FilmP 251 Midterm

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24 Terms

1
Aperture
measured by f stop, the amount of light coming through the lens onto the film
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2
What are the common f-stops on the aperture scale? (most to least light)
1\.4, 2, 2.8, 4, 5.6, 8, 11, 16, 22
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3
What is the frame rate we use?
24fps
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4
Persistence of Vision
a type of optical illusion where the human eye continues to briefly see an image after it has disappeared from view; at 24fps the brain cannot see the single image
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5
What are the names of different focal lengths?
Wide angle, normal, telephoto
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6
How does the background appear in an image using telephoto?
the background appears closer
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7
How does the background appear in an image using a wide angle?
the background appears distant
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8
What are the different mm and degrees related to focal length? (wide angle to narrow angle/telephoto)
14mm & 83°, 35mm & 39°, 50mm & 28°, 100mm & 14°, 200mm & 7°,
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9
How are lens classified?
  • by focal length (wide angle/normal/telephoto)

  • by speed (fast/slow)

  • fixed/variable focal length (prime/zoom)

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10
What controls depth of field?
  • Aperture (wide=shallow/small=deep)

  • focusing distance (near=shallow/far=deep)

  • focal length (telephoto=shallow/wide angle=deep)

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11
What is the aspect ratio we use?
16:9
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12
Rule of Thirds
a composition guideline where the frame is divided into thirds, vertically and horizontally; what should the audience’s eye look to? Where are the power points/intersections?
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13
Balanced Composition
objects/people/etc. are placed using the rule of thirds and create an aesthetically pleasing look or add emphasis to negative space/positive space in the image
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14
Shot Sizes
  • ECU-Extreme Close Up

  • CU-Close Up

  • MCU-Medium Close Up

  • MS-Medium Shot

  • MLS-Medium Long Shot

  • LS-Long Shot

  • ELS-Extreme Long Shot

  • Low Angle

  • High Angle

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15
Hitchcock’s Rule
The size of any object in the frame should be proportional to its importance to the story at that moment
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16
What are the 4 Rules of Film Grammar?
  • 180° Rule

  • 30° Rule

  • Screen Direction

  • Film Time: Elaboration & Compression

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17
180° Rule
the camera should stay on one side of an imaginary line between characters to preserve visual consistency
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18
30° Rule
move the camera 30° from the axis of the last shot, so the shot doesn’t look weird in the edit
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19
Screen Direction
the relationship between the direction that characters and objects move in a scene to the frame; left to right
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20
How can screen direction change?
  • change within the frame

  • cut to a neutral shot

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21
Film Time: Elaboration & Compression
Elaboration: long takes, longer/drawn out pace ex. Call Me By Your Name, we watch Oliver come down the stairs and we watch him touch the walls and leave the room/frame

Compression: cutting out unnecessary details, quicker pace
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22
Point of View (POV) Setup
  1. Looking shot

  2. POV shot

  3. Reaction Shot

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23
Eyeline Match
technique to indicate to the audience what a character is seeing/looking at
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24
What makes moving image possible?

1. Camera Obscura Phenomenon 2. Persistence of Vision 3. Invention of Photography (1850)
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