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color theory
the art and science of color interaction and effects
additive color
color created by combining projected beams of chromatic light. the additive color primaries are red, green, and blue, and the secondaries are cyan, magenta, and yellow
subtractive color
hue created when light is selectively reflected off a color surface
process colors
in four-color process printing, the subtractive primary colors: yellow, magenta, and cyan, plus black
what our perception of additive color is influenced by
the intensity of projected light
the light source
the surface quality of the illuminated object
the overall amount of light in the environment
color overtones
the secondary hue “bias” in a primary color
ex. alizarin crimson is red with violet overtones, scarlet is red with orange overtones
achromatic
a color such as black or white with no hue
color interaction
the way colors within a composition influence one another
simultaneous contrast
the optic alteration of a color by a surrounding color, the apparent change in a color when it is paired with another color
opponent theory
an explanation for the electric glow that occurs when two complementary colors are placed side by side
afterimage
in color theory, a ghostly image that lingers after the actual image has been removed
hue
the name of a color (such as red or yellow), which distinguishes it from others and assigns it a position in the visual spectrum
primary colors
colors from which virtually all other colors can be mixed
additive (light) color primaries
red, green, blue
subtractive (pigment) color primaries
yellow, magenta red, cyan blue
secondary colors
hues mixed from adjacent primaries
violet, green, orange
tertiary colors
a hue that is mixed from a primary color and an adjacent secondary color
temperature
the physical and psychological heat suggested by a color’s hue
value
the relative lightness or darkness of a color
tint
a hue that has been mixed with white
tone
a hue that has been mixed with black and white
shade
a hue that has been mixed with black
intensity
the purity, saturation, or chroma of a color
ex. fire-engine red is high-intensity, brick red is low-intensity
saturation
the purity, chroma, or intensity of a color
chroma
the purity, intensity, or saturation of a color
color harmony
use of compatible colors to help unify a composition
monochromatic
a color scheme based on variations in a single hue
analogous
a color scheme based on hues that are adjacent on a color wheel
ex. red, red-orange, orange
complementary
hues that oppose one another on a color wheel. when paired in composition these colors create contrast, when mixed they produce a wide range of browns
split complementary
a complementary color plus the two coolors on either side of its complement on the color wheel
triadic
describes a color scheme based on three colors that are equidistant on a color wheel
chromatic gray
a gray made from a mixture of various hues, rather than a simple blend of black and white
earth colors
colors made primarily from pigments found in soil, including raw and burnt sienna, raw and burnt umber and yellow ochre
disharmony
a combination of colors that clash with one another and appear to be jumping out of the picture
color key
a color that dominates an image and heightens its psychological and compositional impact