IB English Literature SL Our Country's Good

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39 Terms

1
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Spewed from our country, forgotten, bound to the dark edge of the earth.

Wisehammer - Talks about the rejection from society of the convicts.

2
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I don't know why I did it. Love, I suppose

Brenham - Refers to her regret but loyalty.

3
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A lone aboriginal australian

Stage Directions - Always 1 aboriginal which shows the suppressing of their voice

4
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Justice and humaneness have never gone hand in hand

Tench - Talks about the corrupt and violent nature of crime and punishment

5
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I saw Handy Baker last night

Brewer - First signs of his insanity

6
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I didn't want to hand him, Ralph, I didn't

Brewer - Refers to being forced to do the dirty work of the upper class

7
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She went to school until she was ten

Dabby - The short and limited education available to the less fortunate

8
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Mary shrinks away

Stage Directions - proxemics, Liz has the power here

9
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Filthy, thieving, lying whores

Ross - double standards and classist comments towards the women

10
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A crime is a crime. You commit a crime or you don't. If you commit a crime, you are a criminal. Surely that is logical?

Tench - refers to the views of crime and punishment of the time

11
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The theatre is an expression of civilisation….The convicts will be speaking a refined, literate language and expressing sentiments of a delicacy they are not used to. It will remind them that there is more to life than crime, punishment

Philip - The use of theatre as a possible reformation and the role of theatre in society

12
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If I was rowing on the Thames, I'd be free

Duckling - talks about the freedom she would have if she was still in London

13
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I let you talk to women

Baker - shows his control over Duckling

14
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I know you - who do you have your eye on now, who, a sailor?

Baker - shows the double standards of women and how they can be accused of infidelity over being upset

15
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Filthy, you're filthy, you filthy wh*re

Baker - The women are labelled as whores for anything they do

16
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Your duckling doesn't want to leave you Harry

Duckling - she knows the benefits of being with him but doesn't want the control

17
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I wish I was dead at least when you're dead you're free

Duckling - Freedom will only come when you cannot be controlled

18
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Will you kiss your Harry

Brewer - possessive language

19
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If the latitude of Sydney is 43 degrees, 39 minutes South and the North Cape is 19 degrees, 37 minutes, that's 33 degrees, 2 minutes due north

Dabby - shows her ability to recite information, she has a good memory and is smart no matter her crime

20
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This being Sunday took your picture out of its present and kissed it - God bless you my sweet woman

Ralph - Shows his loyalty to his wife and his dedication but also objectifies her

21
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I like words with only one 'L': Luck. Latitudarian

Wisehammer - He's smart, his crime has not affected his knowledge

22
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And now it's up the ladder to rest for good

Liz - has given up fighting to live and knows the punishment for her crimes

23
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You have to think English. I hate England. But I think English

Liz - stating England is hopeless

24
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I don't want to think English. If I think English I will die

Caesar - England is hopeless but it is also a fault and a vulnerability

25
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There is no escape!

Arscott - Has given up all his hope on freedom

26
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This is theatre. We will believe you

Brenham - The art of theatre to make you a new person everyone can believe no matter what

27
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Ah- Sir- I see- sir

Ralph - Philip has the power here as he talks more and with more meaning

28
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Speaking in the different voices of his tormenting ghosts and answering his own

Stage directions- His descent into insanity is more obvious

29
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Where's your tattoo, Brenham? Show us. I can't see it. Show us.

Ross - Mary's tattoo is being used as a weapon against her and highlights the double standards

30
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Dabby goes on all fours

Stage directions - Proxemics, Dabby is weaker than Ross therefore is below her on the stage

31
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If the rope's too short, it won't hang her and if the rope is too long it could pull her head off

Ketch - he's experienced even though he doesn't want to be

32
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In Tom Barrett's voice

Stage directions - Harry is going insane and is being controlled as though it is his conscious

33
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Liz doesn't move

Stage directions - defiance

34
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He seizes her and makes her stand

Stage directions - Harry has become violent from being disobeyed

35
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Get up you bitch

Harry - gradually gets more aggressive as Liz remains peaceful

36
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First fear, then a pain at the back of the neck. Then nothing. I can't see. It's dark, It's Dark. He screams and falls

Harry and stage directions - These ghosts are controlling him completely and the insanity is killing him literally

37
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Love is a contract

Mary - talks about the control over the woman as if the woman is a possession

38
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If you live, I will love you. If you die, I will never forgive you

Duckling - Begging and uncertainty or realisation

39
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I hate you. No. I love you.

Duckling - The realisation hits her, Harry's death has lead to her understanding and despair