Chopin nocturne

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Music

12th

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35 Terms

1
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Note Range?
5 octaves and 2 tones
2
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What pedals are used?
Damper and sustain
3
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How is each section defined?
By what theme is used
4
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What could the structure by likened to?
Abridged sonata form
5
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What key does the Nocturne start in?
Em
6
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What key does it end in?
E major
7
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What key does section A modulate to from Em?
To Bm (Dominant modulation)
8
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Section B modulates from Bm to?
B (Tonic major)
9
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What type of inverted 7th chord is used in the Nocturne?
V7c
10
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Are there any tonic pedals used?
From section B till the end
11
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What diminished chord is used throughout the piece?
Dim7
12
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What harmonic feature is suggested to be used at bar 46?
A Tierce de picardie
13
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What harmonic feature is used to create dissonance?
Suspensions
14
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What is constantly played in the left hand throughout the piece?
Triplets
15
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What texture is the piece generally?
Homophonic
16
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What texture feature is used to create a drone in the piece?
Lots of pedal points
17
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What melodic ornament is used in the left hand triplets?
Appoggiaturas
18
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How could the melody of the nocturne be described?
Lyrical and mostly conjunct
19
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Are the phrase lengths irregular or regular?
Irregular
20
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What is different about the second A section?
It is highly ornamented
21
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What rhythmic device is used to create a cross rhythm?
2 against 3
22
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What rhythm is constantly in the LH?
Triplets
23
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How is the mood changed in the link section by the rhythm\>?
The rhythm is simple
24
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Dynamic range?
pp-f
25
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What dynamic marking is at the end of the piece?
Calando (Dying away)
26
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Forces
Piano
Sustain and damper
5 octaves and 2 tones
27
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Structure
Could be described as abridged sonata form
Each section is defined by its themes
28
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Tonality
Starts in Em
Section A- modulates to Bm
Section B- Modulates to B major
Ends in E major (tonic major)
29
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Harmony
Tonic pedals
Tierce de picardie and b45-46
Use of 7th chords e.g. V7c
Dim 7 throughout the piece
Suspensions
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Texture
Mainly Homophonic
Constant triplets in LH
Use of octaves -RH b40
31
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Melody
Use of appoggiaturas in section a (C is one)
Lyrical melodies
Mainly conjunct
Irregular phrase lengths
Heavily ornamented repeat of A section
32
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Rhythm
Some ralls
Some tempo rubato
Triplets in Left hand
Link section has simple rhythm to change the mood
Use of 2 against 3 e.g. b2
4/4 all the way through
33
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Dynamics
pp-f
Expressive dynamics
Ends with a calando
34
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How is it typical of the romantic era?
Lyrical melodies
Rich harmonies e.g. dim7
Irregular phrasing
Recurring themes
Frequent dynamic changes
Ornamentation
Wide range in pitch
2 against 3
Character piece
Tempo Rubat
Modulates to related keys
35
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Typical of chopin
Use of abridged sonata form
Only modulates to related keys - suits mood of piece
Inverted 7th chords eg v7c
Homophonic
Pedal points
Irregular phrase lengths
2 against 3