AICE Literature Poems

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Flashcards covering key literary terms and concepts from the provided literature lecture notes.

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1
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The Clod and the Pebble

  • Structure:

    • First and third stanza: alternating rhyme scheme

    • Second stanza: deviating rhyme scheme.

      • To represent that there are 2 different perspectives

    • 3 quatrains


  • Background:

    • The author taught his wife how to read and write.

    • His brother died at 24 of tuberculosis.

    • Romance poet.

    • No high education

  • Plot:

    • Clod believes that love is selfless and that it can save you in anything.

    • Pebble believes that love is selfish and that it harms you

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Clod and Pebble Lit Devices

  • Literary Devices:

    • Personification: 

      • “Love seeketh not itself to please”

      • “So sung a little Clod of Clay”

    • Paradox: 

      • “And builds a Heaven in Hell’s despair”

      • “And builds a Hell in Heaven’s despite”

        • Also a metaphor for binding.

    • Turn:

      • “But a Pebble of the brook”

        • Also an enjambment

    • Endstops

  • Allusion:

    • “Heaven in Hell’s despair”

      • This represents how the clod has a softer view of love + how it can be selfless.

    • “Hell in Heaven’s despite:

      • This means that the pebble has a negative perception of love

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Publication Date for The Clod and The Pebble

1794

4
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Publication Date for Winter Song

Published in 1714-27.

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Winter Song (Elizabeth Tollet)

  • Structure:

    • 1st person POV

    • 1 stanza

    • 24 lines

    • Alternative rhyme scheme.

  • Background:

    • Never married.

    • She’s very smart.

    • Wrote a poem about wanting civil rights.

    • Lived in the tower of London

    • Someone wrote and called her the “little crooked woman”, so she might’ve had a physical deformation.

  • Plot:

    • Poem is her proving how much she loves him

    • Lines 1-6: She would go to the arctic for him

    • Lines 8-12: She would fight alongside him.

    • Lines 13-17: She would go with him where he is getting shipped off.

    • Lines 18-20: She would live in a cave for him

    • She did not end up going with him.

6
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Publication Date for She was a Phantom of Delight

Published in 1807.

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Surplus Value (David C. Ward)

  • Structure:

    • Free verse

    • 2 stanzas

    • No rhyme or meter

    • POV: 1st

  • Theme:

    • How economic exploitation negatively impacts the working class

  • Background:

    • Works at the Smithsonian Institution.

    • He’s not experiencing surplus value firsthand. It is his family (sister).

      • The speaker's brother-in-law is who does this job.

    • Detroit, Michigan is the heart of the American automobile industry.

    • 2008: Big 3 American Car industries were crashing (going bankrupt)

      • General Motors.

      • Ford.

      • Chrysler.

    • What is surplus value?

      • When companies are producing an excess amount of product with cheap materials it is just giving profit to big companies and underpaying the workers.

  • Plot:

    • Makes machines:

      • “Tool and die guy”

    • Little guy but strong:

      • “Bantam”

    • Hard worker: 

      • “built himself”

    • Takes pride in his work:

      • “For twenty years of work, good times, and happy with it”

    • Union collapsed:

      • “The union went south first”

    • Full of pollution:

      • “Now it’s frozen all year long:

    • Surplus value destroyed man and nature.

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Publication Date for Surplus Value

Published in 2014.

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Father Returning Home (Dilip Chitre)

  • Structure:

    • One stanza

    • Free verse

    • 24 lines

    • POV: 1st


  • Background:

    • Mumbai, India


  • Theme:

    • Appreciate parents before it’s too late while they are around to spend time with.

    • Reminiscing about how they treated their parents and their regrets.

  • Plot:

    • Dad on the train at late hours

      • This means that he worked hard.

    • Tone:

      • Sad, bad day.

    • Shows kid’s POV:

      • “I see him drinking weak tea”

    • Sad, frail, old, grey, weak dad.

    • The child regrets not talking to their father more.

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Publication Date for Father Returning Home

Published in 1990.

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In the Park (Gwen Harwood)

  • Structure:

  • 3 stanzas

  • 14 lines

  • Petrarchan Sonnet: abba cddc efgefg rhyme scheme

    • Ironic because she’s not talking about love.

