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the language of art and architecture
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achromatic value scale
value range from white to black, with gray tones in between
actual lines
lines made with drawing or writing materials that physically exist
additive color system
in light-emitting media, light added together results in the whitest, brightest light
arcade
a straight row of arches placed side by side
atmospheric perspective
the light, fuzzy handling of distant forms to make them seem farther away
barrel vault
tunnel-like arch
parts of a column

biomorphic
shapes that resemble living beings
brackets
clusters of interlocking wood pieces shaped like inverted pyramids
buttressing
additional exterior masonry placed to keep an arch stable
cantilever
horizontal beam anchored to/projecting from an upright post
colonnade
a row of columns supporting lintels
complete frame system
chinese wood frame system with totally non-load-bearing walls, brackets, and cantilevers
corinthian order
most complex and organic order, carved leaves on capital
cross-countours
repeated lines that go around an object and express its three-dimensionality
cross vault/groin vault
barrel vaults placed perpendicular through each other
doric order
no base, simple capital, geometric and practical
flying buttresses
internal buttresses that open up other buttresses
formal elements
line, light/value, color, texture/pattern, shape/volume, space, time/motion.
gesture lines
sketchy marks that mimic eye movement when examining a subject
gothic vault
ribbed vault with a pointed arch
hieratic scaling
points to the highest-ranking person in the scene using scale
hypostyle
rooms filled with columns
invented texture
product of human imagination
ionic order
taller, more slender, and more decorative than doric, scrolled capital, stepped base
isometric perspective
renders planes on a diagonal that doesnโt recede into space
load-bearing construction
when all areas of a wall support the structure above it
local colors
the colors normally found in the objects around us
pendentives
triangular concave sections created when a dome is placed on arches
pier
rectangular post that arches can rest on
planar space
the height and width of the picture surface (2d art)
post-and-lintel system
two upright posts supporting a crossbeam (lintel)
ribbed vault
cross vaults with barrel vaults that diagonally cross over them (forming ribs)
simulated texture
textures that mimic reality
squinches
spaces created when domes are placed on a square or polygonal base
subtractive color system
when artists mix pigments to control the light reflected from them (resulting in darker, muddier colors)
suspension & tensile construction
steel cables attached to vertical pylons/masts that can support large structures
truss
frame made of a series of wooden or steel triangles
vault
expanded arches made of stone
visual texture
illusionary texture
voussoirs
wedge-shaped stones that make up an arch