Media Studies - Introduction Unit - Definitions + Theories

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I LOVE MEDIA ANAYLSIS <3

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39 Terms

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Sign

A signifier (physical form e.g. sound, printed word, image) and a signified (symbol/meaning) put together

Things we see and hear

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Ferdinand De Saussure - Signifiers and Signified Theory

-created the signifier and signified

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Roland Barthes - Denotations, Connotations and Myths Theory

-denotation - literally what you see

-connotation - the meaning behind that sign

-myth - represents a more complex concept (values and ideologies of certain groups of people), often to its extremes,e.g. guns associated with American freedom and patriotism

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Charles Peirce - Triadic model of communication

-(can be in any order) sign/representamen (represents object or meaning) <> interpretant (mental concept/meaning) <> Object (subject matter)

Example:

-Interpretant (switch off machine)

-Representamen ( symbol for switch off)

-Object (computer switches off)

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Charles Peirce - Sign Categories

-Icon: obvious physical resemblance to what it signifies (e.g. a photograph of a dog)

-Symbol: no resemblance between the signifier and signified other than cultural context

-Index: some sort of physical relationship to meaning, but not directly (e.g. a cartoon of a dog)

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Codes

Anything that makes up part of the media text (e.g. image, word, colour)

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Conventions

The way that codes are used in the media text

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Polysemic

A code with more than one meaning

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Rules

The ways in which signs can be organized

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Shared understanding

The people sending and receiving the code both need to understand it

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Todorov’s Narrative

-Equilibrium, Disruption, Recognition, Attempt to repair, New Equilibrium

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Steve Neale’s Genre Theory

The idea that though genres may be marked by dominance of repetition, but also of change and subversion. 

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Genre

The type of any media product

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Semiotics

The study of signs and symbols

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Signifier

The physical form of something 

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Signified

What meaning culture has place of the signifier

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Anchorage

Linking signs to make meaning

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Paradigms

The elements that will appear in the narrative

A set of signs that share a common function/feature

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Syntagms

Putting these elements in a specific order

The combination of signs into a meaningful sequence

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Propp’s Character Types

-Hero

-Villain

-Doner

-Helper

-False Hero

-Dispatcher

-Princess

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Lévi-Strauss’ Theory of Binary Opposites

The meaning of words is a relationship between opposing ideas rather than a fixed thing (e.g. Good, Bad)

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Structuralism

The belief that meaning comes from a text’s structure

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Narrative

the way events are presented to the audience (e.g. linear, non-linear, circular etc)

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Story

the basic outline of connective events

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Plot

the specific order connective events happen

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Verbal Codes

Any text or spoken word used in a media text

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Non-Verbal Codes

Anything that isn’t text or spoken word used in a media text

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Symbolic Code

Codes that are used to convey a symbolic, rather than literal, meaning

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Mass audience

Media texts created to appeal to a large audience

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Niche audiences

Media texts created to appeal to a small, specific group of people

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Primary audience

The main audience a piece of media is targeted to

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Demographics

The statistical data relating to the populations and particular groups with in it (e.g gender, class, age, location, etc)

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Social Grades

A (upper class), B (lower upper class), C1 (upper middle class), C2 (lower middle class), D (working class), E (unemployed/receiving benefits)

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Psychographics

What is the target audiences’ personality, values, attitudes, interests, lifestyles

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Enigma codes

Things that make the audience want to learn more about the media text. This is done through mystery and intrigue.

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Cross Cultural Consumer Characterisation (4Cs)

Mainstream, Aspirer, Reformer, Succeeder, Struggler, Explorer, Resigned

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Gauntlett’s Identity Theory

-Fluidity of Identity: Gender roles change overtime

-Constructed Identity: We use the media to create our own identity

-Negotiated Identity: The relationship between you and media

-Collective Identity: Identity tribes and fandom

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Hegemony

The dominant beliefs and values that the bourgeoise create

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Dyer’s Star Theory (Actors/Celebrities)

-Construction: A star is a constructive image

-Commodity: Stars are commodities that are produced by institutions

-Ideology: Stars embody and represent certain ideologies