DRAMA 005 - MIDTERM

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88 Terms

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Artistic director

Upholds the theater's mission statement by selecting the shows for the season; assembling the design team for each show;  and casting. Acts as the public face of the theater.

<p>Upholds the theater's mission statement by selecting the shows for the season; assembling the design team for each show;&nbsp; and&nbsp;casting.&nbsp;Acts as&nbsp;the public face of the theater.</p>
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Managing director

Creates and maintains the theater's business model and financial dealings; collaborates with the administrative team in the coordination of Development, Public Relations, and Operations; Payroll; and Dramatic Rights acquisition.

<p>Creates and maintains the&nbsp;theater's business model&nbsp;and financial dealings; collaborates with the administrative team in the coordination of Development, Public Relations, and Operations;&nbsp;Payroll; and Dramatic Rights acquisition.</p><p></p>
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Fund director

The _______________________  ______________________ is one of the positions that could fill the #2 or #3 slots in the chart below.  This position seeks and courts donors and sponsors to bring the theater non-ticket-generated positive cash-flow.

<p>The _______________________&nbsp; ______________________&nbsp;is one of the positions that could fill the #2&nbsp;or #3&nbsp;slots in the chart below.&nbsp; This position&nbsp;s<span>eeks and courts&nbsp;donors&nbsp;and sponsors to bring the theater non-ticket-generated&nbsp;positive cash-flow.</span></p>
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House Manager

The _______________________  ______________________ is one of the positions that could fill the #3 or #4 slots in the chart below.  This position manages the ushers and concession workers and makes sure the auditorium, lobby, and all public spaces are in order and ready for an audience.

<p><span>The&nbsp;</span>_______________________&nbsp;&nbsp;______________________&nbsp;is one<span>&nbsp;of the positions that could fill&nbsp;the&nbsp;#3&nbsp;or&nbsp;#4&nbsp;slots in the chart below.</span>&nbsp; This position <span>manages the ushers and concession workers and makes sure the auditorium,&nbsp;lobby, and all public spaces are in order and ready for an audience.</span></p><p></p>
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Stage manager

From the chart below, what is the name of Position #5.

<p><span>From the chart below, what is the name of Position #5.</span></p>
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Stage manager

Serve as the in-rehearsal administrator and documentarian; create and maintain production book; schedule rehearsal breaks; lead technical rehearsals; call all cues during show runs; maintain artistic integrity of show during runs.

Correct

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Set designer

From the chart below, what is the name of Position # 6.

<p><span>From the chart below, what is the name of Position # 6.</span></p><p></p>
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Set designer

Collaborates with the design team to develop the set design; creates all visual representations required to complete the set design. Leads the artistic team in all decisions that pertain to all of the visual elements onstage that are not worn by the performers, including props and set dressing.

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Costume designer

From the chart below, what is the name of Position #7.

<p><span>From the chart below, what is the name of Position #7.</span></p>
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Costume designer

Collaborates with the design team to develop the costume design; creates all visual representations required to complete the costume design. Leads the artistic team in all decisions that pertain to the final look of the characters, including hair, makeup and jewelry.

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Lighting designer

From the chart below, what is the name of Position # 8.

<p><span>From the chart below, what is the name of Position #</span>&nbsp;8.</p><p></p>
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Lighting designer

Collaborates with the design team to develop the lighting design; creates all plans and visual representations required to complete the lighting design.  Leads the lighting focus, creates all light cues and associated paperwork.

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Props master

From the chart below, what is the name of Position # 9?

<p><span>From the chart below, what is the name of Position # 9?</span></p>
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Props master

Collaborates with the Set Designer and the Director to ascertain the look and function of all props for a show; acquires all of the props for a show.

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Charge

From the chart below, what is the name of Position # 10.

<p><span>From the chart below, what is the name of Position #</span>&nbsp;10.</p>
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Charge

Collaborates with the Set Designer to ascertain the technique and finish of all painted surfaces for a show; leads the team in the painting of the set and props.

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Technical director

From the chart below, what is the name of Position #11.

<p><span>From the chart below, what is the name of Position #11.</span></p>
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Technical director

Realizes/Executes the Set Design bringing it from paper into reality; engineers all scenic pieces and creates all the plans necessary for the set to be built; leads the build team in the execution of the set.

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Costume shop manager

From the chart below, what is the name of Position # 12.

<p><span>From the chart below, what is the name of Position # 12.</span></p>
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Costume shop manager

Executes/Realizes the Costume Design bringing it from paper into reality; leads their team to acquire and/or create all costumes, and to alter all pieces to fit the performers; trains wardrobe crew; attends fittings.

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Master electrician

From the chart below, what is the name of Position #13.

<p><span>From the chart below, what is the name of Position #13.</span></p><p></p>
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Master electrician

Takes the Lighting Design from paper into reality; hangs and circuits all lighting instruments; wires all on-stage practicals.

