Near East Art History

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24 Terms

1
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Apadana

the great audience hall in ancient Persian palaces

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bent-axis plan

A plan that incorporates two or more angular changes of direction

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capital

top of column

<p>top of column</p>
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cella

the main room of a temple where the god is housed

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cuneiform

A system of writing in which wedge-shaped symbols represented words or syllables. It originated in Mesopotamia and was used initially for Sumerian and Akkadian but later was adapted to represent other languages of western Asia.represent other languages of western Asia.

<p>A system of writing in which wedge-shaped symbols represented words or syllables. It originated in Mesopotamia and was used initially for Sumerian and Akkadian but later was adapted to represent other languages of western Asia.represent other languages of western Asia.</p>
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ground line

a base line upon which figures stand

<p>a base line upon which figures stand</p>
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hierarchy of scale

a system of representation that expresses a person's importance by the size of his or her representation in a work of art

<p>a system of representation that expresses a person's importance by the size of his or her representation in a work of art</p>
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Lamassu

a colossal winged human-headed bull in Assyrian art

<p>a colossal winged human-headed bull in Assyrian art</p>
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lapis lazuli

a semiprecious blue stone

<p>a semiprecious blue stone</p>
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negative space

empty space around an object or a person, such as the cut-out areas between a figure's legs or arms of a sculpture

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register

a horizontal band, often on top of another, that tells a narrative story

<p>a horizontal band, often on top of another, that tells a narrative story</p>
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relief sculpture

Sculpture that projects from a flat background

<p>Sculpture that projects from a flat background</p>
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votive

offered in fulfillment of a vow or a pledge

<p>offered in fulfillment of a vow or a pledge</p>
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Ziggurat

a pyramid-like building made of several stories that indent as the building gets taller; thus, ziggurats have terraces at each level

<p>a pyramid-like building made of several stories that indent as the building gets taller; thus, ziggurats have terraces at each level</p>
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Sumerian Art (Iraq)

c. 3,500-2,340 BCE

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Babylonian Art (Iraq)

1,792-1,750 BCE

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Assyrian Art (Iraq)

883-612 BCE

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Persian Art (Iran)

c. 559-331 BCE

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White Temple

-3,200-3,000 BC (Sumerian)
-location: Uruk, Iraq (modern day Warka)
-elements: bent-axis plan, cella
-materials: mud bricks
-purpose: a ziggurat which is a focal point for city-states and religion and government; rituals were conducted

<p>-3,200-3,000 BC (Sumerian)<br>-location: Uruk, Iraq (modern day Warka)<br>-elements: bent-axis plan, cella<br>-materials: mud bricks<br>-purpose: a ziggurat which is a focal point for city-states and religion and government; rituals were conducted</p>
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Votive figures of Eshnunna

- c. 2,700 BC (Sumerian)
-location: Eshnunna, Iraq (modern day Tel-Asmar
-elements: cylindrical, geometric, stylized human representation
-materials: Gypsum, shell, black limestone
-purpose: placed in temples before the statues of deities in order to offer constant prayers

<p>- c. 2,700 BC (Sumerian)<br>-location: Eshnunna, Iraq (modern day Tel-Asmar<br>-elements: cylindrical, geometric, stylized human representation<br>-materials: Gypsum, shell, black limestone<br>-purpose: placed in temples before the statues of deities in order to offer constant prayers</p>
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Standard of Ur

- c. 2,600-2,400 BC (Sumerian)
-location: Ur, Iraq
-elements: mosaic, registers
-materials: wood, lapis lazuli, shell, red limestone
-purpose: may have been carried into battle on a pole; or a musical instrument

<p>- c. 2,600-2,400 BC (Sumerian)<br>-location: Ur, Iraq<br>-elements: mosaic, registers<br>-materials: wood, lapis lazuli, shell, red limestone<br>-purpose: may have been carried into battle on a pole; or a musical instrument</p>
22
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Hammurabi's Code

- ca. 1,780 BC (Babylonian)
-location: Susa, Iran
-elements: stele, composite form, relief sculpture
-materials: Basalt
-purpose: a public monument establishing the law of code of Babylonian leader Hammurabi; show's a ruler needs to establish harmony in society

<p>- ca. 1,780 BC (Babylonian)<br>-location: Susa, Iran<br>-elements: stele, composite form, relief sculpture<br>-materials: Basalt<br>-purpose: a public monument establishing the law of code of Babylonian leader Hammurabi; show's a ruler needs to establish harmony in society</p>
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Lamassu

-ca. 721-705 BC (Assyrian)
-location: Dar Sharrukin, Iraq
-elements: high relief sculpture,
-materials: Gypseous alabaster
-purpose: thought to be protective spirits; meant to ward off enemies both spiritual and physical

<p>-ca. 721-705 BC (Assyrian)<br>-location: Dar Sharrukin, Iraq<br>-elements: high relief sculpture,<br>-materials: Gypseous alabaster<br>-purpose: thought to be protective spirits; meant to ward off enemies both spiritual and physical</p>
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Audience Hall or Darius and Xerxes

-ca. 520-465 BC (Persian)
-location: Persepolis, Iran
-elements: apadana, hypostyle hall, relief structure
-materials: limestone
-purpose: a seat of spectacular receptions and festivals; Persian king entertained audiences and received tribute

<p>-ca. 520-465 BC (Persian)<br>-location: Persepolis, Iran<br>-elements: apadana, hypostyle hall, relief structure<br>-materials: limestone<br>-purpose: a seat of spectacular receptions and festivals; Persian king entertained audiences and received tribute</p>