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Rome 01: Etruscans
An ancient people who developed a distinctive culture in north-central Italy (Tuscany) during the first millennium BCE, heavily influencing Roman civilization through art, architecture, and customs
Rome 01: Etruscan Origins
Believed to have migrated from Asia Minor around 1200 BCE after the fall of the Hittites; their language contained both Indo-European and non-Indo-European elements
Rome 01: Etruscan Influences
Their culture blended elements from Greece, Egypt, Babylonia, Assyria, the Hittites, Minoans, and Mycenaeans, resulting in a richly syncretic civilization
Rome 01: Etruscan Language and Writing
Written in a script derived from Greek; most surviving texts are funerary inscriptions that reveal limited information about society
Rome 01: Etruscan Religion
Focused on providing goods for the afterlife, similar to Egyptian beliefs, and included practices like reading omens from animal entrails, derived from Babylonia and Assyria
Rome 01: Etruscan Economy
Based on agriculture and international trade, especially in metals—importing tin from Britain and silver from Spain, and producing iron and copper locally
Rome 01: Etruscan Urban Expansion
By the 8th century BCE, their culture extended from the Po River in the north to Pompeii in the south, encompassing numerous independent city-states
Rome 01: Marzabotto
An Etruscan city near Bologna with a grid plan of perpendicular streets—an early example of orthogonal urban design that influenced Roman military camps (castra)
Rome 01: Cardo and Decumanus
Main north-south (cardo) and east-west (decumanus) streets in Roman city planning, derived from Etruscan urban models
Rome 01: Etruscan Temples
Adapted from Greek prototypes but featured a high podium, front-facing stairs, and a tripartite (three-part) cella oriented southward
Rome 01: Tuscan Order
A simplified version of the Doric order used by the Etruscans—unfluted columns, no sculpted frieze, and a more horizontal emphasis
Rome 01: Etruscan Temple Materials
Columns and roofs made of wood; walls of unbaked brick; terracotta used for roof tiles, pediment sculpture, and ornamentation
Rome 01: Etruscan Architectural Legacy
Although few structures survived, tombs and terracotta fragments reveal much about Etruscan design, influencing later Roman architecture.
Rome 01: Tombs at Cerveteri
Rock-cut tombs carved from tufa, organized around a central atrium-like court, imitating domestic architecture with carved furnishings and details
Rome 01: Etruscan Housing
Knowledge of Etruscan homes comes mainly from tombs and urns shaped like miniature dwellings, which replicate domestic layouts and furniture.
Rome 01: Arch of Augustus (Perugia)
Monumental Etruscan gateway featuring an arch of voussoirs with Doric-inspired triglyphs and metopes, Ionic pilasters, and shields—demonstrating creative adaptation of Greek motifs
Rome 01: Etruscans used what architectural element that later influenced the Romans?
Arches and Vaults - Romans later would forge a coherent and powerful architectural style of their own by employing the arch and vault for structure and using the orders largely as decoration
Rome 01: What is the Cloaca Maxima?
