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If I can let you go as trees let go / Their leaves, so casually, one by one;
Sonnet 2
If I can come to know what they do know, / That fall is the release, the consummation,
Sonnet 2
Then fear of time and the uncertain fruit / Would not distemper the great lucid skies
Sonnet 2
This strangest autumn, mellow and acute. / If I can take the dark with open eyes
Sonnet 2
And call it seasonal, not harsh or strange / (For love itself may need a time of sleep),
Sonnet 2
And, treelike, stand unmoved before the change, / Lose what I lose to keep what I can keep,
Sonnet 2
The strong root still alive under the snow, / Love will endure—if I can let you go.
Sonnet 2
After a night of rain the brilliant screen / Below my terraced garden falls away.
Sonnet 5
And there, far off, I see the hills again / On this, a raw and windy, somber day.
Sonnet 5
Moments of loss, and it is overwhelming / (Crimson and gold gone, that rich tapestry),
Sonnet 5
But a new vision, quiet and soul-calming, / Distance, design, are given back to me.
Sonnet 5
This is good poverty, now love is lean, / More honest, harder than it ever was
Sonnet 5
When all was glamoured by a golden screen. / The hills are back, and silver on the grass,
Sonnet 5
As I look without passion or despair / Out on a larger landscape, grand and bare.
Sonnet 5
For steadfast flame wood must be seasoned, / And if love can be trusted to last out,
Sonnet 11
Then it must first be disciplined and reasoned / To take all weathers, absences, and doubt.
Sonnet 11
No resinous pine for this, but the hard oak / Slow to catch fire, would see us through a year.
Sonnet 11
We learned to temper words before we spoke, / To force the furies back, learn to forbear,
Sonnet 11
In silence to wait out erratic storm, / And bury tumult when we were apart.
Sonnet 11
The fires were banked to keep a winter warm / With heart of oak instead of resinous heart
Sonnet 11
And in this testing year beyond desire / Began to move toward durable fire.
Sonnet 11