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Introduction
Both explore how power can attempt to control or erase personal and cultural identity
Both speakers resist through memory, language and emotional attachment
Agard was educated under colonial rule with Eurocentric history not his- universally apply to those living in oppression
Carol travelled widely through Eastern Europe- link to modern day refugee crisis
Through vivid imagery, structural choices and emotive language, both poets show that true identity survives and resists even the most powerful attempts at suppression
Point 1
Both Agard and Rumens explore how external forces seek to suppress cultural identities, but their speakers resist this control through memory and voice
‘Bandage up me eye with me own history’
deliberate concealment of true heritage
‘Branded by an impression of sunlight’
memories are permanent despite efforts to erase them
Point 2
Both poets depict emotional attachment as a powerful means of resisting oppression, with the speakers using personal connections to reclaim lost identities
‘I carving out me identity’
reinforces speaker actively shaping identity, using emotional connection and memory
‘I comb its hair and love its shining eyes’
represents attachment to homeland, memory feel tangible
Point 3
In both poems, language and structure become tools of resistance, allowing poets to challenge the forces that seek to control identity and history
‘But dem never tell me bout Mary Seacole’
‘but’ enjambment- tie together white and black history- cannot be ignored
‘Dem’- non standard grammar subverts expected form of English, challenging the forces that seek to control identity
‘There once was a country…’
ellipsis suggests hard to define- marked by loss and corruption