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'winds of Heaven', 'law divine'
Links back to the title in which Shelley compares his lack of love with a philosophical argument, and is reducing the concept of love to be a straightforward step-by-step plea.
'Why not I with thine?'
This is the first time the personal pronoun "I" is referenced, suggesting the speaker is relying on the impact of natural imagery to convince the woman she should be with him
'mountains kiss high heaven'
Pathetic Fallacy and Assonance indicate how natural and simple it would be for them to be together
'sunlight clasps the earth', 'moonbeams kiss the sea'
'sunlight' and 'moonbeams' form an antithesis, showing he is passionate both night and day