music history test 2

0.0(0)
Studied by 0 people
call kaiCall Kai
Locked
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
GameKnowt Play
Card Sorting

1/110

encourage image

There's no tags or description

Looks like no tags are added yet.

Last updated 2:12 PM on 9/23/26
Name
Mastery
Learn
Test
Matching
Spaced
Call with Kai
Chat

No analytics yet

Send a link to your students to track their progress

111 Terms

1
New cards

What does Renaissance mean?

“Rebirth”; a term used for the period after the Middle Ages.

2
New cards

What centuries are associated with the Renaissance?

The fifteenth and sixteenth centuries.

3
New cards

What did Renaissance scholars and artists aim to restore?

The learning, ideals, and values of ancient Greece and Rome.

4
New cards

What was Humanism?

An intellectual movement that emphasized human knowledge and the recovery of ancient Greek and Roman learning.

5
New cards

Did Humanism eliminate the Church?

No. The Renaissance continued to include strong religious interests and traditions.

6
New cards

What musical qualities became important during the Renaissance?

Consonance, clarity, direct appeal to the listener, natural declamation of words, and emotional expressivity.

7
New cards

What is a point of imitation?

One voice introduces a musical idea and other voices take it up.

8
New cards

What was one major effect of music printing?

It helped spread musical ideas and made music more widely available.

9
New cards

Who was an important early music printer?

Ottaviano Petrucci.

10
New cards

What did Petrucci publish in 1501?

The Odhecaton.

11
New cards

What was the contenance angloise?

Characteristic quality of early-fifteenth-century English music, marked by pervasive CONSONANCE with frequent use of HARMONIC thirds and sixths, often in parallel motion.

12
New cards

What English musical qualities especially impressed Continental composers?

Lively consonances, including prominent thirds and sixths.

13
New cards

Who was an important English composer associated with the contenance angloise?

John Dunstable.

14
New cards

What was the effect of the English presence in France after Agincourt?

English music and musicians spread onto the Continent and influenced Continental music.

15
New cards

What were the Burgundian lands?

Territories ruled by the dukes of Burgundy, including parts of France and the Low Countries.

16
New cards

Why were Burgundian courts important to music?

They supported composers and musicians and became a major conduit for a new international style.

17
New cards

What was a chapel in a Renaissance court?

A musical establishment with salaried composers, singers, and sometimes instrumentalists for church services and court entertainment.

18
New cards

What helped create the international style of the fifteenth century?

The exchange of English, French, Burgundian, and Italian traditions, genres, and ideas.

19
New cards

What was a chanson?

A French secular polyphonic song, often setting a poem.

20
New cards

What were the formes fixes?

Fixed poetic and musical forms inherited from the trouvères, including the rondeau, ballade, and virelai.

21
New cards

What is fauxbourdon?

A technique in which a melody is supported by parallel sixths, with an unwritten middle voice a fourth below.

22
New cards

What were the four standard voice parts?

Bassus, tenor, altus, and superius/cantus.

23
New cards

What is a cyclic Mass?

A Mass in which multiple movements are unified by recurring musical material or another organizing principle.

24
New cards

What is a cantus firmus Mass?

A Mass whose movements are based on a preexisting melody used as a structural foundation.

25
New cards

What is a motto Mass?

A Mass whose movements are connected by a recurring musical motive or idea.

26
New cards

Who were major Burgundian composers?

Guillaume Du Fay and Gilles Binchois.

27
New cards

What was Binchois especially known for?

Secular chansons.

28
New cards

What was Du Fay known for?

Sacred music and works in a variety of genres.

29
New cards

What characterized Ockeghem’s style?

Independent contrapuntal voices and a full, thick, darker sonority.

30
New cards

What is canon?

A technique in which one voice imitates another according to a rule. (5th apart)

31
New cards

What is a mensuration canon?

A canon in which the voices perform the same melody at different mensurations.

32
New cards

What is a double canon?

A work organized around two simultaneous canonic relationships.

33
New cards

What is Josquin des Prez known for?

His influential polyphonic style, extensive use of imitation, and close relationship between text and music.

34
New cards

Why was Josquin especially influential?

His music was widely printed and imitated.

35
New cards

What is paraphrase in Renaissance Mass writing?

Using a preexisting melody as the basis for a new polyphonic setting, reshaping it throughout the work.

36
New cards

What is parody/imitation in Renaissance Mass writing?

Building a Mass movement from material taken from an existing polyphonic composition.

37
New cards

What three national secular genres became prominent in the sixteenth century?

The Italian madrigal, Spanish villancico, and French chanson.

38
New cards

What was the villancico?

A major Spanish secular polyphonic genre.

39
New cards

Who was associated with the Spanish villancico?

Juan del Encina.

40
New cards

What was the frottola?

An Italian secular song genre, generally simple, strophic, syllabic, and largely homophonic.

41
New cards

How did the frottola differ from the lauda?

The frottola was secular; the lauda was religious.

42
New cards

What is the Italian madrigal?

A sixteenth-century Italian secular vocal genre that set short poems and increasingly focused on expressing the text.

43
New cards

What influenced the development of the madrigal?

Humanism and the desire for a close relationship between music and text, including poetry associated with Petrarch.

44
New cards

How was the madrigal often structured?

It was commonly through-composed rather than strophic.

45
New cards

What was the goal of madrigal composers in relation to text?

To shape music according to the sound, syntax, images, and meaning of the words.

46
New cards

What is word painting?

