‘Gattamelata’ by Donatello, 1444 (Religious Sculpture in Venice)

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12 Terms

1

when was it made?

1444

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2

what does Gattamelata translate to?

honeyed cat

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3

where was it located?

Padua city (geographically closest to Venice) was the centre of education and humanists (has the oldest university in the world)

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4

what does Venice to to Padua?

Venice takes Padua and expands over Northern Europe and becomes the Venetian empire

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5

who does it depict?

The work is of a mercenary (a paid or hired soldier) called Erasmo da Narni, paid for by the Venetian army

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6

where is his body?

His body is in the church of San Antonio, meaning it is a site of pilgrimage

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7

who was it cimmissioned by?

The work was commissioned by Erasmo’s family to commemorate him, the work was given by the Venetian empire and helped fund it

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8

what does the sculpture act as?

He is a watchful guardian of Padua and as an extension, the Venetian empire

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9

what is significant about the work?

it was the first equestrian sculpture cast in the cire perdue technique since antiquity

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10

what was it inspired by?

He was inspired by the sculpture of Marcus Aurelius that he would have seen in Rome in 1407

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11

how is he given to us?

Shown as alert, planted in his seat, commanding, authoritative

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12

what key areas are references to antiquity and renaissance ideas?

  • Shown as alert, planted in his seat, commanding, authoritative

  • The proportions are much better observed than Marcus Aurelius

  • The hoof is raised but rested on a canon ball

  • The horse is turning in space, verismo and naturalism created

  • The horse looks alert, flared nostrils, pulsing veins and open mouth

  • On his breastplate there is the winged medusa, a nod to antiquity, formidable quality

  • Naturalistic details, baton and sword as well as spiked on boots

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