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Samuel Taylor coleridge was in the ______ movement
romantic
romantic movement had emphasis onÂ
nature, emotion, mystery and pushback against Industrial revolution
Samuel Taylor Coleridge also wrote
kubla kahn
a source of frustration, obstruction, or guilt, from which it is difficult to rid oneself, a burden, an encumbrance; a hindrance
albatross
an idealized place of great or idyllic magnificence and beauty
Xanadu
stress on the 1st syllable
trochaic
stress on he 2nd syllable
iambic
same as stress. a syllable given more prominence in pronunciation than its neighbors
accent
a narrative or description having a second meaning beneath the surface one; unlike an extended metaphor in that it involves a system of related comparisons rather than one comparison drawn out
allegory
the repetition at close intervals of the initial consonant sounds of accented syllables or important words. Can alsoinclude vowels
alliteration
a reference to something in literature or history
allusion
repetition of an opening word or phrase in a series of lines
anaphora
a figure of speech in which someone absent or dead or something nonhuman is addressed as if it were alive and present and could reply
apostrophe
a term used for words in a rhyming pattern that have some kind of sound correspondence but aren’t perfect rhymes
approximate rhyme
a harsh, discordant, unpleasant-sounding choice and arrangement of sounds
cacophony
a speech pause occuring within a line
caesura
what a word suggests beyond its basic defintion; a word;s overtones of meaning
connotation
the repition at close intervals of the finalconsonant sound of accented syllables or important words
consonance
the basic definition or dictionary meaning of a word
denotation
the situation, whether actual or fictional, realistic or fanciful, in whihc an author places his or her characters in order to express the theme
dramatic framework
a figure of speech sustained or developed through a considerable number of lines or through a whole poem
extended figure
a smooth, pleasant sounding choice and arrangement of sounds
euphony
language employing figures of speech; language that cannot be taken literally or only literally
figurative language
broadly any way of saying something other than the ordinary way; more narrowly a way of saying one thing and meaning another
figure of speech
figure of speech in which exaggeration is used in the service of truth
hyperbole
the representation through language of sense experience
imagery
a situation, or a use of language, involving some kind of incongruity or discrepancy
irony
a figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable
metaphor
a figure of speech in which some significant aspect or detail of an experience is used to represent the whole experience
metonymy
the use of words that mimic their meaning in thiier wsounds
onomatopoeia
a compound paradox in which two succesive words seemingly contradict each other
oxymoron
a statement or situation containing apparently contradictory or incompatible elements
paradox
a situation containing apparently but not actually incompatible elements
paradoxical situation
a restatement of the content of a poem designed to make its prose meaning as clear as possible
paraphrase
a word whose sound, by an obscure process, to some degree suggests its meaning. different from onomatopoeia
phonetic intensive
that part of a poems total meaning that can be separarted out and expressed through paraphrase
prose meaning
in natural speech, as in prose and poetic writing, the stressing of words or syllables so as to emphasize meaning and sentence structure
rhetorical stress
any wavelike recurrence of motion of sound
rhythm
repetition of an accented vowel sound
rhyme
bitter or cutting speech; speech intended by its pseaker to give pain to the person addressed
sarcasm
a figure of speech comparing two things that are essentially unlike, the comparison is made explicit by the use of some such word or phrase as like, as, similar to, etc
simile
a figure of speech in which something (object, person, situation, or action) means more than what it is. a symbol, in other words,may be read both literallyand metaphorically
symbol
a figure of speech in which a part is used for the whole
synecdoche
presentation of one sense expereince in terms usually associated with another sensatiom
synesthesia
the central idea of a literary work
theme
the writers or speakers attitude toward the subject, audience, or herself or himself; the emotional coloring, or emotional meaning, or a work
tone
the total experience communicated by a poem. it includes all those dimensions of experience by whihc a poem communicates and it can be communicated in no other words than those of the poem itself
total meaning
a figure of speech that consists of saying less than one means, or of saying what one means with less force than the occasion warrants
understatement
a metrical foot consisting of two unaccented syllables followed by one accented syllable
anapest
a meter in which amajority of the feet are anapests (triple meter)
anapestic meter
a fairly short narrative poem written in asonglike stanza form
ballad
unrhymed iambic pentameter
blank verse
that form of a poem in which the lines follow each other without formal grouping, only breaks being dictated by units of meaning
continuous form
two succesive lines, usually in the same meter, linked by rhyme
couplet
a metrical foot consisting of one accented syllable followed by two unaccented syllables
dactyl
