DES 122 Chapter 24

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25 Terms

1

Impressionism

  • Preferred genre subjects, leisure activities, entertainment, landscape, cityscape

  • Based on the practice of painting out of doors and spontaneously 'on the spot' rather than in a studio from sketches

  • Influence of Japanese woodblock prints, photography and the psychology of perception

  • The formal opposite of blurred edges—the silhouette—

    is also an important feature of the Impressionist style.

<ul><li><p>Preferred genre subjects, leisure activities, entertainment, landscape, cityscape</p></li><li><p>Based on the practice of painting out of doors and spontaneously 'on the spot' rather than in a studio from sketches</p></li><li><p>Influence of Japanese woodblock prints, photography and the psychology of perception</p></li><li><p>The formal opposite of blurred edges—the silhouette—</p><p>is also an important feature of the Impressionist style.</p></li></ul>
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2

Ukiyo-e

Japanese woodblock tradition

<p>Japanese woodblock tradition</p>
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3
<p>A Bar at the Folies-Bergere</p>

A Bar at the Folies-Bergere

  • Edouard Manet

  • Colore not designio

  • Bit smoky from all the cigarettes

<ul><li><p>Edouard Manet</p></li><li><p>Colore not designio</p></li><li><p>Bit smoky from all the cigarettes</p></li></ul>
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4
<p>Nature of the space A Bar at the Folies-Bergere</p>

Nature of the space A Bar at the Folies-Bergere

  • Clustered in a way

  • Very large space

  • People in front of her (reflected on mirror behind lady)

  • Two levels

  • Shallow space

<ul><li><p>Clustered in a way</p></li><li><p>Very large space</p></li><li><p>People in front of her (reflected on mirror behind lady)</p></li><li><p>Two levels</p></li><li><p>Shallow space</p></li></ul>
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5
<p>Cultural commentary being made (A Bar at the Folies-Bergere)</p>

Cultural commentary being made (A Bar at the Folies-Bergere)

What’s in the mirror is not real in a way

<p>What’s in the mirror is not real in a way</p>
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6

Brushwork

Individualistic way of applying paint

<p>Individualistic way of applying paint</p>
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7
<p>Moulin de la Galette</p>

Moulin de la Galette

  • Pierre-Auguste Renoir

  • Oil on canvas

  • Montmartre dance hall but in the courtyard

<ul><li><p>Pierre-Auguste Renoir</p></li><li><p>Oil on canvas</p></li><li><p>Montmartre dance hall but in the courtyard</p></li></ul>
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8
<p>Absinthe</p>

Absinthe

  • Edgar Degas

  • Oil on canvas

  • Slice of life

  • Absinthe means 70% alcohol, popular among bohemians

<ul><li><p>Edgar Degas</p></li><li><p>Oil on canvas</p></li><li><p>Slice of life</p></li><li><p>Absinthe means 70% alcohol, popular among bohemians</p></li></ul>
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9
<p>Dancer with a Bouquet, Bowing</p>

Dancer with a Bouquet, Bowing

  • Edgar Degas

  • Chalk pastels & gouache

  • The flat orange triangles reflect the influence of

    Japanese prints

<ul><li><p>Edgar Degas</p></li><li><p>Chalk pastels &amp; gouache</p></li><li><p>The flat orange triangles reflect the influence of</p><p>Japanese prints</p></li></ul>
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10
<p>The Boating Party</p>

The Boating Party

  • Mary Cassat

  • Oil on canvas

  • Foreshortening of the child’s face and the arm and legs of the rower

  • Compressed space

<ul><li><p>Mary Cassat</p></li><li><p>Oil on canvas</p></li><li><p>Foreshortening of the child’s face and the arm and legs of the rower</p></li><li><p>Compressed space</p></li></ul>
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11
<p>Impression: Sunrise</p>

Impression: Sunrise

  • Claude Monet

  • Oil on canvas

  • Term Impressionism derived from a critic’s negative view of painting

  • Critic said work unfinished in appearance

<ul><li><p>Claude Monet</p></li><li><p>Oil on canvas</p></li><li><p>Term Impressionism derived from a critic’s negative view of painting</p></li><li><p>Critic said work unfinished in appearance</p></li></ul>
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12
<p>Broken color technique</p>

Broken color technique

To show that the clear circle of orange sun is “broken” into individual brushstrokes when reflected in the water. The same is true of the dark, silhouetted boat.

<p>To show that the clear circle of orange sun is “broken” into individual brushstrokes when reflected in the water. The same is true of the dark, silhouetted boat.</p>
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13
<p>Rouen Cathedral</p>

Rouen Cathedral

  • Claude Monet

  • Oil on canvas

  • West Façade, Sunlight

<ul><li><p>Claude Monet</p></li><li><p>Oil on canvas</p></li><li><p>West Façade, Sunlight</p></li></ul>
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14
<p>The thinker</p>

The thinker

  • Auguste Rodin

  • Bronze

<ul><li><p>Auguste Rodin</p></li><li><p>Bronze</p></li></ul>
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15

How did Auguste Rodin make his sculptures?

  • Rodin built up forms in clay or wax before casting them

  • His characteristic medium was bronze, but he also made casts of plaster

<ul><li><p>Rodin built up forms in clay or wax before casting them</p></li><li><p>His characteristic medium was bronze, but he also made casts of plaster</p></li></ul>
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16

Casting

Pouring a metal sculpture from a clay or plaster model

<p>Pouring a metal sculpture from a clay or plaster model</p>
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17

Maquette

A small sketch sculpture

<p>A small sketch sculpture</p>
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18

Why does he do fragmented bodies

He believed that it depicts the true essence of humanity

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19
<p>Torso</p>

Torso

Incomplete sculpture of human body

<p>Incomplete sculpture of human body</p>
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20
<p>Balzac</p>

Balzac

  • Auguste Rodin

  • Plaster version (dynamic, experimental: giving

    the appearance of being unfinished)

  • Commission from the French Society of Men of Letters but rejected

<ul><li><p>Auguste Rodin</p></li><li><p>Plaster version (dynamic, experimental: giving</p><p>the appearance of being unfinished)</p></li><li><p>Commission from the French Society of Men of Letters but rejected</p></li></ul>
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21
<p>Honoré de Balzac</p>

Honoré de Balzac

  • Novelist Wrote a lot

  • Novels on french life

<ul><li><p>Novelist Wrote a lot</p></li><li><p>Novels on french life</p></li></ul>
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22

Malleable

Can be easily shaped, like clay

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23

Patina

Corroded layer on bronze or copper

<p>Corroded layer on bronze or copper</p>
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24

Connoisseur

Expert, someone who appreciates art

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25

Salon des Refusés

First authorized exhibition of artwork that had not been accepted into the official Salon in Paris (1863)

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