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Sketchbook of Villiard D’Honnecourt: 13th c Classical sculpture; Christ in Majesty & Dragon
Cathedral of Reims. Classical Style or “Loop fold or classical style”. Classical prototypes transmitted by architects/Master Masons-1250
Rise of Architect and Sculptor - changes in social position and education in gothic period
How sketchbook of Villiard D’Honnecourt show the way classical models made their way into buildings like Reims
How literate masons recorded and transmitted the work they saw
Rise of Architect and Sculptor - changes in social position and education in gothic period
Architects and sculptors shifted from anonymous to a recognized profession that could provide fame
their training shift from a hands-on apprenticeship to including literacy to intertwine the deeper messages that want to be conveyed
gained a higher social standing
How sketchbook of Villiard D’Honnecourt show the way classical models made their way into buildings like Reims
sculptors used the same classical drapery patterns and figural types seen in the sketchbook
sketchbook was used as a portable manual for masons for them to replicate stuff in stone
How literate masons recorded and transmitted the work they saw
the books were templates for drapery and figure types
books showed the geometry and proportion diagrams

How does Louis IX’s palace chapel express the intimate the relationship between the monarchy and religion?
How does the king coopt sanctity through this building, and in other ways in Paris
How does Louis IX’s palace chapel express the intimate the relationship between the monarchy and religion?
was made to be a reliquary for relics as well as the kings and families own bodys
How does the king coopt sanctity through this building, and in other ways in Paris
getting the crown of thorns made Louis IX gave him religious prestige
created the extravagant gold image to compete with notre dame
processions with his relics went around to churches in paris parading the crown of thorns
began making his own chapels in the city

Discuss the Medieval idea of Courtly Love as it is seen in these works. Ivory Caskets –France, 14thc
The “Siege of the Castle of Love” - Courtly Love Ideals
an allegory of courtship framed as mock warfare
women throw flowers at the men sieging the castle
women in the castle have the power to choose compared to the men sieging the castle
hopkins says maidens in the “palace of Love” decide which suitors are worthy to enter and “repulse the unworthy far from the court of Love.”
lovers siege the beloveds hearts

Cathedral of St. Vitus of Prague, 14th Century Architects: Mathias of Arras and Peter Parler
Röttgen Pieta 14th century
How could these two works of art and architecture be seen to reflect a similar cultural attitude?
Can you suggest some reasons why?
How both represent the suffering and the illogical times they were made
Iconography of Christ in marys arms fresh off the cross was adapted to depicts him suffering from the plague
Hanging keystones and fan vaults provide no support to the structure and dont show where weight is going making them illogical
Reasons why
100 year war
Schism between the church and the monarchies
black plague

How do these images provide a vision of the Social theory of the patron for whom it was made?
Social theory
everything in the society is a beautiful performance
wanting to act out life as if “life regulated like a noble game”
presentation
romantic castle of patrons in the back - romanticizing him
surfs in the foreground being silly and bending over to work - pregnant lady
but they are fulfilling their duty to him and doing work well as baskets are full