A massive drainage trench begun by Etruscan builders to dry the marshes around the Tiber River—later became Rome's main sewer
Rome 01: Tarquin Kings
Etruscan royal family that ruled Rome from 616-510 BCE, ending with their overthrow and the establishment of the Roman Republic
Roem 01: Founding of Rome
According to legend, Rome was founded in 753 BCE by Romulus and Remus on the Tiber's hills, later ruled by Etruscan kings before becoming a republic
Rome 01: Etruscan Influence of Rome
Etruscan art, architecture, and customs—such as chariot racing and gladiatorial games—became integral to Roman society
Rome 01: Early Roman Civilization
Developed contemporaneously with the Greeks, Etruscans, and later Egyptian dynasties; unlike them, Rome grew in power into the first and second centuries CE
Rome 01: Roman Empire Expansion
Rome absorbed the Etruscans, Greeks, Egyptians, and other peoples, forming an empire with a unified and distinctive architectural style
Rome 01: Influences on Roman Architecture
Drew heavily from Etruscan and Greek traditions, yet evolved into a largely original and innovative architectural form
Rome 01: Roman Character
Romans were materialistic and pragmatic but also family-oriented, skilled lawmakers, administrators, and exceptional builders
Rome 01: Roman Brutality in Context
Practices like gladiatorial games and crucifixion reflected the harsh norms of the ancient world rather than uniquely Roman cruelty
Rome 01: Roman Republic
Established after the monarchy, governed by a senate of noble families and elected magistrates (consuls)
Rome 01: Patricians and Plebs
Patricians were the aristocratic class; plebs were free common citizens—both struggled for political representation and power
Rome 01: Julius Caesar
Military leader who assumed dictatorial control during the Republic's crisis; his assassination marked the end of the Republic
Rome 01: Augustus Caesar
First Roman Emperor (27 BCE), whose reign began the Roman Empire and ushered in major architectural and administrative reforms
Rome 01: Architecture of the Empire
Characterized by large-scale, efficient, and economical construction methods developed to meet the needs of the expanding Empire
Rome 01: Vitruvius
Roman architect and engineer who wrote The Ten Books of Architecture in the late first century BCE, dedicated to Emperor Augustus
Rome 01: The ten books of architecture
The only surviving architectural treatise from antiquity; covers design, city planning, engineering, and machiner
Rome 01: Vitruvius's Style and Legacy
Although not a skilled writer, his work has been foundational for understanding Roman architecture and inspired Renaissance architects
Rome 01: Virtruvian Principles of the Architect
Architects should master both theory and practice—manual skill must be supported by intellectual knowledge and proportion
Rome 01: Vitruvius's Definition of Practice and Theory
Practice is the regular exercise of building with materials as designed; theory is the ability to explain and demonstrate design principles
Rome 01: What is Vitruvius's definiton of the ideal architect?
One who combines manual skill and scholarly knowledge—"armed at all points"—achieving both competence and authority
Rome 01: Roman Engineering Approach
Romans compartmentalized activities and built massive interior and exterior spaces using advanced engineering solutions to address practical needs of daily life
Rome 01: Roman Structural Innovation
Relied on structural elements that worked in compression—the arch, vault, and dome—allowing for larger, more stable spaces than post-and-lintel systems
Rome 01: True Arch
Constructed with voussoirs (wedge-shaped stones) set around a curved form; requires temporary centering until the keystone is placed
Rome 01: Corbeled Arch
Made by overlapping stones that gradually project inward; stable during construction but not a true curved arch
Rome 01: Vault
Formed when an arch is extended along its axis, creating a tunnel-like structure that distributes loads efficiently in compression - The earliest Roman vaults were built for utilitarian
structures
Rome 01: Dome
Produced when an arch is rotated around its center, forming a hemispherical shell capable of enclosing large areas
Rome 01: Compression vs. Tension in Stone
Stone performs well under compression but poorly under tension; arches and vaults allowed wider spans without cracking
Rome 01: Thrust in Vaulted Construction
Vaults push outward as well as downward; required thick supporting walls or piers to counteract lateral thrust
Rome 01: Evolution of the Cloaca Maxima
Originally an Etruscan drainage trench; later vaulted with stone in the mid-first century BCE and still functions as Rome's main sewer
Rome 01: Roman Aqueducts
Gravity-fed systems transporting clean water from distant sources to urban centers using elevated arched conduits
Rome 01: Aqua Appia (312 BCE)
Rome's first aqueduct, marking the beginning of large-scale Roman hydraulic engineering
Rome 01: Aqua Claudia (38 CE)
Major aqueduct that carried water 45 miles from Tivoli to Rome; featured monumental masonry arches over 100 feet high
Rome 01: Pont du Gard (20-16 BCE)
Aqueduct near Nîmes, France; built of unmortared opus quadratum masonry, spanning 882 feet and rising 160 feet above the Gard River valley
Rome 01: Pont du Gard Design Features
Three tiers of semicircular arches, rhythmic spacing, projecting stones for scaffolding support, and a waterproofed water channel at the top.
