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(at table 3) lines for FIRST MAN AT BAR in Machinal by sophie treadwell
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(at rise)
I’m going to beat it.
SECOND MAN: oh, for the love of mike
They ain’t going to show.
SECOND MAN: Sure they’ll show.
How do you know they’ll show?
SECOND MAN: I tell you you can’t keep that baby away from me - just got to - (Snaps fingers) - She comes running.
Looks like it.
MAN AT TABLE 2: The same.
I’m going to beat it.
SECOND MAN: Oh say, listen! I’m counting on you to take the other one off my hands.
I’m going to beat it.
SECOND MAN: …That don’t leave me no time at all if we got to hang around — entertain some dame. You got to take her off my hands.
Maybe she won’t fall for me
SECOND MAN: We been here that long — ain’t we Dick?
Just about, Harry.
YOUNG WOMAN: Oh I’ve heard them all.
Not a laugh in the carload, eh?
YOUNG WOMAN (TAKING ONE) Uhhuh.
SECOND MAN (to first man): One of these?
Thanks — I like these.
SECOND MAN: Where do we go from here! You just got here!
FIRST MAN: What’s the hurry?
YOUNG WOMAN: I just want to keep moving.
(smiling) You just want to keep moving, huh?
YOUNG WOMAN: It’s only some days — I want to keep moving.
You want to keep moving, huh? (smiling)
YOUNG WOMAN: Uhhuh.
Stick around a while.
GIRL: Helen don’t run with any crowd — do you, Helen?
YOUNG WOMAN: No.
Well, I’m not a crowd — run with me.
SECOND MAN: All set, huh? — Dick was about ready to beat it.
That’s before I met the little lady. (waiter serves drinks) Here’s how.
YOUNG WOMAN: Here’s — happy days.
(They all drink).
That’s good stuff!
SECOND MAN: Off a boat.
Off a boat?
SECOND MAN: They’re all set — aren’t you?
(to young woman) Are we?
SECOND MAN: All right with you folks?
All right with me.
SECOND MAN: Come on, kid. (They rise) What’s the damage?
Go on!
SECOND MAN: No!
Go on!
SECOND MAN: He’s matching me.
Am I matching you or you matching me?
SECOND MAN: i’m matching you. (They match) You’re stung!
Not so you can notice it.
YOUNG WOMAN: I know what business is like.
You do — do yuh?
YOUNG WOMAN: I used to be a business girl myself before —
Before what?
YOUNG WOMAN: Before I quit.
What did you quit for?
YOUNG WOMAN: I just quit.
You’re married, huh?
YOUNG WOMAN: Yes — I am.
All right with me.
YOUNG WOMAN: Some men don’t seem to like a woman after she’s married —
What’s the difference?
YOUNG WOMAN: Depends on the man, I guess.
Depends on the woman. (To Waiter) The same.
SECOND MAN: Say, I forgot — I want you to do something for me, will yuh?
Sure — what is it?
SECOND MAN: I want you to telephone me out home tomorrow and ask me to come into town — will yuh?
Sure — why not?
SECOND MAN: You know — business — get me?
I get you.
SECOND MAN: I’ve worked the telephone gag to death — and my wife likes you.
What’s your number?
SECOND MAN: I’ll write it down for you.
How is your wife?
SECOND MAN: She’s fine.
And the kid?
SECOND MAN: …Come on, kid. Good bye.
YOUNG WOMAN: Why did you?
What?
YOUNG WOMAN: Kill ‘em.
To get free.
MAN (at table 2): But are you a lover?
There were a bunch of bandidos — bandits, you know, took me into the hills — holding me there — what was I to do? Got the two birds that guarded me drunk one night and then I filled the empty bottle with small stones — and let ‘em have it!
YOUNG WOMAN: Oh!
I had to get free, didn’t I? I let em have it —
YOUNG WOMAN: Oh — then what did you do?
Then I beat it.
YOUNG WOMAN: Where to?
Right here. (Pause) Glad?
YOUNG WOMAN: Yes.
(To waiter) The same.
YOUNG WOMAN: A bottle like that?
Yeah — filled with pebbles.
YOUNG WOMAN: What kind of pebbles?
Pebbles! Off the ground.
YOUNG WOMAN: Oh.
Necessity, you know, mother of invention. Ain’t a bad weapon — first you got a sledge hammer — then you got a knife.
YOUNG WOMAN: Oh. (puts bottle down)
Women don’t like knives, do they? (pours drink)
YOUNG WOMAN: No.
Don’t mind a hammer so much, though, do they?
YOUNG WOMAN: No —
I didn’t like it myself — any of it — but I had to get free, didn’t I? Sure I had to get free, didn’t I? (Drinks) Now I’m damn glad I did.
YOUNG WOMAN: Why?
You know why. (Puts his hand on hers)
YOUNG WOMAN: When you put your hand over mine! When you just touch me!
Yeah? (Pause) Come on, kid, let’s go!
YOUNG WOMAN: Where?
You haven’t been around much, have you, kid?
YOUNG WOMAN: No.
I could tell that just to look at you.
YOUNG WOMAN: You could?
Sure I could. What are you running around with a girl like that other one for?
YOUNG WOMAN: I don’t know. She seems to have a good time.
So that’s it?
YOUNG WOMAN: Don’t she?
Don’t you?
YOUNG WOMAN: No.
Never?
YOUNG WOMAN: Never.
What’s the matter?
YOUNG WOMAN: Nothing — just me, I guess.
You’re all right.
YOUNG WOMAN: Am I?
Sure. You just haven’t met the right guy — that’s all — girl like you — you got to meet the right guy.
YOUNG WOMAN: I know.
You’re different from girls like that other one — any guy’ll do her. You’re different.
YOUNG WOMAN: I guess I am
You didn’t fall for that business gag — did you — when they went off?
YOUNG WOMAN: Well, I thought they wanted to be alone probably, but —
And how!
YOUNG WOMAN: Oh — so that’s it.
That’s it. Come along — let’s go —
YOUNG WOMAN: Oh I couldn’t! Like this?
Don’t you like me?
YOUNG WOMAN: Yes.
Then what’s the matter?
YOUNG WOMAN: Do — you — like me?
Like yuh? You don’t know the half of it — listen — you know what you seem like to me?
YOUNG WOMAN: What?
An angel . Just like an angel.
YOUNG WOMAN: I do?
That’s what I said! Let’s go!
YOUNG WOMAN: Where?
Where do you live?
YOUNG WOMAN: Oh, we can’t go to my place.
Then come to my place.
YOUNG WOMAN: Oh I couldn’t — is it far?
Just a step — come on —
YOUNG WOMAN: Oh I couldn’t — what is it — a room?
No — an apartment — a one room apartment.
YOUNG WOMAN: That’s different.
On the ground floor — no one will see you — coming or going.
YOUNG WOMAN: I couldn’t.
Wait a minute — I got to pay the damage — and I’ll get a bottle of something to take along.
YOUNG WOMAN: No — don’t.
Why not?
YOUNG WOMAN: Well — don’t bring any pebbles.
Say — forget that! Will you?
YOUNG WOMAN: I just meant I don’t think I’ll need anything to drink.
You like me — don’t you, kid?
YOUNG WOMAN: Do you me?
Wait!