Musically representing or illustrating the meaning or imagery of a text.

47
New cards

Who was an early important madrigal composer?

Jacques Arcadelt.

48
New cards

What did Cipriano de Rore emphasize in madrigals?

A closer bond between music and text and the expression of contrasting feelings and images.

49
New cards

What was notable about Gesualdo’s madrigals?

Extreme chromaticism and dramatic contrasts used to express intense passions and poetic ideas.

50
New cards

How did Monteverdi help lead music toward the seventeenth century?

He experimented with dissonance, new textures, and speechlike rhythms.

51
New cards

What was the concerto delle donne?

Three trained female singers at the Ferrara court who performed highly virtuosic music.

52
New cards

What characterized the French chanson in the sixteenth century?

Light, tuneful, often homophonic and syllabic writing, frequently in a lively rhythmic style.

53
New cards

Who were important French chanson composers?

Clément Janequin and Claudin de Sermisy.

54
New cards

What was Janequin known for?

Descriptive chansons that used musical sound to imitate or depict subjects.

55
New cards

What was the lute song or air?

A personal solo song accompanied by lute.

56
New cards

Who were important English lute-song composers?

John Dowland and Thomas Campion.

57
New cards

What is instrumental music?

Music intended primarily for instruments rather than voices.

58
New cards

Why is less early instrumental music preserved?

Much instrumental music was improvised or transmitted through memory rather than written down.

59
New cards

What are the five broad categories of sixteenth-century instrumental music?

Dance music, arrangements of vocal music, settings of existing melodies, variations, and abstract instrumental works.

60
New cards

What is intabulation?

An instrumental arrangement of a vocal composition, often written in tablature.

61
New cards

What are divisions or diminutions?

Techniques of elaborating a melody with faster notes and ornamental patterns.

62
New cards

What is a consort?

An ensemble of instruments of the same or related family.

63
New cards

What is a broken consort?

An ensemble combining different types of instruments.

64
New cards

What is a pavane?

A slow dance in duple meter.

65
New cards

What is a galliard?

A lively dance in triple meter.

66
New cards

What is a variation form?

A form in which a melody or harmonic pattern is repeated with changes and elaborations.

67
New cards

What is a diferencias?

A Spanish variation form.

68
New cards

Who was associated with diferencias for vihuela?

Luys de Narváez.

69
New cards

What is a toccata?

An abstract instrumental genre associated with keyboard playing and free, virtuosic writing.

70
New cards

What is a prelude?

A short instrumental piece that can introduce another work or serve as an independent piece.

71
New cards

What is a fantasia?

An abstract instrumental work characterized by imaginative contrapuntal or free writing.

72
New cards

What is a ricercare?

An abstract contrapuntal instrumental genre.

73
New cards

What did the canzona develop from?

The French chanson.

74
New cards

Why was Venice’s Saint Mark’s important to instrumental music?

Its spatial architecture encouraged divided ensembles and distinctive instrumental sonorities.

75
New cards

Who was important to the Venetian polychoral/instrumental style?

Giovanni Gabrieli.

76
New cards

What event began the Protestant Reformation?

Martin Luther’s challenge to Church practices in 1517.

77
New cards

What was Luther’s view of salvation?

Salvation came through faith alone.

78
New cards

What did Luther emphasize as the authority for Christian belief?

Scripture.

79
New cards

What is a chorale?

A strophic church hymn intended for unison congregational singing in the Lutheran tradition.

80
New cards

What was Luther’s goal for congregational music?

To involve the congregation in worship through accessible hymn singing.

81
New cards

What was the German Mass of 1526?

Luther’s German-language order of worship incorporating congregational music.

82
New cards

What is a contrafactum/contrafacta?

A new sacred text fitted to an existing melody.

83
New cards

What is Ein feste Burg?

A well-known Lutheran chorale associated with Martin Luther.

84
New cards

What did Calvin emphasize in worship?

Focus on God and avoidance of worldly distractions.

85
New cards

What kind of music did Calvin favor?

Psalms sung to monophonic tunes by the congregation.

86
New cards

What was the French Psalter?

A collection of French metrical psalms for Protestant worship.

87
New cards

What is the Old Hundredth?

A well-known psalm tune associated with the Reformed tradition.

88
New cards

Why did Henry VIII break with Rome?

Primarily for political reasons.

89
New cards

What happened to English church music after Henry VIII’s break with Rome?

Latin was replaced, but much church music retained characteristics of the Catholic tradition.

90
New cards

What happened under Edward VI?

England moved toward Protestant worship.

91
New cards

What happened under Mary?

Catholic worship was restored.

92
New cards

What happened under Elizabeth I?

A religious compromise was established.

93
New cards

What are the two main types of Anglican service music?

The Service and the anthem.

94
New cards

What was the Great Service?

A contrapuntal, often melismatic setting of the Anglican liturgy.

95
New cards

What was the Short Service?

A more chordal and syllabic setting of the Anglican liturgy.

96
New cards

Who was a major English church composer of this period?

Thomas Tallis.

97
New cards

What was the Counter-Reformation?

The Catholic response to the Protestant Reformation.

98
New cards

What was the Council of Trent?

A major Catholic council held from 1545 to 1563 that addressed doctrine and church reform.

99
New cards

What musical issues concerned Catholic reformers?

Secular melodies used in sacred works, polyphony obscuring the words, and inappropriate practices.

100
New cards

Did the Council of Trent completely ban polyphony?

No.