HISTORY OF ART: IDENTITY: SHIVA NATARAJA

medium

copper alloy cast by lost wax process

dimensions

85 × 75 cm

subject matter

depicts the Hindu god shiva performing a dance of creation and destruction, underfoot is the dwarf of ignorance who Shiva defeated.

function

statues like this were carried by Hindu worshippers in processional parades as priests followed chanting prayers and bestowing blessings on people gathered for this purpose.

could be adorned

in red and green clothing and gold jewellery to signify the glorious human form of the gods.

Hindu religion

the statue is the literal embodiment of the divine, where a worshipper’s faith can activate the divine energy inherent in the statue, and at that moment, Shiva is present.

Made during the Chola dynasty

one of the longest lasting empires of South India, which heralded a golden age of exploration, trade and artistic development, particularly in metalwork.

flames of fire in a ring

symbolising destruction and rebirth

crushed demon of ignorance

illustrates Shiva’s strength and power, relating to a Hindu story.

Dancing, dynamic pose.

continuous divine energy.

open composition

can be decorated, lightweight for processions

holds a flame

the element by which the universe will finally be destroyed

the front right hand is in Abhaya mudra (giving assurance)

Reflects how destruction allows for creation and rebirth

critical text

‘perfect expression of rhythmic movement in the world‘ (Auguste Rodin)