  • POV: 3rd person

  • Background:

    • Wrote about frustration + the cost of womanhood

    • Gender bias in Australia

    • 1977: She got recognition for her poems and now they’re constantly displayed in Australia.

  • Theme:

    • A mother doesn’t always have to be happy about her kids.

  • Literary Devices:

    • Caesura:

      • “She sits in the park. Her clothes are out of date.”

    • 2 endstops in stanza 1.

    • Sibilance:

      • “Someone she loved once passes by”

    • Visual Imagery

    • Dialogue:

      • Shows us the shallow conversation between her and the man

    • Metaphor:

      • “a small balloon”

        • Like a text bubble.

      • “They have eaten me alive”

    • Imagery:

      • “Flickering light”

      • “Sits staring at her feet”

    • Turn:

      • “Then, nursing the youngest child,”

  • Plot:

    • She’s in a park with her 4 kids.

    • She is exhausted.

      • “They have eaten me alive”

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Publication Date for In the Park

Published in 1961.

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The Lost Woman (Patricia Beer)

  • Structure:

    • An elegy to the poets’ mother

    • 6 sestets.

    • POV: 1st person.

  • Theme:

    • Don’t take your parents for granted.

  • Background:

    • Her mother died when she was 14.

    • The ellipsis in the title implies that who is “The Lost Woman…” isn’t an obvious answer.

  • Literary devices:

    • Stanza 1:

      • Euphemism: 

        • “My mother went with no more warning”

      • Endstopht/metaphor to heart attack: 

        • “a bright voice and a bad pain.”

      • Visual, auditory, & color imagery

    • Stanza 2:

      • Repetition: 

        • “She never returned and I never saw/Her buried.”

          • To show how affected she is.

      • Metaphor:

        •  “The ivy-mother turned into a tree”

          • Ivy wraps around and its vines pass through things. This shows the mother’s involvement in her life.

        • “My tendrils are the ones that clutch”

          • She wants her mom back.

      • Imagery/simile: 

        • “That still hops away like a rainbow down/The avenue”

          • Shows how her mom slipped away from her, but she’s still trying to hold onto the memories.

    • Stanza 3:

      • Metaphor:

        • “I made a life for her”

      • Alliteration + slang:

        • “She met her match at an extra-mural”

      • Anaphora:

        • “Who will not alter, who will not grow”

          • Shows how her mother’s image will never change from what it was when she was 14.

    • Stanza 4:

      • Hyperbole:

        • “And every poet has acquired”

      • Caesura/anaphora:

        • “Who will not alter, who will not grow:

    • Stanza 5:

      • Imagery:

        • “Hear how they hate/Themselves for losing her as they did”

    • Stanza 6:

      • Turn:

        • “But my lost woman evermore snaps”

      • Dialogue

  • Plot:

    • Stanza 1:

      • Background info showing her mom dying.

    • Stanza 2:

      • Ivy clings.

      • She can’t reach her mom

      • She never went to the funeral, she’s fantasizing.

      • She’s trying to clutch memories of her mother.

      • She’s fantasizing about what life could’ve been like if her mom was still around.

    • Stanza 3:

      • She’s imagining her mother’s life as if she was still there

      • Her mom would have left her dad and found her soulmate

    • Stanza 4:

      • Her mom is her muse

      • Her mom will always be around

    • Stanza 5:

      • Her mother was kind

      • Rabbit light: dawn and dusk.

      • Her mom is a positive soul and her community misses her

    • Stanza 6:

      • Her mother drives her

      • People think she’s lost without her mother

      • Her mom criticizes her

      • We realize that it is the daughter that is lost without the mother.

      • The daughter feels like she didn’t live up to her mother’s expectations.

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Publication Date for The Lost Woman

Published in 1990.

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Stabat Mater (Sam Hunt)

  • Structure:

    • Shakespearean Sonnet

    • POV: 1st

  • Theme:

    • The theme is about sacrificing

  • Background:

    • Father was 60 and mother was 30.

    • Poem is autobiographical.

