Renaissance Art

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18 Terms

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Renaissance Art
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What was the Renaissance?
- Began around 1350 in Italy
- French word that means "rebirth."
- A revival of classical forms originally developed by ancient Greeks and Romans; concerned with secular life—interest in humanism and assertion of the importance of the individual (Humanists).
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The top four Breakthroughs in art skills during the Renaissance:
- Oil on Canvas
- Perspective
- Chiaroscuro
- Pyramid Configuration
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New Techniques
1. Realism & Expression
2. Perspective
3. Classicism
4. Emphasis on Individualism
5. Geometrical Arrangement of Figures
6. Light & Shadowing/Softening Edges
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1. Realism & Expression
i) Showing scenes as they actually appear
ii) Expression is different depending on the individual and the scene

Left: 'Christ Pantocrator', Byzantine Mosaic (6th century)
Right: 'Christ Blessing' by Antonello da Messina (1465)
i) Showing scenes as they actually appear
ii) Expression is different depending on the individual and the scene

Left: 'Christ Pantocrator', Byzantine Mosaic (6th century)
Right: 'Christ Blessing' by Antonello da Messina (1465)
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2. Perspective
i) A graphic system that creates the illusion of depth and volume on two-dimensional surfaces

Example: 'The Trinity' by Masaccio (1427)
i) A graphic system that creates the illusion of depth and volume on two-dimensional surfaces

Example: 'The Trinity' by Masaccio (1427)
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3. Classicism
i) Greek and Roman influence where perfect proportion is the ideal
ii) Secularism: Without religious influence
Humanism: Emphasizes reason and human fulfillment

Example: Venus de' Medici/The Classical Pose
i) Greek and Roman influence where perfect proportion is the ideal
ii) Secularism: Without religious influence
Humanism: Emphasizes reason and human fulfillment

Example: Venus de' Medici/The Classical Pose
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4. Emphasis on Individualism
i) Highlighting specific characteristics to show how one subject is unique from another

Painting: '~~The~~ Duke & Duchess of Urbino' by Piero della Francesca (1465-1466)
i) Highlighting specific characteristics to show how one subject is unique from another

Painting: '~~The~~ Duke & Duchess of Urbino' by Piero della Francesca (1465-1466)
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5. Geometrical Arrangement of Figures
i) The arrangement of figures to form geometric shapes

Painting: 'The Dreyfus Madonna with the Pomegranate' by Leonardo da Vinci (1469)
i) The arrangement of figures to form geometric shapes

Painting: 'The Dreyfus Madonna with the Pomegranate' by Leonardo da Vinci (1469)
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6. Light & Shadowing/Softening Edges
i) Chiaroscuro: The use of extreme contrast between light and dark to create a dramatic effect
ii) Sfumato: The blurring or softening of sharp outlines by gradually blending one tone into another

Painting: 'Ginevra de' Benci' by Leonardo da Vinci (1474-1478)
i) Chiaroscuro: The use of extreme contrast between light and dark to create a dramatic effect
ii) Sfumato: The blurring or softening of sharp outlines by gradually  blending one tone into another

Painting: 'Ginevra de' Benci' by Leonardo da Vinci (1474-1478)
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Early Renaissance Artists
1. Masaccio (1401-1428)
2. Donatello (1386-1466)
3. Sandro Botticelli (1445-1510)
4. Leonardo Da Vinci (1452-1519)
5. Raphael Sanzio (1483-1520)
6. Michelangelo (1475-1564)
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Masaccio (1401-1428)
- His frescoes are the earliest monuments of Humanism
- One of the first to use perspective
- All of his works are religious in nature—altarpieces or church frescoes

Painting: Trinity (1425-1428)
- His frescoes are the earliest monuments of Humanism
- One of the first to use perspective
- All of his works are religious in nature—altarpieces or church frescoes

