1/60
Looks like no tags are added yet.
Name | Mastery | Learn | Test | Matching | Spaced | Call with Kai | Chat |
|---|
No analytics yet
Send a link to your students to track their progress
Key Moment #1 - Prophecies
Macbeth echoes the witches’ words from Scene 1
pathetic fallacy
paradox - foul because of the weather but fair because the battle has been won (but he’s also tired from it)
foreshadowing - echoes witches’ words from the opening scene
So foul and fair a day I have not seen.
Key Moment #1 - Prophecies
Witches’ prophecies to Macbeth
dramatic irony because we know he is about to be named Thane of Cawdor, making us think that the final prophecy could also come true
All hail, Macbeth! Hail to thee, thane of Glamis! All hail, Macbeth, hail to thee, thane of Cawdor! All hail, Macbeth, thou shalt be king hereafter!
Key Moment #1 - Prophecies
Banquo asks to hear his fate
idea of fate being developed by Shakespeare
If you can look into the seeds of time, and say which grain will grow and which will not…
Key Moment #1 - Prophecies
Banquo’s prophecy
antithesis - Banquo is more honourable than Macbeth, but Macbeth will rise higher in the ranks; Banquo himself won’t be king but his lineage will ‘get’ kings
“Lesser than Macbeth, and greater. Not so happy, yet much happier. Thou shalt get kings, though thou be none.”
Key Moment #1 - Prophecies
Macbeth’s response to being hailed king - he doesn’t believe it’s possible
…to be king stands not within the prospect of belief.
Key Moment #1 - Prophecies
Banquo thinking they’ve gone crazy after seeing the witches
foreshadowing - the prophecies will take over Macbeth’s mind as he will become obsessed with his fortune of becoming king
…have we eaten on the insane root that takes the reason prisoner?
Key Moment #1 - Prophecies
Macbeth is named Thane of Cawdor
clothing motif
foreshadowing usurping (taking with force, without permission) the throne
The thane of Cawdor lives: why do you dress me in borrow’d robes
Key Moment #1 - Prophecies
shows Elizabethan beliefs, explaining why the original thane of Cawdor was killed
But treasons capital, confess’d and proved, have overthrown him
Key Moment #1 - Prophecies
Macbeth begins to hope and believe he could become king after being named Thane of Cawdor - this is what eventually leads to him usurping the throne by becoming impatient
Two truths are told, as happy prologues to the swelling act of the imperial theme
Key Moment #1 - Prophecies
the beginning of Macbeth’s temptation as he realises that the prophecy is good but his consideration of regicide is evil
If good, why do I yield to that suggestion whose horrid image doth unfix my hair and make my seated heart knock at my ribs…
Key Moment #1 - Prophecies
Macbeth decides to leave it up to fate and not interfere
fate vs free will theme
If chance will have me king, why, chance may crown me without my stir
Key Moment #1 - Prophecies (Duncan is welcomed)
Macbeth soliloquy aside
Malcolm named Prince of Cumberland
Macbeth must overcome this obstacle or abandon his desire to be king
light vs dark motif = good vs evil
stars symbolise power and goodness so he tries to hide from them
That is a step on which I must fall down, or else o’erleap… Stars, hide your fire, let not light see my black and deep desires.
Key Moment #2 - Lady Macbeth Soliloquy
Lady Macbeth realises that Macbeth is too kind to kill Duncan to reach the throne faster
…yet I do fear thy nature; it is too full o’th’milk of human kindness to catch the nearest way
Key Moment #2 - Lady Macbeth Soliloquy
Lady Macbeth recognises Macbeth’s ambition but realises that she must convince him to kill the king
Thou wouldst be great; art not without ambition, but without the illness should attend it.
Key Moment #2 - Lady Macbeth Soliloquy
Lady Macbeth plans to convince Macbeth
Hie thee hither, that I may pour my spirits in thine ear.
Key Moment #2 - Lady Macbeth Soliloquy
Lady Macbeth calls to evil spirits to make her evil too
gender roles theme
Lady Macbeth is overcome with ambition and abandons her morals to seize the throne
Unsex me here, and fill me from the crown to the toe top-full of direst cruelty!…Come to my woman’s breasts, and take my milk for gall…”
Context Quotes
Duncan talks of Macbeth deserving the title more than the Thane of Cawdor
paradox
foreshadowing betrayal
What he lost noble Macbeth hath won
Key Moment #3 - Plotting/Spurring
Macbeth wants to kill the king quickly and without consequence
If it were done when ‘tis done, then ‘twere well it were done quickly
Key Moment #3 - Plotting/Spurring
Macbeth has doubts as the king trusts him and Macbeth is his host/kinsman
He’s here in double trust
Key Moment #3 - Plotting/Spurring
Macbeth recognises he does not have the means or courage to kill the king but only blind ambition
I have no spur to prick the sides of my intent, but only vaulting ambition which o’erleaps itself and falls on th’other
Key Moment #3 - Plotting/Spurring
Macbeth tells Lady Macbeth he will not go through with the deed and disregard/disrespect his new title/reputation
We will proceed no further in this business…I have bought golden opinions from all sorts of people, which would be worn now in their newest gloss, not cast aside so soon.
