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Staff
The five lines and four spaces used to notate pitch.
Clef
A symbol that assigns pitches to lines and spaces on the staff.
Treble Clef
Clef that places G4 on the second line.
Bass Clef
Clef that places F3 on the fourth line.
Alto Clef
C clef centered on the middle line.
Tenor Clef
C clef centered on the fourth line.
Grand Staff
Treble and bass clefs joined together.
Ledger Lines
Short lines added above or below the staff to extend pitch range.
Pitch
How high or low a sound is perceived.
Accidentals
Marks that raise or lower a pitch (♯, ♭, ♮, 𝄪, 𝄫).
Enharmonic
Two notes that sound the same but are spelled differently.
Octave Designation
Numbering system indicating pitch register (ex: C4 is middle C).
Beat
The steady pulse of the music.
Tempo
The speed of the beat.
Rhythm
Patterns of long and short sounds.
Meter
The organization of beats into recurring groups.
Simple Meter
Meter where the beat divides into two equal parts.
Compound Meter
Meter where the beat divides into three equal parts.
Asymmetric Meter
Meter with irregular beat groupings like 5/8 or 7/8.
Time Signature
Numbers showing beats per measure and beat value.
Measure
A group of beats bounded by barlines.
Barline
A vertical line that divides measures.
Downbeat
The first beat of the measure.
Upbeat (Anacrusis)
A pickup note before the first full measure.
Subdivision
Dividing the beat into smaller units.
Note Values
Notation symbols that indicate duration.
Rests
Symbols indicating silence for a specific duration.
Dot
Adds half the value of a note.
Double Dot
Adds three-fourths the value of a note.
Tie
Connects two notes of the same pitch into one sound.
Slur
Indicates notes to be played smoothly.
Syncopation
Accents on weak beats or off-beats.
Whole Step
Two half steps.
Half Step
The smallest interval in Western music.
Major Scale
Pattern of W-W-H-W-W-W-H.
Natural Minor Scale
Pattern of W-H-W-W-H-W-W.
Harmonic Minor
Natural minor with raised 7th.
Melodic Minor
Natural minor with raised 6 and 7 ascending; natural minor descending.
Scale Degree
The position of a note in a scale (1–7).
Scale Degree Names
Tonic, supertonic, mediant, subdominant, dominant, submediant, leading tone.
Key Signature
Sharps or flats indicating the key.
Circle of Fifths
Diagram showing key relationships.
Parallel Keys
Major and minor keys with same tonic.
Relative Keys
Major and minor keys with same key signature.
Tonality
Music organized around a tonic.
Atonal
Music without a tonal center.
Interval
The distance between two notes.
Interval Quality
Perfect, major, minor, augmented, diminished.
Consonance
Stable-sounding interval.
Dissonance
Unstable-sounding interval.
Compound Interval
Interval larger than an octave.
Melodic Interval
Notes sounded one after another.
Harmonic Interval
Notes sounded at the same time.
Inversion
Flipping an interval so the bottom note moves to the top.
Melodic Contour
The shape of a melody.
Conjunct Motion
Stepwise melodic motion.
Disjunct Motion
Melodic motion by leaps.
Motive
A short musical idea.
Phrase
A musical “sentence.”
Cadence
A point of melodic or harmonic closure.
Sequence
Repeating a motive at a different pitch.
Repetition
Exact reuse of musical material.
Ornamentation
Decorative musical embellishments like trills and turns.
Monophonic
One melody without accompaniment.
Homophonic
Melody with chordal accompaniment.
Polyphonic
Two or more independent melodies.
Homorhythmic
All voices share the same rhythm.
Heterophonic
Simultaneous variations of one melody.
Timbre
The tone color or quality of a sound.
Instrument Families
Groups: strings, brass, woodwinds, percussion, voices.
Register
The relative high or low range of pitches.
Triad
A three-note chord built in thirds.
Root
The fundamental pitch of a chord.
Third
The middle note of a triad.
Fifth
The highest note of a basic triad.
Major Triad
Triad with major third + perfect fifth.
Minor Triad
Triad with minor third + perfect fifth.
Diminished Triad
Triad with minor third + diminished fifth.
Augmented Triad
Triad with major third + augmented fifth.
Root Position
Triad with the root in the bass.
First Inversion
Triad with the third in the bass (6).
Second Inversion
Triad with the fifth in the bass (6/4).
Seventh Chord
A triad with a seventh above the root.
Major Seventh Chord
Major triad + major seventh.
Dominant Seventh Chord
Major triad + minor seventh.
Minor Seventh Chord
Minor triad + minor seventh.
Half-Diminished Seventh
Diminished triad + minor seventh (ø7).
Fully Diminished Seventh
Diminished triad + diminished seventh (°7).
7th Chord Inversions
Root (7), first (6/5), second (4/3), third (4/2).
Roman Numeral Analysis
System identifying chords by scale degree and quality.
Figured Bass
Numbers showing intervals above the bass note.