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attention
any of the very large set of selective processes in the brain
to deal with the impossibility of handling all inputs at once, the nervous system has evolved mechanisms that are able to restrict processing to a subset of things; places, ideas, or moment in time
How many types of attention?
7
selective
external
internal
overt
covert
divided
sustained
selective attention
form of attention involved when processing is restricted to a subset of the possible stimuli
external
attending to stimuli in the worldi
internal
attending to one line of thought over another or selecting one response over another
overt attention
directing a sense organ toward a stimulis, like turning your eyes or your head
covert
attending without giving an outward sign you are doing so
divided
splitting attention between two different stimuli (no one is a good multitasker)
sustained (vigilance)
continuously monitoring some stimulus
inattentional blindness
a failure to notice—or at least to report a stimulus that would be easily reportable if it were attended
what we see is often driven by our expectations of what we “should” be seeing"
change blindness
failure to notice change between two scenes
if the change does not alter gist, meaning, of the scene, quite large changes can pass unnoticed.
demonstrates that we don’t encode and remember as much of the world as we might think we do
bottom-up processing
automatic, stimulus driven
top-down processing
controlled, goal driven
interaction
working together in complementary roles
reaction time
measure of the time from the onset of a stimulus to a response
cue
a stimulus might indicate where (or what) a subsequent stimulus will be
cues can be valid ( correct info), invalid (incorrect), or neutral (uninformative)
Stimulus onset asynchrony
the time between the onset of one stimulus and the onset of another
Time Course of Attentional Cueing
Theories of Attention
Spotlight and Zoom Lens
Spotlight Model
attention is restricted in space and moves from one point to the next. areas within the spotlight receive extra processing
Zoom Lens Model
Attended region can grow or shrink depending on the size of the area to be processed
Visual Search
looking for a target in a display containing distracting elements
Guided search
attention is restricted to a subset of possible items based on ifnromation about the items basic feature (color or shape)
Target
goal of a visual search
Distractor
in visual search, any stimulus other than the target
Set size
number of items in a visual search display
Inhibition of return
relative difficulty in getting attention (or the eyes) to move back to a recently attended (or fixated) location
during searches, IOR stops you from continually revisiting one spot
Efficiency of Visual Search
(measured by search slope, or ms/item) is the average increase in RT for each item added to the display
Feature Search
efficient
search for a target defined by a single attribute, such as salient color or orientation
salience
vividness of a stimulus relative to its neighbors
parallel
in visual attention, referring to the processing of multiple stimuli at the same time
Conjunction search
search for a target defined by the presence of two or more attributes
no single feature defines the target'
defined by the co-occurrence` of two or more features
Scene-based guidance
information in our understanding of scenes that helps us find spceific objects in scenes
Binding problem
the challenge of tying different attributes of visual stimuli, which are handled by different brain circuits, to the appropriate object so we perceive a unified object
Feature Integration Theory (Anne Treisman)
limited set of basic features can be processed in parallel preattentively, but that other properties, including the correct binding features to objects, require attention
Preattentive stage
process of a stimulus that occurs before selective attention is deployed to that stimulus
Illusory conjunction
an erroneous combination of two features in a visual scene
provides evidence that some features are represeted independently and must be correctly bound together with attention
Rapid serial visual presentation (RSVP)
experimental procedure in which stimuli appear in a stream at one location (typically the point of fixation) at a rapid rate (typically about 8 per second)
used to study the temporal dynamics of visual attention
Attentional Blink
difficulty in perceiving and responding to the sound of two target stimuli amid a RSVP stream of disteacting stimuli
Three ways responses of a cell could be changed by attention
response enhancement
sharper tuning
altered tuning
response enhancement
sharper tuning
altered tuning
Fusiform face area (FFA)
an area in the fusiform gyrus of human extrastriate cortex that responds preferentially to faces, according to the fMRI studies
parahippocampal place area (PPA)
region of cortex in the temporal lobe of humans that appears to respond strongly to images of places (as opposed to isolated objects)
fusiform face area
parahippocampal place area
Visual-field defect
portion of the visual field with no vision or with abnormal vision, typically resulting from dsmage to the visual nervous system
damage to the parietal lobe can cause a visual defect such that one side of the world is not attended to
Neglect
in visual attention, the inability to attend or respond to stimuli in the contralesional visual field
typically, neglect of the left visual field after damage to the right parietal lobe
Nonselective pathway
contributes the information about the distribution of features across a scene as well as information about the gift of the scene. this pathaway does not pass through the bottleneck of attention
Selective pathway
permits the recognition of one or a very few objects at a time. this pathaway passes through the bottleneck of selective attention
Pathways to our perception of the world
Ensemble Statistics
average and distribution of properties, such as orientation or color, over a set of objects or a region in a scene
nonselective pathway computes this
Spatial Layout
description of the structure of a scene (enclosed, open, rough, smooth) without reference to the identity of specific objects in the scene