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Mini intro (5)
Date: 1840
Artist: JMW Turner
Style: Romanticism
Size: 90.8 ×122.6 cm
Medium: oil on canvas
Key facts (4)
Based on Zong Massacre of 1783
In 1833, Slavery Abolition Act put into effect
In 1838, all slaves of British colonies were emancipated
Ship’s underwriters were sued for the costs of the slaves’ lives that had been lost
Composition (4)
Cropping technique makes the ocean look bigger
Diagonal horizon line creates a dynamic and perpetually chaotic scene
No clear divide between sea and sky, distortion and unease
Sea takes up entirety of bottom composition
Painting style (4)
Aggressive
Impasto used in sky
Fingernail marks and paint applied with a palette knife, simulates violent power of sea
Directional brushstrokes used to convey movement, they go in different directions to disorientate and confuse viewer
Subject matter (8)
Only certain limbs visible (a hand or a leg), small scale against vast sea - vulnerability and inferiority to nature
Fiery sunset of reds, oranges and yellows - violent and dramatic scene
Ship in left background assumed to be slave ship
Birds circling around like vultures - alludes to death and rotting bodies of slaves
Slaves recognised by severed leg with shackle around it (bottom right)
Red in water - suggests blood, reflects violence and injury
Central reflection of sun highlights ship’s inferiority in scale compared to sea
Waves as tall as the ship (agitated and powerful)