UN03: Early Christian and Byzantine Art & Architecture Illustrated Glossary

catacombs

An underground cemetery, esp. one consisting of tunnels and rooms with recesses dug out for coffins and tombs.

fresco secco

the technique of painting on dry plaster with pigments mixed in water.

Constantine the Great

Emperor of Rome who adopted the Christian faith and stopped the persecution of Christians (280-337)

Spolia

the re-use of earlier building material or decorative sculpture on new monuments

loculi

openings in the walls of catacombs to receive the dead

Orant

In Early Christian art, a figure with both arms raised in the ancient gesture of prayer.

Old Testament

The forty-six books that make up the first part of the Bible and record salvation history before the coming of the Savior, Jesus Christ.

New Testament

The second part of the Christian Bible, containing descriptions of the life and teachings of Jesus and of his early followers

The Good Shepherd

Most common depiction of Jesus in the first centuries of Christianity. used to show Jesus' guidance for Christians and his love for those who follow him.

archetypal composition

Images in Christian art that stay relatively the same in structure, figures and imagery regardless of the time period in which they are created

Christogram

The three initial letters of Christ's name in Greek, which came to serve as a monogram for Christ.

Chi Rho Iota

The first three letters of Christ's name in Greek. (in Latin XPI) The symbol, often called a chi-rho, is a monogram of Christ.

Prefiguration

In Early Christian art, the depiction of Old Testament persons and events as prophetic forerunners of Christ and New Testament events.

Theotokos

A Greek title for Mary meaning "God bearer"

Codex

an unbound manuscript of some ancient classic (as distinguished from a scroll)

Book of Genesis

First book of the Bible containing the stories of God's covenants and journeys with the Israelites

continuous narrative

a work of art that contains several scenes of the same story painted or sculpted in a single frame

Aventine Hill

One of the Seven Hills of Rome where a temple to Juno [Hera] once stood; now the location of Santa Sabina

Santa Sabina

Basilica located on the Aventine Hills in Rome, Italy. Late Antique Europe. c. 422-432 C.E. Brick and stone, wooden roof.

Apse

A recess, usually semicircular, in the wall of a Roman basilica or at the east end of a church.

Clerestory

part of an interior wall rising above the adjacent roof with windows admitting light

Nave

the central part of a church building, intended to accommodate most of the congregation

Octagonal Church

eight sided church

Gallery

the second floor of San Vitale reserved for female worshippers

Apsidal church

a church oriented towards the location of the altar located in the apse of the church

Sanctuary

a sacred place; any place of refuge located in a temple or church and limited in access by the public.

Justinian

Byzantine emperor in the 6th century A.D. who reconquered much of the territory previously ruler by Rome, initiated an ambitious building program , including Hagia Sofia, as well as a new legal code

Theodora

the wife of Justinian, she helped to improve the status of women in the Byzantinian Empire and encouraged her husband to stay in Constntinople and fight the Nike Revolt.

Pendentive

a curved triangle of vaulting formed by the intersection of a dome with its supporting arches.

Deesis

a tripartite icon in the byzantine tradition, usually showing Christ enthroned between the Virgin Mary and St. John the Baptist, who intercede on behalf of humankind

Pantokrator

Greek, "ruler of all." Christ as ruler and judge of heaven and earth.

Encaustic

A painting technique in which pigment is mixed with wax and applied to the surface while hot.

Icon

a painting which is a representation or image of a sacred personage, often considered sacred itself

sedes sapientiae

Latin, "throne of wisdom." A Romanesque sculptural type depicting the Virgin Mary with the Christ Child in her lap.

Milius Christi

Soldier of Christ; a warrior saint in Christian art

Christ in Majesty

Christ seated on a throne as ruler of the world, always seen frontally in the center of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context; borrowed directly from images of Roman emperors

Manera Greca

in the Greek style. A reference to the flattened highly stylized forms and figures in Greek and Byzantine art

Blue

Colour associated with Virgin Mary

Purple

Colour associated with Imperial Rome and later Imperial Byzantine rulers

Green

Colour associated with Paradise or the Garden of Eden

Red

Colour associated with the sacrifice of Christ or that of martyrs to the Christian faith

Brown

Colour associated with humility and modesty; often used by monastic clergy