Film History

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57 Terms

1
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What are the four basic approaches to studying film history

Aesthetic, Technological, Economic, Social History.

2
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What does the aesthetic approach focus on

Artistic significance and influence of films/directors.

3
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What does the technological approach examine

Development of film technology and its interaction with aesthetics and production.

4
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What does the economic approach emphasize

Box office success and financial aspects of films and studios.

5
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What does film as social history study

Relationship between films and society, including cultural trends and exhibition practices.

6
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How is Citizen Kane viewed under the aesthetic approach

As a milestone in American cinema art.

7
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How is Citizen Kane viewed under the economic approach

As a product for profit; it lost money at the box office.

8
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How is Citizen Kane viewed under the social history approach

As a commentary on power and Hearst’s life.

9
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What technological innovation is associated with Citizen Kane

Deep-focus photography and special effects.

10
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Who took the first photograph and when

Joseph Nicéphore Niépce, 1827.

11
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Who invented the first color photo and when

James Clerk Maxwell, 1861.

12
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What was Edison’s motion picture viewer called

Kinetoscope.

13
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When did the first Kinetoscope parlor open

April 14, 1894.

14
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Who invented the Cinématographe and when

Lumière Brothers, 1895.

15
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What was significant about December 28, 1895

First paid public film screening in Paris.

16
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Typical length of early silent films

10 minutes or less.

17
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Who directed A Trip to the Moon and when

Georges Méliès, 1902.

18
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What is considered the first animated cartoon

Fantasmagorie (Emile Cohl, 1908).

19
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Key developments during this era

Studio system, standardized production, continuity editing, genres.

20
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Main traits of German Expressionism

Subjective perspective, distorted visuals for emotion.

21
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Examples of German Expressionist films

Cabinet of Dr. Caligari, Nosferatu, Metropolis.

22
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Two main styles

Impressionism and Surrealism.

23
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What did Impressionism emphasize

Psychological depth, dreams, POV shots.

24
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Example of Surrealist film

Un Chien Andalou (1929).

25
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What is montage

Editing technique to manipulate perception through juxtapositions.

26
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Key directors

Eisenstein, Vertov, Kuleshov, Pudovkin.

27
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Examples of Soviet Montage films

Battleship Potemkin, Man with a Movie Camera.

28
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What is the “Golden Age of Hollywood”

1927–1947.

29
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Big Five studios

MGM, Paramount, Warner Bros., RKO, 20th Century Fox.

30
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Little Three studios

Columbia, Universal, United Artists.

31
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When was the Production Code enforced

1934–1968.

32
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When did color films emerge

1930s.

33
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Main characteristics

Real-life focus, location shooting, non-professional actors, downbeat endings.

34
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Examples

Rome, Open City, Bicycle Thieves, Umberto D.

35
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Key features

Auteur theory, jump cuts, handheld cameras, playful tone.

36
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Examples

400 Blows, Breathless, Jules et Jim.

37
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What ended the Production Code

Late 1960s breakdown.

38
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Influences on New Hollywood

Neorealism, New Wave, Japanese cinema.

39
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What film started the blockbuster era

Jaws (1975).

40
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What are the Big Six

Major corporations owning most media.

41
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What is Bollywood

Hindi popular films from Bombay, melodramatic, colorful, musical.

42
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Influential Japanese director

Akira Kurosawa.

43
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Traits of indie films

Low budget, edgy content, art house audiences.

44
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Examples

Do the Right Thing, Pulp Fiction, Reservoir Dogs.

45
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What dominates recent blockbusters

Comic book superhero films.

46
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What major change in exhibition occurred recently

Streaming and simultaneous online/theater releases.

47
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Who was W.K.L. Dickson and why significant

Edison’s key collaborator; major innovations leading to Kinetoscope/early film tech.

48
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What is the significance of 1910 in film history

Start of Classic Hollywood silent cinema era (1910–1927).

49
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Name 3 German Expressionism filmmakers.

Robert Wiene, F.W. Murnau, Fritz Lang.

50
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Name 2 French Avant‑Garde filmmakers.

Jean Epstein; Luis Buñuel (with Salvador Dalí).

51
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Name 4 Soviet Montage directors.

Eisenstein, Vertov, Kuleshov, Pudovkin.

52
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Name 2 Italian Neorealism directors.

Rossellini; De Sica.

53
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Name 2 French New Wave directors.

Truffaut; Godard (also Demy).

54
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Name 4 New Hollywood filmmakers (as listed).

Woody Allen, Robert Altman, Coppola, Polanski, Pollack (any four).

55
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Name key Blockbuster‑era filmmakers

Steven Spielberg; George Lucas.

56
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Besides Asia, note other national film industries mentioned.

Europe, Australia, New Zealand, Canada, Latin America, Africa (art‑house trends).

57
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Briefly list one advantage and one disadvantage of media conglomerates controlling film.

Advantage: capital & distribution scale; Disadvantage: concentration may narrow diversity/independence.