link to your students to track their progress

319 Terms

1
New cards

music is

sound organized in time

2
New cards

what are 3 things needed to make music?

time frame, sound waves, cognizant mind

composer, performers, mechanical mean to record

3
New cards

improvisation

composition and performance happen simultaneously

4
New cards

in some cultures, music becomes so interconnected what happens

the language doens’t have a separate word for “music”

5
New cards

sound

wave of energy with frequency and amplitude

6
New cards

amplitude affects

decibel level (volume)

7
New cards

frequency affects

pitch (highness/lowness of sound)

8
New cards

what frequency is heard as a single, sustained tone for humans

20-20k cycles per sec

9
New cards

a pure sine wave at 440 Hz sounds like

an A above middle C

10
New cards

orchestral musicians int he is usually tune their instruments to

A-440 (440 Hz)

11
New cards

two kinds of musical sounds

pitched and non-pitched

12
New cards

what instruments provide most of the non-pitched sounds in msuic

percussion instruments

13
New cards

in the (part century), 2 (job) (name) and (name) categorized instruments into # groups

late 19th century; ethnomusicologists; curt Sachs and Erich von hornbostel; 4

14
New cards

ethnomusicologists

scholars who study the music of other cultures or study multiple cultures comparatively

15
New cards

the four groups made by Sachs and hornbostel

chordophones: string vibrates

aerophones: brass/woodwind and column of air vibrates

idiophones: body of instrument vibrates

membranophones: membrane (skin) stretched across frame and membrane vibrates

16
New cards

examples of each group

chordophone: violins, guitars, harps, viola, cello, double bass, lute

aero phones: horns, flutes, piccolo, oboe, clarinet, bassoon, saxophone, cornet, trumpet, trombone, tube, flugelhorn, baritone, bugle

membranophones: drums, timpani, tambourine

idiophones: bells, marimba, xylophone, vibraphone, gongs, triangle, wood block, cymbals

17
New cards

what group was added later by Sachs and hornbostel

electrophones: use mechanical device known as an oscillator and are dependent upon electricity

18
New cards

before Sachs and hornbostel how were instruments categorized

families

strings: bowed/plucked

brass: aerophones made of metal and sounded by performer’s buzzing lips making column of air vibrate

woodwinds: aerophones where the column of air is moved by breath alone or wood reed (saxophone)

percussion: membranophones, idiophones, some chordophones that are struck (piano)

(sometimes) keyboard instruments: piano, keyboard, organ

19
New cards

who invented theremin

russian physicist Leon theremin (1896-1993)

20
New cards

first electronic instruments appear in

first decades of the 20th century

21
New cards

one of the best known early electronic instruments

theremin

22
New cards

how to play theremin

performer regulates frequency with one hand and amplitude with the other by disturbing the electrical fields that surround the protruding bars

23
New cards

next step in electronic instruments came at

the end of wwii

24
New cards

what happened to technology after wwii

there were huge advances that were made for wartime purposes but now that the war was over many state-of-the-art studios were used by scientists and composers to make art

25
New cards

combining electronically generated sounds and sounds produced by live instruments are called

musique concrete

26
New cards

first practitioners of musique conrete are from

paris —> its french name

27
New cards

basic tech of tape music is called

looping and splicing

28
New cards

famous postwar centers for electronic music (4)

rome, Paris, cologne, nyc

29
New cards

single, isolated musical sound has 4 properties

pitch, duration, volume, timbre

30
New cards

what are the Hz of A2, A3, A4

A2 - 110

A3 - 220

A4 - 440

31
New cards

middle C is C#

C4

32
New cards

the A string on a guitar is what frequency

110 Hz (A-110)

33
New cards

when you halve the length of a string what happens

it vibrates twice as fast and produces a pitch twice as high

34
New cards

musical term for distance

interval

35
New cards

intervals

half-step/semitone/minor second: distance between two adjacent keys

major second/whole step: distance between every other key

minor third: 3 half steps

major third: 4

perfect fourth: 5

Aug 4/d5/Tritone: 6

P5: 7

m6: 8

M6: 9

m7: 10

M7: 11

P8: 12

36
New cards

treble clef

G-clef; C on very bottom

37
New cards

bass clef

F-clef; C very top

38
New cards

alto clef

C-clef; C on middle line

39
New cards

tneor clef

C-clef; C on fourth line (second from top)

40
New cards

A appears between the

upper 2 of the 3 black keys

41
New cards

white keys are usually called

natural keys

42
New cards

how many white keys spanning what letters

7 keys: A-G

43
New cards

clef comes from the (blank) word…

french word key

44
New cards

why don’t the F and G clef move anymore

the practice died out

45
New cards

in piano music, two bracketed staves are used known as

the grand staff

46
New cards

how to write flats and sharps in prose vs on the staff

prose: symbol comes after letter (Ab or F#)

staff: symbol comes before note

47
New cards

very few pitches consist of

a single, pure frequency. rather one frequency dominates

48
New cards

the lowest A is called the

fundamental (its by far the loudest and strongest)

