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Humanism
15th-century movement emphasizing personal fulfillment through intellect and effort
Contenance angloise
Term for the sweetness in early Renaissance music
John Dunstable
English composer known for new consonant style with 3rds and 6ths
Burgundian school
Group of 15th-century composers in northern France, Belgium, and Netherlands
Guillaume Du Fay
Singer and composer in the Burgundian school, used head motives
Fauxbourdon
False bass created by three voices in parallel motion first inversion triads
Cantus firmus
Fixed melody often based on Gregorian chant for polyphonic compositions
Point of imitation
Passage in polyphonic work with parts entering in imitation
Musica reservata
High/Late Renaissance music suiting music to words, expressing emotions
Ottaviano de Petrucci
First printer of polyphonic music, used triple-impression process
Chanson/Madrigal
Chanson - French vocal chamber music; Madrigal - Italian secular vocal work
Crumhorn
Double-reed instrument suitable for indoor playing
Archlute
Large lute for plucking with low pitch
Broken consort
Ensemble with various instruments like recorders, plucked, bowed, and keyboard
Reformation
16th-century religious movement leading to Protestant churches
Martin Luther
German reformer who posted 95 theses, led religious reform
Deutsche Messe
German mass by Luther replacing Roman elements with hymns
Counter-Reformation
Roman Catholic response to the Reformation
Palestrina
Model composer for Counter-Reformation music, known for clarity and conservatism
Musica transalpina
Collection of Italian madrigals published in English
Cori spezzati
Polychoral scoring with spaced-out choirs, popular in northern Italy
Motto-Head motive
Repetition of a pre-existing musical idea that begins each of the ordinaries in a mass
Johannes Ockeghem
Composer of the Franco-Netherlands School
Followed the tradition of cantus firmus and relied on fixed forms
Director in royal court in Paris and was a singer, composer
Josquin des Prez
Most famous and influential composer of the Renaissance
Composed sacred and secular music
St. Marks’s Basilica
Church in Veince
Gioseffo Zarlino
Important Italian theorist of counterpoint
Wrote the Le istitutiono harmoniche
Le istitutioni harmoniche
Written by Zarlino
One of the most influential music theory treatises
Advice to composers on how to express emotion
Harmonice musices odhecaton A
First ever book to be printed by Petrucci from a portable printing press
Pierre Attaingnant
Popular French publisher who printed more than 50 collections of chansons
Claudin de Sermisy
French chanson composer
Tant que vivray
Cipriano de Rore
Leading composer of the mid-century madrigal and maestro di cappella at St. Mark’s
Sackbut
Predecessor of the modern trombone
viol, viola da gamba
player holds the instrument in between their legs (da gamba)
six strings, bowed, fretted string instrument
Viol was played on the players lap
Clavichord
Small early keyboard instrument with intimate tone
Tablature
Notation that indicates how to pluck, stop, or touch each string rather than indicate a pitch
Basse Danse
One of the most important dances in the 15th c. that was in triple rhythm
Found in France and Italy
Fantasia
Instrumental composition that reflects the untrammeled freedom of the imagination exercised in the composition
Toccata
An improvisatory instrumental piece
Chorale
A German Lutheran hymn tune with its text
Council of Trent
Discussed the general principles of the Roman Catholic Church called by Pope Paul III
Was to reform church and secure reconciliation with Protestants
Lutherans and Calvinsists did not attend
Tomas Luis da Victoria
student of Paletrina, had a more expresisve style, composed O Magnum Mysterium
Luca Marenzio
Peak use of texts as inspiration and shaping force for the madrigal
Carlo Gesualdo
Italian madrigal composer, chromaticism, thought words were less important in the music
Giovanni Gabrieli
Nephew of Andrea, Organist at St. Marks, simple rhythmic gestures, polychoral technique