Video Notes: Modernity, Realism, and 19th-Century Art Movements

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Vocabulary flashcards covering key movements, artists, and masterpieces from the video notes on Modernity, Realism, and 19th-century art.

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29 Terms

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Modernity

The state or condition of being modern; a broad cultural shift involving industrialization, urbanization, and rationalization.

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Modernism

A late 19th to mid-20th-century artistic movement that breaks with tradition, experimenting with form, technique, and new subjects.

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Neoclassicism

An 18th-century artistic movement inspired by ancient Greek and Roman art, emphasizing clarity, order, and moral seriousness.

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Jacques-Louis David

Leading French Neoclassical painter who shaped late 18th-century style and morality; known for Oath of the Horatii.

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Oath of the Horatii

1784 painting by David depicting three brothers swearing an oath to defend Rome; emblem of Neoclassical virtue and discipline.

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Romanticism

18th–19th-century movement favoring emotion, imagination, individualism, and nature; often in reaction to Enlightenment ideals.

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Jean Auguste Dominique Ingres

French Neoclassical painter famed for precise line and finish; creator of Grande Odalisque.

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Grande Odalisque

1814 painting by Ingres featuring a reclining, elongated female figure; celebrated for its elegant line and exotic subject.

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Francisco José de Goya y Lucientes

Spanish painter bridging Romanticism and modernity; notable for expressive, socially charged works like Third of May 1808.

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Third of May, 1808

1814–1815 painting by Goya portraying execution of Spaniards by French soldiers; a stark anti-war statement.

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Realism

19th-century movement focused on portraying everyday life and ordinary people without idealization.

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Gustave Courbet

Leading French Realist painter; known for The Stone Breakers and Burial at Ornans.

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The Stone Breakers

1849 large Realist painting by Courbet showing two laborers; critique of poverty and labor.

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Burial at Ornans

1849 Courbet painting depicting a rural funeral; monumental scale for genre subjects; a Realist milestone.

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Barbizon School

French 1830s–1850s movement of landscape painters near Barbizon; emphasis on naturalism and rural life.

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Jean-François Millet

French Realist painter who depicted peasant life; The Gleaners (1857) is among his famous works.

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The Gleaners

1857 painting by Millet showing peasant women gathering leftover grain; social realist subject.

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Rosa Bonheur

French Realist/academic painter renowned for animal subjects; TheHorse Fair exemplifies her meticulous realism.

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The Horse Fair

1853–1855 painting by Rosa Bonheur depicting horses at a fair; celebrated for anatomical accuracy and scale.

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Pre-Raphaelite Brotherhood

1848 English reform movement seeking intricate detail, vibrant color, and moral or literary subjects, pre-Raphaelite style.

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John Everett Millais

English painter and prominent Pre-Raphaelite; Christ in the House of his Parents (1850) sparked controversy for realism.

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Christ in the House of his Parents (The Carpenter's Shop)

1850 painting by Millais illustrating the nativity scene with intense detail; noted for its realism.

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Dante Gabriel Rossetti

English painter and poet, founding member of the Pre-Raphaelite Brotherhood; Beata Beatrix (c. 1863) honors Beatrice Portinari.

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Beata Beatrix

Circa 1863 painting by Rossetti; a memorial portrait of his wife Beatrice, rich in symbolism.

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Aesthetic Movement

Late 19th-century movement prioritizing art for art’s sake, beauty over moral or social purpose.

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Utagawa Hiroshige

Prominent Japanese ukiyo-e artist known for landscape prints; Peacock Perched on a Maple Tree in Autumn exemplifies his style.

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Peacock Perched on a Maple Tree in Autumn

Circa 1833 print by Hiroshige illustrating delicate color and nature-inspired subject matter.

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John Abbott McNeill Whistler

American-born British painter associated with the Aesthetic Movement; Nocturne in Black and Gold is a key work.

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Nocturne in Black and Gold (The Falling Rocket)

Circa 1875 painting by Whistler; an abstract, tonal nocturne that sparked major critical controversy.