Art Section V: Self-Portrait (Tamara in a Green Bugatti)

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Last updated 5:29 PM on 7/13/26
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84 Terms

1
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What experience became more common in the early 20th century?

Riding in a car

2
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What did artists tend to use to represent the experience of riding in a car?

Dynamic and abstract forms

3
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What painting may be the earliest image of a flashy car driving through a city?

Gray and Brass (1907) by John Sloan

4
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What elements does Tamara in a Green Bugatti include?

Technology, gender, and mass media

5
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How is Tamara de Lempicka represented in her self-portrait?

As a powerful modern woman

6
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What information about de Lempicka is uncertain?

Her birth name, place of birth, and her birth year

7
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Why are so many of de Lempicka's personal details uncertain?

De Lempicka herself obscured information about her origins

8
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What kind of family was de Lempicka born into?

A wealthy Polish family

9
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Where and when was de Lempicka likely born?

Moscow in 1894

10
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Where did de Lempicka claim to be born?

Warsaw and St. Petersburg

11
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When did de Lempicka claim to be born?

1898-1905

12
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What was the religious background of de Lempicka's family?

They were Catholics who had converted from Judaism

13
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What surnames were de Lempicka's family known by?

Gurska and Hurwitz

14
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Who did de Lempicka marry in 1916?

Count Tadeusz de Lempicki

15
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What was de Lempicki's profession?

Lawyer

16
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What did de Lempicka do in St. Petersburg?

Started artistic studies

17
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What happened to Tadeusz during the Russian Revolution?

He was imprisoned as a suspected tsarist spy

18
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What did de Lempicka do during the Russian Revolution?

Flee to Paris with her daughter Kizette

19
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When were Tamara and Tadeusz reunited?

After Tadeusz was released

20
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Who did de Lempicka study under in Paris?

André Lhote

21
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Where was de Lempicka's first major exhibition?

Bottega di Poesia gallery in Milan

22
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When was de Lempicka's first major exhibiton?

1925

23
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Who was de Lempicka introduced to at the exhibition?

Wealthy patrons and collectors

24
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When did Tamara and Tadeusz divorce?

1928

25
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Who was de Lempicka's second husband?

Baron Raoul Kuffner

26
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When did de Lempicka marry Kuffner?

1933

27
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Why did de Lempicka's portrait commissions dry up in the mid-1930s?

The global economic crisis and darkening political mood in Europe

28
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What condition did de Lempicka receive treatment for?

Clinical depression

29
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When did de Lempicka and Kuffner immigrate to the US?

1939

30
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When was the peak of notoriety for de Lempicka's art?

1920s

31
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What did de Lempicka's 1920s art capture?

The zeitgeist of interwar life

32
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Where did de Lempicka retire to?

Cuernavaca, Mexico

33
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When did de Lempicka retire?

1978

34
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When did de Lempicka die?

1980

35
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How was de Lempicka's art different from Delaunay's?

Her art was more commercially successful

36
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What two art styles did de Lempicka combine?

Cubism and Art Deco

37
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When was the Art Deco movement?

1924-1930

38
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What did Art Deco focus on?

Brilliant colors, angular shapes, expensive materials, and motifs related to modern life

39
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What does de Lempicka's self-portrait show?

De Lempicka driving a luxury car wearing leather gloves and a helmet

40
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What does the painting's tight cropping focus on?

The cool-headedness, power, and control in de Lempicka's body language and facial expression

41
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What frames de Lempicka's face?

The intersection of the hood with the driver's side door

42
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What luxury brand gave de Lempicka a silk scarf?

Hérmes

43
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What does the frame created by the windshield focus on?

De Lempicka's elongated hand gripping the steering wheel

44
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What qualities does de Lempicka's sidelong gaze have?

Nonchalance, glamour, and confidence

45
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How does de Lempicka depict herself?

As a woman absolutely in control of her speeding car

46
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What does the painting propose?

Woman possess the focus and surehandedness to power a car

47
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How common were cars at the time of the painting's creation?

They were inesacapable

48
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Where and when were internal-combustion-engine-powered vehicles first developed?

Germany in 1885

49
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How long were internal-combustion-engine-powered vehicles a luxury?

15 to 20 years

50
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How common were cars in France by 1927?

There was 1 car per 44 people

51
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What country dominated European car production in the interwar period?

France

52
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What company was known for their racing cars?

Bugatti

53
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Where was Bugatti based?

Alsace

54
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What did Ettore Bugatti say about the quality of the brakes in his cars?

I make cars to go, not to stop

55
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What car model does the Bugatti in de Lempicka's self-portrait resemble?

Type 43 Roadster

56
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How were cars depicted in art in the interwar period?

They were either shown in relation to their human operators or abstraction was used to show their speed

57
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How were cars generally presented?

As masculine

58
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What does Fernand Leger's The Mechanic (1920) show?

A man in a sleeveless shirt smoking a cigarette

59
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What does the man's tattoo suggest?

He is a working-class person

60
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What early artworks used radical abstraction to replicate the feeling of a fast car?

Speeding Automobile (1912) by Giacomo Balla and Dynamism of an Automobile by Luigi Russolo

61
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What were the Futurists inspired by?

"Masculine" experiences

62
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What did the Futurists glorify?

Speed and technology

63
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What did Futurist works look like?

Fragmented and dynamic

64
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How does de Lempicka's self-portrait go against hypermasculine representations?

It shows automotive technology as accessible to and enjoyable for modern women

65
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What is another reason Tamara in a Green Bugatti is different from other automotive images of the period?

It was made to be reproduced

66
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Who approached de Lempicka in 1927?

The editory of Die Dame

67
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What was de Lempicka commissioned to do for Die Dame?

Design several covers

68
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What other artist worked for Die Dame?

Hannah Höch

69
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What was the target audience of Die Dame?

The modern career woman

70
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During what period was Die Dame published?

1912-1943

71
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What was Die Dame's circulation?

60,000 copies per issue

72
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Which of de Lempicka's paintings were used as covers for Die Dame?

The Orange Scarf (1927), High Summer (1928), St. Moritz (1929), and Self-Portrait (Tamara in a Green Bugatti)

73
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What did de Lempicka's covers help spread?

The image of a modern "new woman" archetype

74
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What is the setting of St. Moritz?

A Swiss Alps resort town

75
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What event was hosted at St. Moritz?

The 1928 Winter Olympic Games

76
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What does St. Moritz depict?

A woman preparing to ski down a slope

77
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What car did de Lempicka actually drive?

A small yellow Renault

78
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What topics did Die Dame cover?

Sports, celebrities, cosmetics, and automobiles

79
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What did Die Dame's annual car issue include?

Photos of female celebrities with their cars, articles on new car models, and instructions on driving-related tasks

80
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What happened shortly before the issue of Die Dame featuring de Lempicka's self-portrait was released?

Clärenore Stinnes arrived in Berlin

81
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What did Stinnes complete?

A 27 month tour

82
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What did Stinnes achieve?

She became one of the first people to circumnavigate the world by car

83
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Who did Stinnes complete the tour with?

Carl-Axel Söderström

84
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What message did Die Dame and similar productions promote?

Woman should be out on the road and enjoy themselves just as much as male drivers