Rome 01: Sanctuary of Fortuna Primigenia
(ca. 80 BCE, Praeneste/Palestrina) A vast hillside complex influenced by Hellenistic design, combining terraces, stoas, ramps, and stairs culminating in a circular Corinthian temple
Rome 01: Opus Quadratum
Masonry technique using large, precisely cut stone blocks without mortar, seen in structures like the Pont du Gard
Rome 01: Romano-Hellenistic Design
Roman adaptation of Hellenistic spatial composition using terraces, colonnades, and axial symmetry to create unified architectural experiences
Rome 01: Temple of Diana, Nimes (ca. 80 CE)
Barrel-vaulted structure built of ashlar masonry, illustrating the transition from costly cut-stone methods to more efficient concrete construction
Rome 01: Pozzolana
Volcanic ash found near Pozzuoli; when mixed with lime and water, it forms hydraulic cement that hardens even underwater—basis for Roman concrete
Rome 01: Roman Concrete (Opus Caementicium)
Mixture of pozzolana, lime, rubble, and water; strong, durable, and adaptable, enabling large-scale, curved, and complex forms
Rome 01: Decorative Finishes in Roman Architecture
Because concrete walls were unattractive, Romans covered them with stucco, mosaic tiles, or marble veneer
Rome 01: Opus Incertum
Early Roman wall technique using irregular stones facing a concrete core
Rome 01: Opus Reticulatum
Mid-Republican wall facing of pyramid-shaped stones with square faces arranged in a net-like pattern for a regular appearance
Rome 01: Opus Testaceum
Imperial-era technique (after 37 BCE) using thin, triangular bricks as concrete facing; brick stamps help date Roman structures
Rome 01: Opus Listatum
Later wall technique using alternating layers of stone rubble and horizontal brick courses for strength and leveling
Rome 01: Roman Concrete Advantages
Provided strength, durability, and economy, enabling rapid construction of monumental architecture by the 1st century CE
Rome 01: City Planning in Athens and Rome
Both cities grew organically without an overall plan, while their colonial cities typically followed orthogonal (grid-based) layouts
Rome 01: Greek and Roman Colonial Cities
Colonial settlements were often laid out with regular, orthogonal plans, showing systematic planning unlike their capitals
Rome 01: The Founding of Pompeii
Originally a Greek city from the 6th century BCE; later inhabited by Etruscans, Samnites, and then Romans
Rome 01: Destruction of Pompeii
Buried in the eruption of Mount Vesuvius in 79 CE after an earlier earthquake in 62 CE; preserved until excavations began in 1748
Rome 01: Population and Layour of Pompeii
Around 20,000 residents lived within 160 acres enclosed by oval walls and an irregular grid adapted to the terrain
Rome 01: Pompeii Forum
The civic and religious heart of the city; rectangular (510 × 125 ft), surrounded by colonnades on three sides, and dominated by the Capitolium on the north
Rome 01: Public Buildings in Pompeii
Included the basilica, macellum (market), comitium (election area), Eumachia building, temples, theaters, baths, and an amphitheate
Rome 01: Pompeii Basilica
A building that served legal, commercial, and social functions; similar to the Greek stoa but enclosed
Rome 01: Religious Diversity in Pompeii
Nine temples honored Greek, Roman, and oriental gods such as Isis and Bacchus, reflecting varied religious beliefs
Rome 01: Roman Castra
Military garrison towns used to secure territories and spread Roman civilization; the basis for many later city plans
Rome 01: Standard Roman City Plan
Rectangular grid with two main streets—the cardo (north-south) and decumanus (east-west)—intersecting at the forum
Rome 01: Features of a Roman City
City walls enclosed public buildings, residential blocks, markets, and baths; streets could be numbered for easy navigation
