Africa chord progressions and keys 🌍

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Description and Tags

Information taken from eduqas' final analysis

36 Terms

1

What are the chords present in the introduction?

A, G#m and C#m

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2

Where can the three chords in the introduction be heard?

They can be heard in Riff A

<p>They can be heard in <strong>Riff A</strong></p>
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3

Is Riff B heard above a sustained chord? If so, which chord is it?

It is heard above the sustained chord of C#m

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4

What scale is Riff B based on?

E major pentatonic scale

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5

What section(s) does Riff A NOT appear in?

Chorus 1, 2, 3, (and 4)

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6

In which section is Riff B developed?

The instrumental solo

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7

What features of Motifs X and Y connect them to traditional African music?

  • Syncopation

  • Pentatonic scale

  • Irregular ostinato groupings

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8

How long are the majority of the phrases in Verse 1?

9 bars long

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9

Is the harmonic rhythm fast or slow throughout the majority of verse 1?

Slow

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10

What is the chord progression in verse 1?

  1. B

  2. D#m

  3. G#m

  4. B/F#

  5. A/E

  6. E/F#

  7. G#m

  8. Riff A

<p></p><ol><li><p>B</p></li><li><p>D#m</p></li><li><p>G#m</p></li><li><p>B/F#</p></li><li><p>A/E</p></li><li><p>E/F#</p></li><li><p>G#m</p></li><li><p>Riff A</p></li></ol><p></p>
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11

What change in the vocals occurs in the final eight-bar phrase of verse 1?

The singer sings an octave higher than previously stated and sings in parallel motion with a background singer who is at an interval of a 3rd below

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12

What is the chord progression of the final phrase of verse 1?

  1. B

  2. D#m

  3. G#m

  4. G#m

  5. Riff A

  6. C#m

  7. C#m

<ol><li><p>B</p></li><li><p>D#m</p></li><li><p>G#m</p></li><li><p>G#m</p></li><li><p>Riff A</p></li><li><p>C#m</p></li><li><p>C#m</p></li></ol><p></p>
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13

In the choruses, how do the vocals change throughout the phrases?

  • The first phrase is sung as a solo

  • The second phrase is sung as a duet

  • The third and fourth phrases are sung as a trio

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14

Is the range in the choruses wide or narrow?

Narrow range, in the first three phrases of the chorus it is only a semitone

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15

What is the chord progression in the choruses?

  1. F#m

  2. D

  3. A

  4. E

<ol><li><p>F#m</p></li><li><p>D</p></li><li><p>A</p></li><li><p>E</p></li></ol><p></p>
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16

What is the chord structure often used in pop music that is present in the choruses?

  • vi

  • IV

  • I
    V

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17

What does the vocal melody end with on the final phrase of the chorus?

It ends with a melisma from the singer, which contrasts the syllabic rest of the chorus and the majority of the piece

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18

In what way is the final six-bar phrase different in terms of chords from the other phrases in the chorus?

The first three chords remain the same, however in the final three bars the chords become:
-C#m

-E

-F#m , E/G#

in preparation for the key to modulate back to B major

<p>The <strong>first three chords</strong> remain the same, however in the final three bars the chords become:<br>-C#m</p><p>-E</p><p>-F#m , E/G#</p><p>in preparation for the <strong>key</strong> to <strong>modulate</strong> back to B major</p>
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19

What difference is there between the link and the introduction?

The original four-bar section is repeated only once instead of the three times in the introduction

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20

What structural difference is present between verse 1 and verse 2?

Verse 1 has four phrases, whilst verse 2 only has three

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21

What instrumental difference is there between verse 1 and verse 2?

Verse 2 has a recorder playing a descending scale beneath the vocals. This is called a countermelody or descant.

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22

What slight change occurs in the pitch of the vocal melody across verse 1 and verse 2?

In the final phrase, the singer leaps up to a D# and C# on the words ‘deep in’

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23

What change occurs in the backing vocals in verse 2 compared to verse 1?

On the fifth bar of the nine-bar phrases, the backing vocals enter singing ‘ooo’ before joining the lead singer on the final word of each phrase

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24

What are the differences between chorus 1 and chorus 2?

There are no differences between them

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25

What are the differences between link 1 and link 2?

There are no differences between them

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26

What other part of the piece is the instrumental solo structured off of?

It is structured off of Riff B and the accompaniment of the verse

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27

How do the structures of verse 1, verse 2 and the instrumental solo compare to each other?

  • Verse 1 has three nine-bar phrases before the eight-bar transition to the chorus

  • Verse 2 has two nine-bar phrases before the eight-bar transition to the chorus

  • The instrumental solo has only one nine-bar phrase before the eight-bar transition to the chorus

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28

Describe the first four bars of the instrumental solo in terms of rhythm and tonality.

It is a descending melody using a B major pentatonic scale with the notes falling into groups of three and ending with a triplet

<p>It is a <strong>descending melody</strong> using a <strong>B major pentatonic scale</strong> with the notes falling into <strong>groups of three</strong> and <strong>ending with a triplet</strong></p>
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29

Describe the fifth to ninth bars of the instrumental solo in terms of rhythm and tonality.

An ascending and descending melody using the E major scale which contains more rhythmic variety than the first

<p>An <strong>ascending and descending melody</strong> using the <strong>E major scale</strong> which contains more rhythmic variety than the first</p>
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30

Describe the final three bars of the instrumental solo in terms of rhythm and tonality.

An ascending melody, also using the B major pentatonic scale with the notes once again falling into groups of three. This time the phrase ends in a more ‘pop’ style with the use of grace notes and syncopation

<p>An <strong>ascending melody</strong>, also using the <strong>B major pentatonic scale</strong> with the notes once again falling into <strong>groups of three</strong>. This time the phrase ends in a more ‘pop’ style with the use of <strong>grace notes</strong> and <strong>syncopation</strong></p>
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31

What differences are there between chorus 3 and the previous two choruses?

  • A new electric guitar riff is heard after the singer sings

  • ‘I bless the rains down in Africa’ is repeated five times, making this chorus significantly longer

  • During phrase 3, there is solo vocal improvisation at the end of the first, second and fourth repeats. Each of these improvisations are different.

<ul><li><p>A new <strong>electric guitar riff</strong> is heard after the singer sings</p></li><li><p>‘I bless the rains down in Africa’ is repeated five times, making this chorus significantly longer</p></li><li><p>During phrase 3, there is solo vocal improvisation at the end of the first, second and fourth repeats. Each of these improvisations are different.</p></li></ul><p></p>
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32

How does the outro compare to the intro?

The outro repeats the music stated in the introduction, but gradually reduces the texture until only the bass line of Riff A and the rhythm track from the beginning of the track are heard.

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33

What are the dynamics of the piece?

Generally mezzoforte, however the choruses are forte

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34

What is the tempo of the piece?

Moderately fast

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35

What is the general instrumentation of the piece?

  • Drum kit with additional percussion

  • Lead guitar

  • Bass guitar

  • Synthesisers

  • Male lead vocals

  • Male backing vocals

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36
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