Visual Culture Final

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39 Terms

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Imagined community

a concept where individuals who may never meet share a sense of belonging to a larger group based on a shared identity, history, or culture

  • how it is visualized depends on the shared political values/ideals of the specific nation

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Print Capitalism

describes the rise of nation-states in Europe, fueled by the printing press and the capitalist market

  • theory proposes that the business of printing first fueled the rise of nation-states and nationalism in 15th-century Europe

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interpellation

the process by which we encounter a culture's or ideology's values and internalize them

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Interpellation as national subjects

refers to the process by which individuals are hailed or addressed as national subjects, internalizing and accepting a specific identity and role within a nation-state

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Effect of political ideology on representation and interpellation

impacts how individuals are portrayed and how they understand their place in society.

  • Ideology shapes how individuals are represented, often leading to stereotypes or biased portrayals

  • influences the process of interpellation

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Race as a social construction/ontology

consists of the all the assumptions, stereotypes, value systems that different societies attach to physical differences

  • there is no biology of it, only a sociology

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19th century theory of race

  • There is a hierarchy of races based on the characteristics and capabilities

  • Taken as. biological fact at the time

  • Theories of Biological Race

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Dutch Brazil

  • mid-1600s

  • Dutch West India Company

    • colonizers of Dutch West Indies (ex: Brazil, Caribbean, North America)

  • Johan Maurits, governor

  • Paintings eventually given to the King of Denmark

    • 8 paintings of people in Brazil with different clothes, cultures, & backgrounds

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Colonial Mexico

  • 1700s

  • Casta paintings

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Ethnographic portrait

a visual representation, typically a photograph, painting, or drawing, that captures an individual's characteristics and cultural context

<p>a visual representation, typically a photograph, painting, or drawing, that captures an individual's characteristics and cultural context</p>
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Casta Painting

originating in 18th-century colonial Mexico, were a unique artistic genre that illustrated the complex racial hierarchies and social structures of the time

<p>originating in 18th-century colonial Mexico, were a unique artistic genre that illustrated the complex racial hierarchies and social structures of the time</p>
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4 continent allegories

humans are one species, 4 “varieties” characterized by “color” difference in temperament caused by climate

  • Africa, America, Europe, Asia

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polygenism

the doctrine or belief that existing human races have evolved from two or more distinct ancestral types

<p>the doctrine or belief that existing human races have evolved from two or more distinct ancestral types</p>
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Stereotype

a stock-cut image that could be used over and over again with print text

  • considered to be a method of visual shorthand, and were used by advertisers to promote products

<p>a stock-cut image that could be used over and over again with print text</p><ul><li><p>considered to be a method of visual shorthand, and were used by advertisers to promote products</p></li></ul><p></p>
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Making & Challenging the Mammy Stereotype

  • Stereotype of a Black woman used on products (pancake mix)

    • Shown to be old, large/overweight, and extremely dark (like back face), and content as a servant

  • Challenged by being presented like a real Black woman with nice clothes, married, average weight, turned into a statue in old sugar factor, and made to look liberated through art

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Appropriation

the action of taking something for one's own use, typically without the owner's permission

  • typically related to culture

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Orientalism in 19th century European art

the depiction of the "Orient" (primarily the Middle East, North Africa, and parts of Asia) by Western artists, often with a romanticized and idealized, yet sometimes inaccurate, portrayal of Eastern culture and customs

<p>the depiction of the "Orient" (primarily the Middle East, North Africa, and parts of Asia) by Western artists, often with a romanticized and idealized, yet sometimes inaccurate, portrayal of Eastern culture and customs</p>
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Legacies of Orientalism in 20th & 21st century popular culture

  • Hollywood movies

    • Inaccurately depicts those of Oriental culture

    • White male heroes, white women often captured or sexualized by an Orient man, Oriental men portrayed as villains

    • Mostly white actors, like white women playing oritenal women

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Orientalism and contemporary political implications

  • After 9/11, middle eastern people have been stereotyped as terrorists

    • stereotypes have harmfully impacted middle eastern Americans and middle eastern people

  • We are taught that middle eastern culture is dangerous and bad

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Clothing as a signifier for identity

  • gender, class, culture, ethnic identity, race

  • We judge and interpret people based on their clothes

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Moralizing architecture

the idea that buildings and the built environment can carry moral connotations and judgments, and that architecture can be used to promote or reflect certain values or beliefs

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Banyan

a loose-fitting garment, often a dressing gown or jacket, with origins in India and later adopted in Europe

  • symbolized wealth, sophistication,

    cosmopolitanism

<p>a loose-fitting garment, often a dressing gown or jacket, with origins in India and later adopted in Europe</p><ul><li><p>symbolized wealth, sophistication,</p><p>cosmopolitanism</p><p></p></li></ul><p></p>
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qipao/cheongsam

Traditional Chinese dress that is considered dignified and elegant and formal

  • has changed over time from wide and covering most if body to fitted and shortened (western influence)

