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puritanism
total depravity: all is born with sin
unconditional election: chosen ones (the elect) were alr picked by God to go to heaven, not chosen by actions
limited atonement: only limited ppl could be forgiven
famous authors: Johnathan Edwards, Edward Taylor
rationalism/colonialism
a reaction to the end of puritanism, valued reason over superstition
famous authors: Ben Franklin, Thomas Paine, Patrick Henry, John Locke
romanticism
a reaction against rationalism, thought that it stripped emotions away. ppl wanted to reconnect with nature bc the Industrial Revolution turned rural areas into urban cities
famous authors: Edgar Allen Poe, Walt Whitman, William Bryant, Washington Irving (rip van winkle)
transcendentalism
similar to romanticism, but focuses more on the spiritual connection of humans and nature
famous authors: Henry Thoreau, Walt Whitman, Ralph Emerson,
realism
emphasizes everyday life, how the world really is without exaggeration (rejects romanticism), and harsh realities
home vs hone
home: move toward something (home in on a target)
hone: to sharpen (skills/knife)
which is right?: Giant’s baseball vs Giants baseball
Giants baseball is correct because it’s a type of baseball team
which is right?: 1950s music vs 1950’s music
1950s music is correct bc it’s a type of music. there’s no possession involved, which is what apostrophes are used for
which is right?: (Tian is family last name)
“We are going to the Tian’s house for dinner.” VS
“We are going to the Tians’ house for dinner.”
Tians’ is correct. make the word plural first, then add the possession
which is right?:
“This is Chris’s pencil” VS
“This is Chris’ pencil”
Chris’s is correct. if you say the “s” when you pronounce it, then put the s there
which is right?:
“I love music from the 80’s”
“I love music from the ‘80s”
“I love music from the 80s’"
‘80s (2nd option) is correct bc the apostrophe is there for the missing numbers, not for possession
farther vs further
farther: literal distance that can be measured
further: abstract distance that can’t be physically measured
strive vs drive
strive is only a verb, drive is a noun (and a verb for driving a car)
ex: striving to success vs the drive to succeed
phase vs faze
phase: a period/stage
faze: to disturb someone
apart vs a part
apart: being away from something
a part: a piece of something
lie
lie → lay → had lain
lay
lay → laid → had laid
active vs passive voice
active: the subject acts up on smth
passive: the subject is acted upon
is this active or passive?:
“Anissa was cured by the medicine”
passive. active would be:
“The medicine cured Anissa.”
is this active or passive?:
“Pragya helps Ella study.”
active. passive would be:
“Ella’s studying is helped by Pragya.”
what ism is used in this passage?:
The evening sky blazed with colors, and the wind sang through the trees. I felt a deep connection to the earth, as if the leaves were speaking to my soul.
romanticism bc of the emotion and nature
what ism is used in this passage?:
As I walk through the woods, I feel the universe within me. Every leaf, ever breeze is a reflection of a greater truth, beyond words or reason. I am not just an individual, but part of an infinite whole.
transcendentalism bc it focuses more on spiritual connection w nature
what ism is used in this passage?:
The mind is a powerful tool, capable of understanding the world through reason and logic. As I observe the stars, I seek to understand their patterns through study and mathematical laws.
rationalism bc it’s about logic and reason
what ism is used in this passage?:
The Lord’s will is clear in all things, and I must live my life according to His commandments.
puritanism bc it’s about God
what ism is used in this passage?:
In the market square, people are haggled over vegetables, their voices sharp and tired from hard work. Life is about surviving another day, doing what needs to be done, no matter how exhausting it seems.
realism bc it shows the harsh reality of the world
southern gothic
branch of modernism/post-modernism
resistant to progress, characters r strange/unconventional, violence, outsiders, freakishness (character set apart by oddness), old small towns
Bastard Out of Carolina
Midnight in the Garden of Good & Evil
Streetcar Named Desire
“A Rose for Emily”
Beloved
To Kill a Mockingbird
american modernism
WWI-end of WWII. the wars made ppl not trust the past, embrace the future
loss of innocence, explored wealth of 1920s and the depression of the 1930s
photography as art with emotional purpose
fixation on light (lightness as knowledge/awareness, darkness as blind tradition/ignorance)
theory of relativity in physics (anything is possible)
machines replacing humans
psychology, dream interpretation (Sigmund Freud, Carl Jung)
moving forward and embracing future
stream of consciousness, break from realism, jumps around in time
ppl of modernism
T.S. Eliot
The Wasteland, Four Quartets
John Steinbeck
Of Mice & Men, Grapes of Wrath, East of Eden
F. Scott Fitzgerald
The Great Gatsby
Zora Neale Hurston
Their Eyes Were Watching God
Ernest Hemingway
The Sun Also Rises, For Whom the Bell Tolls
William Faulkner
The Sound and the Fury, A Light in August
Robert Frost
“The Road Not Taken”
Langston Hughes
Claude McKay
Home to Harlem
post-modernism
after WWII, early 1950s
influenced by harsh realities of war, no longer romanticized, holocaust, cold war, nuclear war, Hiroshima, Vietnam war
anti-war movements (hippies)
civil rights movement, women’s equal rights movement, growing diversity
realities (positive and negative) of cultural diversity
rise of machine, lack of humanity, rise of technology, creation of science fiction genre, space race, moon landing
broke grammar rules, no right answers, multiple POVs
sharply divided politics, dystopian literature
Gallows Humor (post-modernism)
irony, playfulness, black humor
intertextuality
pastiche and allusion
pastiche
mixing genres (robot cowboys)
allusion
references to classic textstem
temporal distortion (post-modernism)
non-linear, jumping in time, not bound by rules of reality (sometimes time travel)
magic realism (post-modernism)
the fantastic/surreal among grounded reality
story set in real world, but has magical elements woven
ppl of post-modernsim
Joseph Heller
Catch 22
J.D. Salinger
Nine Stories, Catcher in the Rye
Kurt Vonnegut
Breakfast of Champions, Slaughterhouse Five
Allen Ginsberg
Howl
Ken Kesey
One Flew Over the Cuckoo’s Nest
Thomas Pynchon
Maya Angelou
Alice Walker
Toni Morrison
Ta Nehisi Coates