a meter in which the majority of the feet are dactyls (triple meter)
dactylic meter
a metrical line containing two feet
dimeter
a rhyme in which the repeated vowel is in the second last syllable of words involved; a form of feminine rhyme
double rhyme
a meter in which a majority of the feet contain two syllables. Iambic and trochaic are both _____ meters
duple meter
rhymes that occur at the ends of lines
end rhyme
a line that ends with a natural speech pause, usually marked by punctuation
end stopped line
a rhyme in which the repeated accent vowel is in either the second or third last syllable of the words involved
feminine rhyme
the rhythmic expectation set up by the basic meter of a poem. keeping too closely to the expected rhythm can make the poem dull and uninteresting rhythmically; departing too far can muddle the poem
expected rhythm
any form of poem in which the length and pattern are prescribed by previous usage or tradition, such as sonnet, limerick, villanelle, and so on
fixed form
the basic unit used in the scansion or measurement of metrical verse. a foot usually contains one accented syllable and one or two unaccented syllables (spondaic foot is modification)
foot
the external pattern or shape of poem, describable without reference to its content, as continuous form, stanzaic form, fixed form, free verse, and syllabic verse
form
nonmetrical poetryin whcih the basic rhytmic unit is the line, and in which pauses,line breaks, and formal patterns developorganically from the requirements of the individual poem rather than from established poetic forms
free verse
the actual rhythm of a metrical poem as we hear it when it is read naturally. the heard rhythm mostly conforms to but sometimes departs from the expected rhythm
heard rhythm
a metrical line consisting of six feet
hexameter
a metrical line consisting of one unaccented syllable followed by one accented syllablleÂ
iamb
a meter in which the majority of feet are iambs. the most common english meter
iambic neter
a rhyme in which one or both of the rhyme words occurs within the line
internal rhyme
a sonnet consisting of an octave rhyming abbaabba and of a sestet using any arrangement of two or three additional rhymes such as cdcdcd or cdecde
petrachan sonnet (italian sonnet)
a fixed form consisting of five lines of anapestic meter, the first two trimeter, the next two dimeter, the last trimeter, rhyiming aabba; used for humorous or nonsense verse
limerick
a rhyme in which the repeated acented vowel sound is in the final syllable of the words involved
masculine rhyme (or single rhyme)
the regular patterns of accent that underlie metrical verse; the measurable repetition of accented and unaccented syllables in poetry
meter
departures from the basic metrical pattern {substitution, extra-metrical syllables, truncation)
metrical variations
a metrical line containing one foot
monometer
1 an eight line stanza, 2 the first eight lines of a sonnet (especially an italian sonnet)
octave
a metrical line containing five feet
pentameter
a figure of speech in which human attributes are given to an animal, an object, or a concept
personification
usually a short composition having the intentions of poetry but written in prose rather than verse
prose poem
1 a four line stanza 2 a four-line division of a sonnet marked off by its rhyme scheme
quatrain
a repeated word, phrase, line, or group on lines, normally at some fixed position in a poem written in stanzaic form
refrain
any fixed pattern of rhymes characterizing whole poem or its stanzas
rhyme scheme
a line which has no natural speech pause at its end, allowin gthe sense the sense to flow uninterruptedly into the succedding line
run-on line (enjambment)
the process of measuring metrical verse, that is, of marking accented and unaccented syllables, diving the lines into feet, identifiying the metrical pattern and noting significan variations from that pattern
scansion
1 a six line stanza, 2 the last six lines of a sonnet structured on the italian model
sestet
a sonnet rhyming ababacdcdefefgg. its content or structure ideally parallels the rhyme scheme, falling into three coordinate quatrains and a concluding couplet, but it is often structured, like the italian sonnet, into octave and sestet, the principal break in thought coming at the end of the eight line
shakespearian sonnet (or english sonnet)
a fixed form of fourteen lines, normally iambic pentameter, which a rhyme scheme conforming to or approximating one of two main types, the italian or the english
sonnet
a metrical foot consisting of two syllables equally or almost equally accented (true-blue). rarely used as main metrical foot, usually found as irregular feet
spondee
a group of lines whose metrical pattern
(usually its rhyme scheme as well) is repeated throughout the poem
stanza
the form taken by a poem when it is written in a series of units having the same number of lines and usually other characteristics in common, such as metrical pattern or rhyme scheme
stanzaic form
verse measured by the number of syllables rather than the number of feet per line
syllabic verse
a three-line stanza exhibited in terza rima and villanelle as well as in other poetic forms
tercet
an interlocking rhyme scheme with the pattern aba bcb cdc, etc
terza rima
a metrical line containing four feet
tetrameter
a metrical line containing three feet
trimeter
a meter in which a majority of the feet contain three syllables. anapestic and dactylic are both ___ meters
triple meter
a metrical foot consisting of one accented sylllable followed by one unaccented syllable
trochee