Kurt Weill
Evokes Jazz
using extended chords & Unprepared suspensions
Speech singing style, syllabic
Strophic form
Harmonic progressions
Stephen Sondheim
motifs, (Dies Irae)
bitonal effects
fragmenting
imitating soundtrack
use of tessitura singers
Richard Rodgers
catchy melodies
Use of dotted rhythms
Strong melodies, rising falling triads
Use of waltz
chromaticism and augmented chords
'hot' performances
Claude-Michel Schonberg
using an arpeggio quaver figure played over a stable rising conjunct bass line
wordpainting
simple structures
Jason Robert Brown
fuses pop rock stylings with theatrical lyrics
uses wide vocal ranges
vocal lines often include internal rhymes as well as melodic phrases which are irregular