    • He got kicked out of a Christian school because he was writing lude poetry

    • The poem is for his mother.

  • Literary Devices:

    • Alliteration:

      • For the first few years”

      • How hard it had been”

    • Imagery:

      • “I learned this from a book she had inscribed”

    • Sibilance:

      • “Made her seem so small”

    • Turn:

      • Now in a different way,”

        • Shows shift of power from father to mother

      • “That once I stand up straight, I too must learn”

        • To disclose the message of the poem.

    • Simile:

      • “Still like a girl”

      • “Sometimes turns to me as if it were a game”

    • Hyperbole:

      • “She calls my father every other sort of name;”

    • Metaphor:

      • “Roams old age”

    • Consonance:

      • “She was embarrassed when I asked her why/But later on explained how hard it had been”.

        • Helps characterize the mother because she is still immature, even with the sudden shift in power.

  • Plot:

    • Title of Poem:

      • It shapes the meaning of the poem by alluding to the story of Mary, the mother of Jesus, and how she was always there for him. This is much like his mother holding power by taking care of her family

    • Not a love match + detachment.

    • Things change over time

    • His dad’s older than his grandpa.

    • Father had all the power.

    • Then the mom had the power because the father is old now.

    • Ending couplet: Shows the lesson

      • Don’t grow up too quickly because you can’t go back.

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Publication Date for Stabat Mater

Published in 1973.

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Australia 1970 (Judith Wright)

  • Structure:

    • 6 quatrains

    • POV: 1st

    • Loose rhyme scheme

  • Theme:

    • We should take better care of the planet because harming it will harm us.

  • Background:

    • The first Earth Day in Australia occurred this year.

    • She’s an environmentalist.

    • The poem is about nature.

    • She speaks about the native flora and fauna.

  • Literary devices:

    • The ENTIRE poem is an APOSTROPHE b/c Australia isn’t responding.

    • Simile:

      • “Die, wild country, like the eaglehawk”

      • “Die like the tighersnake”

      • “Like suicided invading stain.”

      • “Die like the soldier-ant”

    • Repetition:

      • The words ending in “ing” in the first stanza emphasizes the aggressivity of Australia.

    • Visual imagery

      • “I see your living soil ebb with the tree to naked poverty”

        • Being stripped of nutrients.

        • Shows the speaker's sadness for nature’s condition.

    • Personification:

      • “Suffer, wild country, like the ironwood”

    • Turn:

      • “For we are conquerors”

        • The speaker stops beginning every stanza with “Die”

    • Pathos:

      • To get the audience to empathize.

    • Paradox:

      • “We are conquerors and self-poisoners more than scorpion or snake and dying of the venoms that we make even while you die of us”

        • We are killing the earth and the earth is killing us.

      • “That we are ruined by the thing we kill”

    • Asyndeton:

      • “I praise the scoring drought, the flying dust”

    • Anaphora:

      • That they oppose us still; that we are ruined by the thing we kill”

    • Caesuras:

      • To give the reader a moment to take in what the speaker is saying

    • Enjambments:

      • Represent continuous thought.


  • Plot:

    • The earth doesn’t deserve this.

    • We are killing the Earth and in return, the Earth is killing us

    • She praises nature for trying to balance itself

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Publication Date for Australia 1970

Published in 1970.

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Description of Spring (Henry Howard, Earl of Surrey)

  • Structure:

    • Petrarchian Sonnet

    • 3 quatrains + couplet

    • Iambic pentameter

    • POV: 1st.

    • Pastoral poem because of bucolic imagery.

      • “The buck in brake.”

  • Theme:

    • Emotions can impact one’s perception of things.

  • Background:

    • His father was a duke and he was in line.

    • He was beheaded by King Henry the 8th because of treason.

    • He was imprisoned 1537-39 at Windsor Castle (very bougie) then again in 1546-47 in a worse prison.

    • Married at the age of 14 to the daughter of another Duke.

      • Had 5 children.

    • He missed his family when he was in prison.

    • He read works of Petrarch while in prison.

    • He is the real father of the English Sonnet because Shakespeare hadn’t even been born.

      • Shakespeare was inspired by him and Petrarch

    • One of the earliest English sonnets ever written.

