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the ronettes: be my baby 1963 prod. phil spector
tin pan alley aaba
multiple instruments in unison and the use of echo chambers- wall of sound associated with phil spector
cher as background vocalist!
phil spector- wall of sound
created echo chambers in the recording studio to make a layering affect: thick sounding texture that sounds good on AM radio
multiple instruments in unison and the use of echo chambers
dixie’s land 1916 Metropolitan Mixed Chorus featuring Ada Jones, Billy Murray
THE CORE FORMAL DEVICE: VERSE-CHORUS CONTRAST + TRANSFORMED OUTRO VERSE
verse chorus form
like in hello by adele
harlem congo chick webbs savory orchestra 1937
jump blues: swing band but cut down to a smaller size
tin pan alley aaba strophic
contender for the first rock and roll song
lois jordan gets his start in this band
hello adele 2015 prod greg kurstin
verse chorus bridge
the meaning is in textural verse chorus: adele as authentic due to acoustic sound which is contrasted with miley cyrus despite both artists being commerically driven- resistance ballad
hey good looking hank williams- 1951
stropic tin pan alley aaba
honky tonk which comes from dive bar their bands feature guitar bass drums and fiddle (western which comes from hillbilly)
ida red- bob willis and his texas playboys 1945
binary form (A 16 instrumental bars B 12 bars)
jazz + swing band music= western swing
jazz structure (repeating strophes) with the swing feel
first recorded in 1929
2 +2 frase pattern
maybelline chuck berry 1955
frase from ida red but with sonic and structural differences
transforms the 16 bar instrumentals from willis into rock choruses
verse chorus form
possible first rock n roll song
i fall to pieces patsy cline prod owen bradly 1961
aabc tin pan alley
example of nashville sound which is a sophisticated western
owen bradley uses the studio as an instrument, bc of the 3 track console we can now record multiple different tracks
no longer documentary recording: all of the band just playing instruments simultaniously
marks the importance of the producer
i feel good james brown 1965
masking tin pan alley (aaba) form by mixing with 12 bar blues
b is seperate making this rounded binary form
jumpin at the jubiliee 1944 louis jordan
AABA tin pan alley
and strophic
louis jordan gets his start in chick webbs jump blues band
rocket 88 1951 ike turner
some consider this the first rock song (phrase patterns also present in maybelline)
strophic blues: no chorus
rocket 88 1951 bill haley and the saddlemen
timbral difference to the original which released a few months earlier
basically cashing in on a black groups innovation which is seen across the genre
aaba 12 bar blues
livery stable blues- the original dixieland jass band 1917
strophic 12 bar
one of two songs on the first jazz recrording and the only one that was also blues
work rihanna 2016
dancehall/ hiphop influenced pop
additions carry into sections and substractions occur mid section
verse chorus divide with reocurring text/ melody
free form
pink raise your glass 2010 prod max martin
blurred sectionality contrasted with work
pro max martin who is a big producer
yes roundabout 1971
complex multi sectional form
prog rock looks down on less complex music. this was made possible by the invention of the LP
love sensation- loleatta holloway tim multon mix 1980
compound binary form
tim multon is the father of the remix
tapecollages create continuous flow
pony blues- charlie patton 1929
altered 12 bar blues
first sucessful delta blues but not the very first
prove it on me- ma rainey 1928
tin pan ally 16 bar
ma wrote it herself and also she is singing about homosexuality
saturday night fish fry- louis jordan
16 bar verse chorus
2+2phrasing
jordan starts out in chickwebbs orchcestra big band swing and moves to jump blues which is a smaller version of this
sweet rough man- ma rainey 1928
12 bar strophic blues
song about an abuser written by a man
where have you been- rihanna 2011 prod. dr like, cirkut, calvin harris, kuk harrell
verse chorus w tpa influence
drop
this song has famous producers