Early Modern Art

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39 Terms

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<p>Giorgio Vasari</p>

Giorgio Vasari

Italian painter, architect, and writer, known for his biographies of Renaissance artists— The Lives of Most Excellent Painters, Sculptors, and Architects, Florence: 1568 (on Michelangelo). He is often referred to as the first art historian.

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Guild

An association of craftsmen or merchants, often holding considerable political and economic power

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Arnolfo di Cambio, Palazzo Vecchio in Piazza della Signoria

Italian architect and sculptor, pivotal in the development of Gothic architecture in Florence. He is credited with designing the Palazzo Vecchio in Piazza della Signoria

<p>Italian architect and sculptor, pivotal in the development of Gothic architecture in Florence. He is credited with designing the <strong>Palazzo Vecchio in Piazza della Signoria</strong></p>
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Campanile

A freestanding bell tower, often attached to a church castle, or palace; notably, the Campanile of Florence.

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Loggia

A gallery or room with one or more open sides

<p><span>A gallery or room with one or more open sides</span></p>
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Humanism

The worldview centered on the nature and importance of humanity and human achievement, which emerged from the study of Classical antiquity

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All’antica

in the manner of the ancients

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Alberti, Santa Maria Novella façade

A facade designed by Leon Battista Alberti, known for its Renaissance style and the incorporation of classical elements.

<p>A facade designed by Leon Battista Alberti, known for its Renaissance style and the incorporation of classical elements. </p>
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Leon Battista Alberti

designed the Renaissance addition to the Santa Maria Novella

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Magnificence

A moral virtue that consists of spending great amounts of money on appropriately large scale and grand, things, befitting to one’s station in society, and often for the public good.

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Santa maria del Fiore, the Duomo, Filippo Brunelleschi dome

A cathedral in Florence, Italy, featuring a stunning dome designed by Filippo Brunelleschi, renowned for its innovative use of materials and techniques.

<p>A cathedral in Florence, Italy, featuring a stunning dome designed by Filippo Brunelleschi, renowned for its innovative use of materials and techniques. </p>
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St John’s Baptistry

A notable structure in Florence, Italy, known for its octagonal shape and exquisite bronze doors, including the famous "Gates of Paradise" designed by Lorenzo Ghiberti.

<p>A notable structure in Florence, Italy, known for its octagonal shape and exquisite bronze doors, including the famous "Gates of Paradise" designed by Lorenzo Ghiberti. </p>
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horizon line

Where the sky appears to meet the ground

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Vanishing Point

The vanishing point islocated near the center of the horizon line. The vanishing point is also where all orthogonals that run towards the horizon line appear to converge.

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Orthogonals

All parallel lines that converge in a single vanishing point on a composition’s horizon line

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Masaccio, The Holy Trinity

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Cimabue, Santa Trinita Maestá

blend of Byzantine and emerging naturalistic styles

<p>blend of Byzantine and emerging naturalistic styles</p>
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Giotto di Bondone, Ognissanti Madonna

significant transition from the late medieval Byzantine style toward the Renaissance

<p>significant transition from the late medieval Byzantine style toward the Renaissance</p>
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Maestà

A compositional format depicting an enthroned Madonna with the child Jesus, generally accompanied by angels and/or saints.

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Naturalism

A lifelike accuracy, or artistic interest in representing things as they appear in real life

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Fra Angelico, The Annucitation

proportions are not realistic

<p>proportions are not realistic</p>
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Filippino Lippi, Madonna and Child

  • sense that they are real people

  • love of the material world, velvet cushions and tassles, bronze candlestick, velvet robes

<ul><li><p>sense that they are real people</p></li><li><p>love of the material world, velvet cushions and tassles, bronze candlestick, velvet robes</p></li></ul><p></p>
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Renaissance

a term that means “rebirth” referring to a period of cultural dynamism between the 14th and 17th centuries in Europe

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Baroque

a western style of artistic production from c. 1600-1750 characterized by material exuberance, dramatic, exaggerated motion, and a sense of gradeur, awe, or surprise

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Sacra Conversazione

A composition type of Renaissance painting in which ‘attendant saints are grouped in a unified space around the centralized Virgin and Child in a single panel’

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Pietá

the Virgin Mary holding the dead body of Jesus Christ on her lap or in her arms, following the Crucifixion

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Iconagraphy

symbolic representation, especially the conventional meanings attached to an image, and the identification, description and interpretation of such symbolic content

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Stigmata

marks corresponding to those left on Jesus’ body by the Crucifixion, said to have been impressed by divine favor on the bodies of certain saints

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*Condottiere

a leader or member of a troop of mercenaries

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Diptych

a painting comprising two related parts often on hinged wooden panels

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Virtú

a quality encompassing (manly) excellence in moral, physical, and mental achievement

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Attributed to Fra Carnevale, The Ideal City

<p></p><p></p>
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Spalliere

a decorated backboard mounted on a wall, often behind a cassone (a wooden chest used for storage), or as a headboard to a bed

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*Arcade

a structural element consisting of a series of arches supported by columns or piers, creating a covered passageway

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Studiolo/i

a room inside a residence designed for study and contemplation

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Intarsia

a decorative form of wood inlaying in which different woods are placed together to create an image or design

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Piero della Francesca, The Baptism of Christ

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Sprezzatura

a nonchalance or effortless elegance which conceals effort or ‘art’ required to perform this nonchalance

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