Key Moment #3 - Plotting/Spurring
Lady Macbeth mocks Macbeth’s drunken confidence that has now turned into weakness
clothing motif
Was the hope drunk wherein you dress’d yourself?
Key Moment #3 - Plotting/Spurring
Macbeth recognises that he could lose his nobility if they go through with it and recognises the importance of humility
gender roles theme
I dare do all that may become a man; who dares do more is none.
Key Moment #3 - Plotting/Spurring
Lady Macbeth insults Macbeth’s masculinity and told him he was a man before but he is no longer a man unless he goes through with their plan
gender roles theme
When you durst do it, then you were a man; and, to be more than what you were, you would be so much more the man.
Key Moment #3 - Plotting/Spurring
Lady Macbeth is seen as evil as she tells Macbeth she would’ve abused her own child if she had promised to do so to him
gender roles theme
I have given suck, and know how tender ‘tis to love the babe that milks me: I would, while it was smiling in my face, have pluck’d my nipple from his boneless gums, and dash’d the brain out, had I so sworn as you have done to this.
Key Moment #3 - Plotting/Spurring
Lady Macbeth believes all they need is courage and ambition to succeed
We fail! But screw your courage to the sticking-place, and we’ll not fail.
Key Moment #3 - Plotting/Spurring
Lady Macbeth tries to convince Macbeth there’s no way they could fail while Duncan is vulnerable
this mindset works for them initially but leads to their eventual downfall
What cannot you and I perform upon the unguarded Duncan?
Key Moment #3 - Plotting/Spurring
Macbeth is impressed by Lady Macbeth’s ‘masculine’ qualities and tells her she should pass them own to their lineage
gender roles theme
Bring forth men-children only; for thy undaunted mettle should compose nothing but males.
Key Moment #4 - Macbeth kills Duncan
Dagger hallucination
Macbeth requires hallucinations to enforce/catalyse his ambition - they are his spur
Is this a dagger which I see before me, the handle toward my hand?
Key Moment #4 - Macbeth kills Duncan
Banquo describes the sky to Fleance
light vs dark motif
foreshadowing as Macbeth’s ‘stars, hide your fires’ soliloquy has come true, indicating what’s about to happen
Their candles are all out.
Key Moment #4 - Macbeth kills Duncan
antithesis - by doing the deed, Macbeth will either go to heaven (by becoming king/achieving his goal) or hell (being caught)
Hear it not, Duncan; for it is a knell that summons thee to heaven or to hell
Key Moment #4 - Macbeth kills Duncan
Lady Macbeth tells Macbeth that his bloody hands are a good thing, as they are a symbol of their success
A foolish thought, to say a sorry sight.
Key Moment #4 - Macbeth kills Duncan
Lady Macbeth tells Macbeth he must not overthink the murmuring of the sleeping servants as it will drive him crazy
foreshadowing
dramatic irony - Macbeth is mad with ambition already
These deeds must not be thought after these ways; so, it will make us mad.
Key Moment #4 - Macbeth kills Duncan
Macbeth tells Lady Macbeth how he hallucinated voices as he killed Duncan and how they were scared of him
Macbeth does murder sleep
Key Moment #4 - Macbeth kills Duncan
Macbeth overcome with guilt at what he is done that he refuses to return to the scene
I am afraid to think what I have done; Look on’t again I dare not.
Key Moment #4 - Macbeth kills Duncan
Macbeth tries to wash the blood from his hands
whose hands are these? Would an ocean of water be enough to make them clean?
echoes Lady Macbeth’s future lines after she goes insane (‘what, will these hands ne’er be clean?"‘)
blood/hand-washing motif
Will all great Neptune’s ocean wash this blood clean from my hand?
Key Moment #4 - Macbeth kills Duncan
Lady Macbeth returns from the scene covered in blood and mocks Macbeth for his lack of courage
gender roles theme
blood motif
My hands are of your colour; but I shame to wear a heart so white
Key Moment #4 - Macbeth kills Duncan
Macbeth seems to show regret as he hears knocking that he wishes would wake Duncan
Wake Duncan with thy knocking! I would thou couldst!