49
New cards

when you pluck the A string of a guitar, the strongest sound wave produce is #Hz but many other waves can exist on the string. one is (blank) the length of the string, one is (blank), one is (blank), and so on

110 Hz; half; 1/3; 1/4

50
New cards

the faint presence of higher pitches are called

partials or overtones

51
New cards

in the western tradition, after about (yr), a system of tuning called (blank) became dominant

1750; equal temperament

52
New cards

how many pitches are there

12

53
New cards

enharmonic pitches

two different labels for the same piano key

54
New cards

in older tuning systems, an Eb and a D# are identical and don’t differ slightly in the number of cycles per sec. T/F

false

55
New cards

double sharp symbol and double flat symbol

x and bb

56
New cards

when arranged in ascending order, the seven pitches are known as

the diatonic scale

57
New cards

pitches can fall into one of four diff patterns

major (most common), natural minor, harmonic minor, melodic minor

58
New cards

names of each scale degree

1 - tonic

2 - supertonic

3 - mediant

4 - subdominant

5 - dominant

6 - sub-mediant

7 - leading tone

59
New cards

C is called the

resting tone or Do

60
New cards

what pitch may appear in a melody more often

dominant more often than tonic though tonic remains the final resting point

61
New cards

harmonic

two pitches occur simultaneously

62
New cards

melodic

two pitches occur in succession

intervals can either ascend (lower pitch occurs first) or descend

63
New cards

a few intervals that exceed an octave

M and m9; M and m10

64
New cards

m9, M9, m10, M10 can also be seen as

an octave plus m2 (13 half steps), M2 (14), m3 (15), M3 (16)

65
New cards

major scale sequence of intervals

W W H W W W H

66
New cards

diminished

making a minor interval smaller by lowering the top note using an accidental or raising the bottom note using an accidnetal

67
New cards

major scale vs minor scale intervals

major scale: M3 then m3

minor scale: m3 then M3

68
New cards

in a natural minor scale half steps are located between which pitches

2 and 3; 5 and 6

69
New cards

harmonic minors raise what note

the seventh note

70
New cards

melodic minors raise what notes

6 and 7 (only when ascending), when descending they play the natural minor

71
New cards

why does the melodic minor switch to nartural minor when descending

to add a sense of upward motion to the higher tonic and a pull downward to the dominant

72
New cards

a major and a minor key that have the same pitches are called

relative major and minor

73
New cards

how to find relative major/minor

to find relative major count 3 half steps UP

to find relative minor count 3 half steps DOWN

74
New cards

whole steps and half steps for the 3 diff minor scales

natural: WHWWHWW

harmonic: WHWWHAH

melodic: WHWWWWH

75
New cards

parallel major and minor

major and minor scales that begin and end on the same tonic pitch

76
New cards

blues inflections combine elements of

major and minor scales

77
New cards

blues scale

degrees 3 and 7 lowered as in a minor scale or normal as in a major scale or played somewhere between

78
New cards

in blues inflections the pitch is often part of a

small slide

less commonly, the 5th scale degree is lowered in this manner

79
New cards

melodic minor intervals (ascending and descending)

W H W W W W H

W W H W W H W (natural minor in reverse)

80
New cards

melody

series of successive pitches perceived by the ear to form a coherent whole (only one pitch at a time)

81
New cards

harmony (and other name)

counterpoint; two pitches occur together

82
New cards

all melodies have a (blank), or (blank)

contour/profile

83
New cards

conjunct melody

moves smoothly in stepwise motion (half steps and whole steps)

84
New cards

disjunct melody

contains proportionally more leaps (intervals larger than a major second)

85
New cards

ways to describe a melody’s contour (3)

conjunct, disjunct, direction

86
New cards

how does direction work in row row your boat

first “merrily” assends and then descends at the end

87
New cards

very common contour for melodies is

an arch ( ascend at beginning and descend toward end)

88
New cards

contour is normally described in

general terms

89
New cards

viola’s range

C3 to E6

90
New cards

cello range

C2 to A5

91
New cards

viola range vs cello range

viola range is higher and slightly narrower

92
New cards

high, middle, low parts of instruments rang called

high, middle, low register

93
New cards

high tessitura means

more pitches in the performer’s high register

94
New cards

tessitura is originates from what language

italian

95
New cards

name the 4 vocal tessituras

soprano: high tessitura female

alto: low tessitura female

tenor: high tessitura male

bass: low tessitura male

96
New cards

rhythm

music organized in time

97
New cards

beat

steady pulse that undelries most music

98
New cards

italian term, BPM, meaning

presto: 200 bpm, very fast

allegro: 120 bpm, fast/cheerful

moderato: 108 bpm, moderate

andante: 84 bpm, “at a walking tempo”

adagio: 72 bpm, slow

lento/grave: 40 bpm, very slow

99
New cards

tempo

speed of a beat

100
New cards

slow down, speed up, gradually, suddenly in italian

ritardando, accelerando, Poco a Poco, subito