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National dance of the Philippines
Tinikling is often considered the national dance of the Philippines.
Religious or Ceremonial Dances
Dances performed during rituals.
Example of a religious folk dance among Tagalog
A dance originating among the Tagalog ethno-linguistic group in the Philippines.
Christian devotional dance honoring the holy cross
An example of a religious dance in the Philippines.
War Dance
Simulations of combat moves or duels.
MAGBABAO
A war dance where 'bao' means a coconut shell used as a prop.
Maglalatik dance
Mimics the battle between Christian and Muslim Moro tribesmen.
Sua-Ku-Sua
A courtship dance meaning 'a small pomelo fruit'.
Pomelo tree in Tausug culture
Crucial to their income and honored through dances.
Ramon A. Obusan
Dance researcher known for his contributions to Philippine dance studies.
Lowland Muslim dance culture
Cultural practices of coastal Muslims in the Philippines.
Recovery dance
A social dance classified under Lowland Muslim culture.
Pangalay
Traditional 'fingernail' dance of the Tausug people.
Dexterity in Pangalay
Required flexibility in shoulders, elbows, and wrists for performance.
Pangasik
The male version of Pangalay featuring martial arts moves.
Pangiluk
A version of Pangalay featuring both male and female dancers.
Sakuting
A dance that uses rhythmic sticks as accompaniment.
Ethnic term for sakuting
Refers to the rhythmic sticks used in the dance.
Place of origin for Sakuting
Abra and Ilocos Norte.
Costume for Sakuting girls
Ilocano Kimono style with elbow-length sleeves and a colorful skirt.
Tiklos
A dance that refers to a group of peasants working together.
Musical accompaniment for Tiklos
Flute, guitar, and tambora (drum) are used in the performance.
Costume for Tiklos dancers
Dressed in working costumes appropriate for peasants.
The Tausugs of Jolo, Sulu
Known as fearsome warriors and great farmers.
Influences on Pangalay
Dance influenced by cultures from Thailand, Malaysia, Myanmar, Cambodia, and Indonesia.
Classification of Pangalay
Classified as a social dance.
Two Kinds of Panglay
Pangasik for males and Pangiluk for both genders.
Traditional dances in the Philippines
Often reflect the cultural influences of neighboring countries.
Coconut shell use in Philippine dances
Props often symbolize elements of battles or rituals.
Recreational Dance
Class of dances that are performed mainly for enjoyment.
Pangalay performance setting
Usually performed during weddings or festive events.
Costume for male Panglay dancers
Typical Joloana costume.
Meaning of 'Tiklos'
Refers to cooperative labor among peasants.
Cultural significance of dances
Dances often signify social cooperation and celebration.
Ritualistic aspect of ceremonial dances
Integral part of many Philippine cultural practices.
Peasant life depicted in Tiklos
Demonstrates the social dynamics of farming communities.
Sakuting's essence
Combines rhythmic movements with live musical accompaniment.
Flexibility requirement in dances
Vital for executing traditional Philippine dance forms.
Martial arts influence
Evident in the male version of certain traditional dances.
Lowland Muslim dance classifications
Include various dances that reflect cultural rituals and social gatherings.
Dance as cultural expression in the Philippines
Portrays stories, traditions, and communal values.
Role of music in Filipino dances
An essential component that enhances rhythm and participation.
Coconut shell in MAGBABAO dance
Symbolizes the props used in representing battle actions.
Cultural blending in Philippine dances
Influences from Indonesia, China, Malaysia, and other nations.
Social interactions encouraged by Tiklos
Fosters camaraderie and mutual assistance among community members.
Variations in Philippine dances
Different dances can represent unique cultural narratives and backgrounds.