Key Moment #5 - Banquo & Fleance’s Deaths
Banquo grows suspicious of Macbeth’s rise to the throne
Thou hast is now: king, Cawdor, Glamis, all, as the weird women promised, and, I fear, thou play’dst most foully for’t
Key Moment #5 - Banquo & Fleance’s Deaths
Macbeth telling his guests to have free time and enjoy themselves until the banquet begins
fate vs freewill theme
Let every man be master of his time
Key Moment #5 - Banquo & Fleance’s Deaths
Macbeth fears Banquo and realises that he needs to kill him to keep the throne - his ambition takes over
To be thus is nothing; but to be safely thus
Key Moment #5 - Banquo & Fleance’s Deaths
Macbeth justifying murdering Banquo
Macbeth shall not have any heirs
He has gone through all the torture of killing Duncan to become king and it will be Banquo’s lineage that will get the throne in the end so he must kill Banquo so the Macbeths can secure the throne forever
Upon my head they placed a fruitless crown… If’t be so, for Banquo’s issue have I filed my mind
Key Moment #5 - Banquo & Fleance’s Deaths
Macbeth tells the murderers they must kill Fleance too
fate vs free will theme - Banquo poses no real threat to Macbeth, only his lineage
…and with him, to leave no rubs nor botches in the work, Fleance his son, that keep him company
Key Moment #5 - Banquo & Fleance’s Deaths
Development of Macbeth’s corruption as he tells Lady Macbeth of his poisoned mind, and cuts her out of the plans
O, full of scorpions is my mind, dear wife!… Be innocent of the knowledge, dearest chuck
Key Moment #5 - Banquo & Fleance’s Deaths
Fleance symbolises innocence in death scene
light vs dark motif
A light, a light! (Fleance holding)
Key Moment #5 - Banquo & Fleance’s Deaths
Macbeth learns of Banquo’s death and Fleance’s escape and becomes panicked again
I am cabin’d, cribb’d, confined, bound in to saucy doubts and fears
Key Moment #5 - Banquo & Fleance’s Deaths
Macbeth hallucinates Banquo’s ghost, which shakes his head at him in disapproval and disappointment
never shake thy gory locks at me
Key Moment #5 - Banquo & Fleance’s Deaths
Lady Macbeth asks Macbeth where his masculine qualities have gone as he freaks out over Banquo’s ghost
Are you a man?
Key Moment #5 - Banquo & Fleance’s Deaths
After Banquo’s ghost leaves, Macbeth reflects
violence will beget violence and there will be consequences for his actions
It will have blood; they say, blood will have blood.
Key Moment #5 - Banquo & Fleance’s Deaths
Macbeth decides that he’s too far gone and has to continue down this path
fate vs free will theme
I am in blood, stepp’d in so far that, should I wade no more, returning were as tedious as go o’er
Key Moment #6 - Witches’ Apparitions
Apparition #1 - Armed head
Beware Macduff; Beware the thane of Fife
Key Moment #6 - Witches’ Apparitions
Apparition #1 - Armed head
Macbeth’s response, thankful and cautious
Whate’er thou art, for thy good caution, thanks; thou hast harp’d my fear aright
Key Moment #6 - Witches’ Apparitions
Apparition #2 - Bloody child
…laugh to scorn the power of man, for none of woman born shall harm Macbeth
Key Moment #6 - Witches’ Apparitions
Apparition #2 - Bloody child
Macbeth’s response - almost arrogant but remind himself to be cautious and sure
murder is easy for him now
Then live, Macduff: what need I fear of thee? But yet I’ll make assurance double sure… thou shalt not live…
Key Moment #6 - Witches’ Apparitions
Apparition #3 - Child crowned with tree in his hand
Macbeth shall never vanquish’d be until Great Birnam wood to high Dunsinane Hill shall come against him
Key Moment #6 - Witches’ Apparitions
Apparition #3 - Child crowned with tree in his hand
Macbeth’s response - doesn’t believe that is a threat and wants to know about Banquo
That will never be / Who can impress the forest, bid the tree / Unfix his earth-bound root?… Yet my heart throbs to know one thing:… shall Banquo’s issue ever reign in this kingdom?
Key Moment #6 - Witches’ Apparitions
Apparition #4 - Show of 8 kings, the last with a mirror in his hand, ghost of Banquo following
Macbeth’s response - appalled at the long line
What, will the line stretch out to the crack of doom?
Key Moment #6 - Witches’ Apparitions
Apparition #4 - Show of 8 kings, the last with a mirror in his hand, ghost of Banquo following
Macbeth’s response - Banquo smiles at Macbeth as he is finally the one that will win in life (with his royal lineage) contrasting Banquo shaking his head at Macbeth from the banquet scene
For the blood-bolter’d Banquo smiles upon me
Key Moment #7 - Macbeth’s downfall
tomorrow and tomorrow and tomorrow soliloquy
nihilism (life, truth, and morality lack any inherent meaning, purpose, or value)
inevitability and repetition of history
life is fragile and short-lived
he is defeated and realises his efforts were for nothing
his efforts felt so important in the moment but in the grand scheme of humanity, they meant nothing
every life must end
Tomorrow, and tomorrow, and tomorrow, creeps in this petty pace from day to day… out, out, brief candle! Life’s but a walking shadow, a poor player that struts and frets his hour upon the stage and then is heard no more: it is a tale told by an idiot, full of sound and fury, signifying nothing.
Key Moment #7 - Macbeth’s downfall
Macbeth is guilty and wants to avoid Macduff
My soul is too much charged with blood of thine already
Key Moment #7 - Macbeth’s downfall
Macbeth overconfident and reliant on apparitions’/fate’s assurances
I bear a charmed life, which must not yield to one of woman born