Rome 01: Legacy of Roman Urban Planning
Many European cities, such as Florence, Bologna, Cirencester, and Trier, preserve the Roman grid pattern
Rome 01: Founding of Timgad (Algeria)
Established by Emperor Trajan in 100 CE for Roman veterans; a prime example of the Roman grid plan
Rome 01: Timgad Layout
Square city with intersecting cardo and decumanus; forum and theater near the center; entrances framed by triumphal arches
Rome 01: Timgad Expansion
Population reached about 15,000; extramural suburbs, markets, and baths grew outside the walls, departing from the strict grid plan
Rome 01: Forum Romanum
Original civic heart of Rome at the base of the Capitoline Hill; mixed functions of commerce, government, law, and religion
Rome 01: Imperial Fora
A series of new forums built to relieve congestion—Forum of Caesar, Forum of Augustus, and others—culminating in Trajan's Forum
Rome 01: Forum of Trajan (ca. 100-114 CE)
Designed by Apollodorus of Damascus; the largest forum, financed by Dacian war spoils, and highly symmetrical
Rome 01: Features of Trajan's Forum
Included a vast colonnaded court, Basilica Ulpia, Trajan's Column, two libraries (Greek and Latin), and a temple to Trajan and his wife
Rome 01: Trajan's Column
Nearly 100 ft tall, with a spiral frieze depicting Dacian Wars; flanked by libraries for viewing the relief
Rome 01: Trajan's Markets
Built into the Quirinale hillside behind the forum; contained over 150 brick-faced concrete shops and offices
Rome 01: Market Hall Structure
Two-story hall with six groin vaults supported by piers and flying buttresses—an early example of complex Roman engineering
Rome 01: Purpose of Roman Arches
Freestanding monuments celebrating military victories; marked city entrances and civic pride
Rome 01: Arch Septimius Severus (203 CE)
Triple arch in the Roman Forum commemorating military victories
Rome 01: Arch of Constantine (315 CE)
Larger triple arch near the Colosseum, decorated with reliefs reused from earlier monuments
Rome 01: Legacy of the Triumphal Arch
The Roman triumphal arch influenced later architecture—revived in Carolingian, Romanesque, Renaissance, and modern designs
Rome 01: Roman Public Building Types
The Romans developed the basilica (assembly hall), baths (bathing and recreation complex), and theater/amphitheater (public entertainment) — each influencing later architecture
Rome 01: Function of the Roman Basilica
Large public assembly hall used for law courts and civic business; also social and commercial gathering place
Rome 01: Meaning of "Basilica"
From Greek basilikē stoa meaning "king's hall."
Rome 01: Basilica vs. Greek Stoa
The basilica's colonnades define an interior longitudinal space, while stoas have exterior colonnades
Rome 01: Pompeii Basilica (ca. 100 BCE)
Oldest known Roman basilica; located on the forum's southwest corner; used for legal and social activities
Rome 01: Layout of the Pompeii Bacilica
Rectangular plan with a tribunal at one end; entered mainly from the short side; covered by a wooden gable roof
Rome 01: Basilica Ulpia (Trajan's Forum)
Built ca. 100 CE; 200 × 400 ft with double colonnades, clerestory windows, apses, and luxurious materials from Dacia's tribute
Rome 01: Basilica Ulpia Materials and Decoration
Marble floors/walls, bronze-gilded ceilings, and Egyptian granite columns; symbol of imperial grandeur and justice
Rome 01: The Basilica's Legacy
The basilica plan became the model for Early Christian church architecture
Rome 01: Basilica Nova (Maxentius & Constantine, 307-315 CE)
Massive vaulted basilica with three groin vaults over the nave and barrel vaults along the sides; first basilica using concrete vaulting instead of timber roofs