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Tim O’Brien
Narrator; tells stories to cope with guilt, trauma, and memory.
Jimmy Cross
Lieutenant; carries guilt over Ted Lavender's death; obsessed with Martha.
Kiowa
Devout Baptist; moral and spiritual compass; dies in sewage field.
Norman Bowker
Struggles with postwar guilt and isolation; can't reintegrate.
Mitchell Sanders
Storyteller; believes emotional truth > literal truth.
Rat Kiley
Medic; emotional and raw; shoots self to escape war.
Ted Lavender
Anxious soldier; takes tranquilizers; dies early.
Curt Lemon
Cocky; afraid of the dentist; dies while playing with grenade.
Azar
Immature and cruel; makes inappropriate jokes about death.
Henry Dobbins
Big and kind; wears girlfriend's pantyhose for luck.
Lee Strunk
Fights Jensen; loses leg; begs not to be killed.
Dave Jensen
Breaks his own nose out of guilt; makes a death pact.
Kathleen
Tim’s daughter; symbolizes innocence.
Martha
Jimmy Cross’s obsession; distant, represents unattainable love.
Elroy Berdahl
Silent, kind old man who gives O’Brien space to decide about the war.
Guilt & Responsibility (who)
Cross, Bowker, O'Brien feel deep guilt.
Masculinity & Identity
Performing toughness while hiding emotion.
Death & Loss
Constant; surreal and often senseless.
Fear & Shame
Drives decisions more than patriotism.
Imagination & Truth
Blurs line between reality and fiction.
Trauma
Lingers even after war ends.
Storytelling
Helps preserve memory and process grief.
Symbol: Martha’s letters & photos
Distraction and emotional burden.
Symbol: The pebble
Love and longing; symbolic comfort.
Symbol: Kiowa’s Bible/moccasins
Faith, morality, and silence.
Symbol: Pantyhose
Henry Dobbins’ lucky charm; emotional anchor.
Symbol: Dead Vietnamese man
O’Brien's guilt and storytelling.
Symbol: Mud/sewage field
Kiowa’s death; emotional weight of war.
Alliteration
Repeating first sounds (“silent soldiers”).
Allusion
Reference to other works (Bonnie & Clyde).
Characterization
How author develops a character.
Connotation
Emotional meaning (“home” = warmth).
Denotation
Dictionary definition (“home” = residence).
Diction
Word choice (often blunt or emotional).
Figurative Language
Similes, metaphors, symbolism.
Hyperbole
Exaggeration (“a million pounds of guilt”).
Imagery
Sensory language (“pink mist,” “mud”).
Irony
Unexpected outcomes; Lavender dies after peeing.
Juxtaposition
Contrasting ideas (war is beautiful + horrific).
Metaphor
War as fog, burden, weight.
Simile
“Like cement” when Lavender dies.
Symbol
Physical objects that represent emotions.
Syntax
Sentence structure affects tone/mood.
Tone
Author’s attitude (reflective, bitter, mournful).
Inference
Educated guess; implied meaning.
Implicit vs. Explicit
Implied vs. directly stated.
Rhetorical Purpose
Why the author tells the story.
Parallel Structure
Repetition for rhythm/emphasis (“They carried…”).
Plot structure: Exposition
Intro of setting/characters.
Plot structure: Rising Action
Conflict builds
Climax
Turning point/high tension.
Falling Action
Conflict winds down.
Resolution
Conflict is resolved.
1st Person POV
Narrator is in the story (“I”).
2nd Person POV
Narrator addresses “you” (rare).
3rd Person Limited
3rd Person Limited
3rd Person Omniscient
Thoughts of all characters known.
“On the Rainy River”
Shame > morality; fear of judgment.
“How to Tell a True War Story”
Truth is emotional, not factual.
“The Dentist” (Curt Lemon)
Fear hides behind boldness.
Rat Kiley’s buffalo
Grief channeled through violence.
Norman Bowker
Can’t express trauma; example of postwar silence.
Linda (O’Brien’s first love)
Death and memory's role in healing.
Spin
War includes oddly sweet, funny, sad moments.
In-text citation formatting
“Quote” (O’Brien 42).
Works Cited (book) formatting
O’Brien, Tim. The Things They Carried. Mariner Books, 2009.
Formatting (docment)
12 pt. Times New Roman, double-spaced, header with name/page number.
Works Cited Page
Alphabetized, separate page, hanging indent.
Motif
Repeated element or idea.
Theme
Main message/idea.
Foreshadowing
Hints of what’s to come.
Flashback
A scene from the past.
Dialogue
Character conversation.
Mood
Reader’s emotional response.
Narrative Structure
How a story is built (e.g., nonlinear).
Story-truth
An emotional or imagined version of events that feels real.
Happening-truth
What literally occurred; factual, historical truth.
Example of Story-truth
O’Brien imagines the man he killed’s life and backstory.
Example of Happening-truth
O’Brien threw a grenade and killed a man in Vietnam.
Mournful
Expresses sadness, loss (e.g. Kiowa’s death).
Reflective
Thoughtful; O’Brien looks back on events as an older man.
Bitter
Resentful, critical (e.g. toward people who don’t understand war).
Ironical
Emphasizes contrast or absurdity (e.g. calling war “mellow”).
Tone vs. Mood
Tone = author’s attitude; Mood = reader’s emotional response.
Symbol vs. Metaphor
Symbol = object with deeper meaning; Metaphor = comparison
Irony trap
Watch for unexpected opposites (e.g. tranquilizers = calm, then death).
Point of View trap
Watch for shifts; narrator can reflect back vs. live through events.
Lavender’s Death
Forces Cross to face guilt; burns Martha’s letters.
Linda
O’Brien’s childhood love; shows death can be softened through memory/story
Rat Kiley’s Buffalo Scene
Symbol of displaced grief after Lemon’s death.
Norman Bowker
Drives in circles; represents postwar silence and PTSD.
Metonymy
Related term replaces whole (e.g. “the crown” = the king).
Synecdoche
Part stands in for whole (e.g. “all hands on deck”).
Anaphora
Repetition at the start of lines (“They carried…”).
Ambiguity
Unclear meaning; invites multiple interpretations (TTTC thrives on this!).
True War Story Rule
If it sounds moral or uplifting, it’s probably false.
Purpose of Buffalo Scene
Not cruelty — it’s Rat Kiley’s grief for Curt Lemon.
Why O'Brien writes
To keep people alive through storytelling and to process grief.
Mitchell Sanders's lesson → Truth is emotional, not always literal; it's about how a story feels.
Truth is emotional, not always literal; it's about how a story feels.
Jimmy Cross's leadership shift
Becomes stricter after Lavender's death out of guilt.