Painting: Trinity (1425-1428)
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Donatello (1386-1466)
Donatello (1386-1466)
- Recaptured the central discovery of Classical sculpture
- Contrapossto
- Inspired by ancient visual examples

Paintings:
Mary Magdalene, c.1453- 1455, Wood
- Emphasizes her physical and mental anguish and also her strength and determination
- Recognized for the astonishing realism

David, circa 1435-1440, Bronze
- David is shown standing and resting his foot resting on the severed head of Goliath.
- Victorious attitude
- Recaptured the central discovery of Classical sculpture
- Contrapossto
- Inspired by ancient visual examples

Paintings:
Mary Magdalene, c.1453- 1455, Wood
- Emphasizes her physical and mental anguish and also her strength and determination
- Recognized for the astonishing realism 

David, circa 1435-1440, Bronze 
- David is shown standing and resting his foot resting on the severed head of Goliath. 
- Victorious attitude
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Sandro Botticelli (1445-1510)
- Decorative linear style
- Influence of Byzantine Art
- Biblical Subject Matter

Paintings:
The Birth of Venus c. 1485
- Symbol of the coming spring
- Her depiction as a nude is noteworthy in itself, given because during Renaissance period rarely were nudes ever painted mostly themes of Christianity
- Decorative linear style
- Influence of Byzantine Art
- Biblical Subject Matter

Paintings:
The Birth of Venus c. 1485
- Symbol of the coming spring
- Her depiction as a nude is noteworthy in itself, given because during Renaissance period rarely were nudes ever painted mostly themes of Christianity
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Leonardo Da Vinci (1452-1519)
- A scientist, inventor, and an artist
- Considered one of the greatest painters of the Italian Renaissance

Paintings:
Mona Lisa, 1506

The Last Supper, 1498, Fresco
- Disciples are all displaying very human, identifiable emotions
- Every single element of the painting directs one's attention straight to the midpoint of the composition, Christ's head.
- A scientist, inventor, and an artist
- Considered one of the greatest painters of the Italian Renaissance

Paintings:
Mona Lisa, 1506

The Last Supper, 1498, Fresco 
- Disciples are all displaying very human, identifiable emotions
- Every single element of the painting directs one's attention straight to the midpoint of the composition, Christ's head.
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Raphael Sanzio (1483-1520)
- Expressed all qualities of High Renaissance art and the use of light and shadow

Paintings:
The School of Athens, 1511
- Subject matter is classical
- Painting depicts philosophers from the ancient world, such as Plato, Aristotle and Socrates assembled in the center
- Figures have idealized bodies, graceful gestures and a beautiful spacious environment
- Expressed all qualities of High Renaissance art and the use of light and shadow

Paintings:
The School of Athens, 1511
- Subject matter is classical
- Painting depicts philosophers from the ancient world, such as Plato, Aristotle and Socrates assembled in the center 
- Figures have idealized bodies, graceful gestures and a beautiful spacious environment
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Michelangelo (1475-1564)
- Architect, sculptor, painter, poet and engineer
- Carved his sculptures from one block
- Pieta means pity
- Pyramid configuration

Examples:
David, marble, 1501-1504
- "Triumphant David" in that he shows him after he has already killed Goliath and his foot rests upon the giant's severed head.
- Contrapposto pose
- Architect, sculptor, painter, poet and engineer
- Carved his sculptures from one block
- Pieta means pity
- Pyramid configuration

Examples: 
David, marble, 1501-1504
- "Triumphant David" in that he shows him after he has already killed Goliath and his foot rests upon the giant's severed head.  
- Contrapposto pose
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Renaissance Portraits with a Modern Twist
Alan Macdonald (b. 1962)
- His portraits are in the Renaissance style however, emphasize a sense of consumerism (the void in our lives we are trying to fill on a superficial level)
Alan Macdonald (b. 1962)
- His portraits are in the Renaissance style however, emphasize a sense of consumerism (the void in our lives we are trying to fill on a superficial level)