Humanities ch 10

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43 Terms

1
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Giovanni Pierluigi da Palestrina

Served as choirmaster at the Capella Giulia in the Vatican and composed the Mass for Pope Marcellus.

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Braghettoni

Term assigned to those who painted draperies over the 'offensive' areas of the nude figures in Michelangelo’s Last Judgement.

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Correggio's painting Jupiter and Io

Created as part of the set of paintings commissioned by Frederico Gonzaga of Mantua.

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Appearance of Jupiter in the painting commissioned by Frederico Gonzaga of Mantua

Jupiter appears to Io as a cloud.

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The Way to Perfection

Book written by Teresa of Avila, describing the ascent of the soul to union with the Holy Spirit.

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El Greco

Artist who painted The Resurrection, featuring mannerist qualities and decorous draperies.

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Innovative qualities of Don Quixote

Using everyday speech, creating complex character portraits, presenting solemn narrative free of affectation, juxtaposing comic scenes.

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Author of Spiritual Exercises

Ignatius of Loyola, who called on Jesuits to develop all of their senses.

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Cornaro Chapel

Site in the Church of Santa Maria della Vittoria in Rome where Bernini completed the sculptural program.

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Michelangelo Merisi (Caravaggio)

Artist who painted The Calling of Saint Matthew for the Contarelli Chapel.

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Saint Peter in The Calling of Saint Matthew

Standing beside Christ.

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Artemisia Gentileschi's works

Painted five versions of Judith and Holofernes and dramatized stories of several other Biblical women.

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Seventeenth-century Venice

The center of musical innovation and practice in Europe.

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Giovanni Gabrieli

First composer to specify dynamics by indicating 'piano' for soft and 'forte' for loud.

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Italian music during the seventeenth century

Became the international language of music due to Venice's popularity.

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Orfeo orchestra

Required three dozen instruments, including ten viols, three trombones, and four trumpets.

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Antonio Vivaldi

Composer most closely associated with the concerto musical forms and creator of The Four Seasons.

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The View of Haarlem from the Dunes of Overveen

Considered a landscape painting.

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Jan Steen

Artist known for genre scenes, including The Dancing Couple.

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Johann Sebastian Bach

Composer of the Brandenburg concertos.

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Louis XIV

Known as the 'Sun King'.

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Architecture of the seventeenth-century France

Designed to convey the absolute power of the monarchy.

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Charles Le Brun

Chief painter to Louis XIV and directed the decorations of the Palace of Versailles.

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Andre Le Notre

Landscape architect in charge of the grounds at the Palace of Versailles.

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Peter Paul Rubens

Painted The Arrival and Reception of Marie de' Medici at Marseilles.

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Tennis match wager

Louis XIV and Armand-Jean du Plessis wagered the painting collections of Poussin and Rubens.

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Nicolas Poussin

Artist who painted Arcadian Shepherds.

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Jean-Baptiste

Head of the Royal Academy of Music and creator of the operatic genre Tragedie en Musique.

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Gigue

A lively dance, fast in tempo, typically using a 6/8 meter.

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Ballet Positions

First: heels touching; Second: heels apart; Third: one foot in front; Fourth: feet apart, one in front; Fifth: heel against the big toe.

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Sarabande

A slow and stately dance with an accent on the second beat, in triple meter.

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Minuet

An elegant triple-time dance of moderate tempo, popular during its age.

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Moliere

Author of Tartuffe, faced disfavor in the French Court for ridiculing people.

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first

  • heels touching, feet forming a straight line

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second

heels wide apart, feet forming a straight line

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third

one foot in front of the other with heel against the instep

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fourth

  • feet apart, one in front of the other, heels in line

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fifth

  • one foot in front of the other with the heel against the joint of the big toe

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James II

  •  lost the throne during the Glorious Revolution of 1688

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Diego Velazquez

created Las Meninas and became the only artist permitted to paint Spain’s King Philip IV

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Luis Nino

created Our Lady of the Victory of Malaga, which employs brocateado, a technique extremely popular among the Cuzco painters

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Louis XIV

created the French Academy of sciences in 1666

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Louis XIV

Following the lead of King Charles II of England, who had chartered the Royal Society in 1662