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Paper tech

More of a meeting than a rehearsal, the __________________  ___________________ is attended by all of the designers, the director, and the Stage Manager.  While sitting around a table he team goes through the script page-by-page, discussing every possible cue--set-shifts, prop-changes, light-cues, costume-changes, and sound cues.  The Stage Manager carefully notes the type and location of every cue in the Production Book in preparation for Technical Rehearsals.

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Dry tech

The ______________   _______________ is a rehearsal wherein the run crew goes through the whole show running every set-shift, 

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Cue to cue

The __________    ____   ___________ is a rehearsal wherein the whole show is run through--every set-shift, every prop-change, and every light and sound cue sequence with the actors delivering the lines in-time and at-speed.  Each cue is rehearsed starting a few lines prior to each cue and running the lies until the cue sequence is complete.  Then skipping ahead to the next cue and starting the process over.  The Stage Manager has the option to restart any sequence and re-run the process until the team is satisfied with the result.    

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Analysis, research, incubation, selection, implementation, evaluation, execution

Phases of the Design Process

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Hue

color name

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Tint

Adding white to a color

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Shade

Adding balck to a color

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Tone

Adding grey to a color

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Saturation

The richness, intensity, and depth of a color

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Red, blue, yellow

PIGMENT primary colors

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orange

PIGMENT red and yellow make

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purple

PIGMENT red and blue make

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green

PIGMENT blue and yellow make

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green

PIGMENT the complimemtary color of red is

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orange

PIGMENT the complimentary color of blue is

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purple

PIGMENT the complimentary color of yellow is

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Black

When mixing all the pigments, the resulting color will be

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red, blue, green

LIGHT primary colors

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magenta

LIGHT blue and red make

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amber

LIGHT green and red make

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cyan

LIGHT blue and green make

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cyan

LIGHT reds complimentary color is

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amber

LIGHT blues complimentary color is

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magenta

LIGHT greens complimentary color is

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white

when mixing all the light colors, the resulting color will be

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LINE, SHAPE, MASS, MEASURE, POSITION, COLOR, TEXTURE

The elements of design

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UNITY, HARMONY, CONTRAST, VARIATION, BALANCE, EMPHASIS, PROPORTION

The principles of composition

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<p>Greek theater</p>

Greek theater

built directly into the mountains

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Theatron

cut out a big round acting space in abig bowl shaped valley

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orchestra

greek - acting space

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skene

greek - building behind the orchestra

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periaktoi

greek - triangular in plan, which scene backgrounds were painted on

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pinnakes

greek - painted draperys hung from the skene

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ecclema

greek - dead body wagon

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deus ex machina

greek - crane attached to skene that would lift up actors playing the gods

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<p>Roman theater</p>

Roman theater

took inspiration from greeks, turned stage into semi-circle

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Cavea

roman - theatron

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scaenae frans

roman - skene

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quem queritas

975 AD dark ages - festival that brings back theater

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<p>medieval stage</p>

medieval stage

mansion

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medieval sets

mansions - biblical settings, including heaven and hell

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secrets

medeival special effects

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Italian renaissance

1300 - 1500

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de architectura

a treatise on architecture written by vetruvius that describes ancient roman architecture including theaters

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teatro olimpico

grand italian theater

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grand drape

main drape to cover the proscenium

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grand valence

made out of the same material as the grand drape but is much shorter and used to hide the fly loft

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legs/tormenters

stage drapes used to mask the sides of the stage upstage from the proscenium

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teasers/borders

horizontal curtains that stretch across the stage and hide the lights

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sky drop

Large, flat curtain without fullness hung upstage used to simulate the sky

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Cyclorama (cyc)

Curtain or drop across back of stage; can serve as background for some scenes.

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webbing

tough non-stretching material stitched to top of drape

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grommets

little brass ring stamped into fabric

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batten

pipe that stuff hangs on

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fullness

amount of pleats - amount of fabric seams - flat = 0%

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turn table

a round floor or turntable within the stage floor that spins around a central pivot point, driven by a motor and controlled by an automation operator

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jack knife

A jack knife wagon is typically pinned to the floor at one corner with some kind of pivot. It rotates into and out of position.

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trap

hole in floor

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trap door

door that covers trap

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standard counterweight fly system

arbor holds 100lbs for every 100lbs on the batten. arbor lowers 2 ft for every 2ft the batten raises

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double purchase fly system

arbor holds 100lbs for every 200lbs on the batten. arbor lowers 1ft for every 2ft the batten raises

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Broadway flats

uses 1×3, 1/4” lauan and 1/4” plywood

toggle every 4ft, 4 straps, 4 corner blocks

subtract 5”

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hollywood flat

Uses 1 × 3 and 1/4” lauan, toggles every 2 ft.

subtract 1-1/2”

end to face

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platforms

uses 2×4 and 3/4” plywood

toggle every 2 ft

subtract 3”

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simple leg

face to face

2-1/2” screws

subtract 3/4”

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compression legs

end to edge

3/4” scabs

subtract 4-1/4”