  • It is traditional & modern and authentically Chinese & global commodity

<p>Traditional Chinese dress that is considered dignified and elegant and formal </p><ul><li><p>has changed over time from wide and covering most if body to fitted and shortened (western influence) </p></li><li><p>It is traditional &amp; modern and authentically Chinese &amp; global commodity </p></li></ul><p></p>
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Herero long dresses

Traditional Namibia dress

  • inspired by victorian era dresses & forced into Namibia culture by colonizers

  • has head piece goes with it reprsenting cow horns

<p>Traditional Namibia dress</p><ul><li><p>inspired by victorian era dresses &amp; forced into Namibia culture by colonizers</p></li><li><p>has head piece goes with it reprsenting cow horns </p></li></ul><p></p>
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Classic (advertising logic)

Traditional method of advertising

  • Sells you the product as well as an idea (like a lifestyle) that the product can give you

<p>Traditional method of advertising </p><ul><li><p>Sells you the product as well as an idea (like a lifestyle) that the product can give you </p></li></ul><p></p>
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Postmodern (advertising logic)

  • Often makes fun of traditional advertising

    • used to engage viewers in a more playful way

  • recognizes that consumers are not passively manipulated by ads

  • addresses that celebrities in ads are being paid to promote products and you shouldn’t buy something because of them

<ul><li><p>Often makes fun of traditional advertising </p><ul><li><p>used to engage viewers in a more playful way </p></li></ul></li><li><p>recognizes that consumers are not passively manipulated by ads </p></li><li><p>addresses that celebrities in ads are being paid to promote products and you shouldn’t buy something because of them </p></li></ul><p></p>
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Affirmational (advertising logic)

empowering the consumer in their current state.

  • It emphasizes acceptance of the consumer as they are, rather than trying to get them to want something different.

  • promotes self-acceptance and authenticity

<p>empowering the consumer in their current state.</p><ul><li><p>It emphasizes acceptance of the consumer as they are, rather than trying to get them to want something different. </p></li><li><p>promotes self-acceptance and authenticity </p></li></ul><p></p>
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Values Signalining (advertising logic)

a brand conveys its core values or beliefs to potential customers, often through specific actions or messages rather than explicitly stating them

  • aims to attract customers who align with the brand's values and build a stronger connection.

<p>a brand conveys its core values or beliefs to potential customers, often through specific actions or messages rather than explicitly stating them</p><ul><li><p>aims to attract customers who align with the brand's values and build a stronger connection. </p></li></ul><p></p>
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Compassionate consumerism (advertising logic)

leverages emotional appeals to connect with consumers by highlighting a brand's concern for their well-being and social responsibility.

  • It aims to create a sense of shared values and ethical alignment

  • encourages purchasing decisions that benefit both the consumer and the greater community

<p>leverages emotional appeals to connect with consumers by highlighting a brand's concern for their well-being and social responsibility. </p><ul><li><p>It aims to create a sense of shared values and ethical alignment</p></li><li><p>encourages purchasing decisions that benefit both the consumer and the greater community</p></li></ul><p></p>
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Charles Mills main points

  • Critical Race Theory

  • Race can be socio-politically real while being anthropologically and biologically unreal

  • Social ontology (our natural being or identity is shaped by social contexts)

  • Racially categorized (illustrates that race and other identity components are social constructs)

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Morgan main points

  • Stereotypes (original and contemporary meaning)

    • Characteristics of stereotypical Mammy figure

  • Mammy helped unite the whites in the North and South

    • by being illustrated in Southern stories meant to reunite the North and South

    • was romanticized by showing her voluntarily staying to serve (symbol of forgiveness and redemption for confederates)

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Said main points

Orientalism:

  • Homogenizes (make uniform), Stereotypes & Justifies Colonialism

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Nochlin main points

  • voyeurism and the gaze

    • European gaze of the Orient is one of objectification & dominance (like male gaze)

  • 4 absences related to Oriental art

    • History

    • Westerners/colonial presence

    • Art (in the sense that the Western paintings of the Orient look like documents, not fictions

      or interpretations)

    • Work and Industry

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Khalid main points

  • War on Terror

  • Muslim women depicted as voiceless victims & oppressed

  • Muslim men are depicted as barbaric and oppressive

  • American men & women characterized as equal by media but not true.

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Zhang main points

  • Asian style clothing being used for profit

  • stereotyping & misrepresentation of culture and people

  • clothes we wear tell others about us

  • Clothes can attract negative or positive attention

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Wang main ideas

  • Cultural appropriation & fashion

    • isn’t always bad; it’s universal

    • can be used as form of communication or rebellion

    • makes people appriciate cultures they typically would ignore (ex. fashion)

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Berger main ideas

  • “Publicity is about social relations, not objects”

    • products make people perceive or envy someone

  • "All publicity work(s) upon anxiety"

    • fear of not having anything or being able to buy things

  • consumption into a substitute for democracy

    • advertising distracts & hides political issues

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Sturken and Cartwright

  • "Therapeutic ethos"

    • shift in values led to shift to consumerism

  • “Advertising speaks the language of transformation.”

    • consumers promised their lives will be better by buying a product

  • ads sell a sign/company so that consumers want to develop a relationship with the company

  • “selling social awareness?”

    • products promote ideologies

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