  • Literary Devices:

    • Alliteration

      • “Heart hath hung”

      • Almost every line begins with “The”

    • Imagery

      • “The fishes flete with a new repaired scale”

        • Change in season.

      • “Winter is worn that was the flowers bale”

        • Shows how beautiful things can emerge from destruction.

    • Personification of animals

    • Turn:

      • “And yet my sorrow springs:

  • Plot:

    • Stanza 1: Spring

    • Stanza 2: Summer is coming

    • Stanza 3: Winter is gone

    • Couplet: He misses his family and although he is surrounded by so much beauty, he is still sorrowful.

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Publication Date for Description of Spring

Published in 1557.

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The Spring (Thomas Carew)

  • Structure:

    • 24 lines

    • POV: 1st person

    • Iambic pentameter which separates it into couplets.

    • 1 stanza

  • Theme:

    • Life is constantly changing, not everyone will reciprocate your feelings.

  • Background:

    • At one point he was the taste tester of the king

    • Never married but all of his poems are about a woman named Celia.

  • Literary Devices:

    • Personification:

      • “Earth hath lost her snow-white robes, and now no more the frost”

    • Hyperbole:

      • “Now all things smile, only my love doth lower,”

      • “All things keep/Time with the season.

    • Metaphor:

      • “Her heart congeal’d, and makes her pity cold”

        • She doesn’t feel the same way about him.

      • “June in her eyes, in her heart January”

        • She’s acting like she loves him, but she doesn’t.

    • Allusion:

      • “Amyntas now doth with his Chloris sleep”

        • The Romeo and Juliet of the generation.

        • He is sad because he sees everyone with a partner and his relationship status is stagnant.

    • The role of the couplets is to show the speaker's distress.


  • Shift #1: “But the warm sun thaws the benumbed earth,”

    • Shows the feeling he has when he’s with her

  • Shift #2: “Now do a choir of chirping minstrels bring”

    • Shows how she doesn’t reciprocate his feelings, and he feels alone.

  • Shift #3: “Now all things smile”

    • Shows how upset he is about how she feels

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Publication Date for The Spring

Published in 1640.

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Eel Tail (Alice Oswald)

  • Structure:

    • POV: 2nd person

    • Stanzas: 3

    • Lines: 44

    • Rhyme scheme: Free verse

  • Theme:

    • There’s beauty in nature, even when it’s repulsive.

  • Background:

    • Nature poet

    • Fascinated with life and death

    • Works for the BBC

    • Poem consists of hypermetric line: a line that will have one word, one syllable

  • Literary Devices:

    • Assonance:

      • “Roping and wagging”

    • List:

      • “Preliminary, pre-world creatures, cousins of the moon,”

    • Auditory imagery:

      • “Untranslatable hissed interruptions/unspeakable wide chapped lips”

    • Personification:

      • “It’s the wind again/cursing the water and when it clears”

      • “Smirk of ripples”

      • “And then as soon as you see her and then as soon as you say so gone”

        • Shows how quick the eel is

    • NO END STOPS

    • Sibilance:

      • “Sucking and sucking the marshes and sometimes its just a smirk of ripples”

        • S sound is reminiscent to snake like movement

    • Kinetic imagery:

      • “Just drill down into gravel and dwindle as quick as drips”

    • Simile:

      • “Dwindle as quick as drips”

        • Shows how quick the eel moves

    • Repetition:

      • “Untranslatable hissed interruptions unspeakable wide chapped lips it’s the wind again pushing on your ears and when it clears”

        • Also an example of internal rhyme”

    • Metaphor:

      • “Sometimes you see that whip-thin tail of a waning moon start”

    • Anaphora:

      • “And then as soon as you see her and then as soon as you say so gone”

        • Repetition to emphasize

  • Plot:

    • The eel is following the moon

    • The eel is quick

    • Sibilance is used to mimic snake movements.

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Publication Date for Eel Tail

Published in 2008.

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The Road (Nancy Fotheringham Cato)

  • Structure:

    • 5 quatrains

    • POV: 1st

    • Rhyme: alternating rhyme

    • Meter: iambic tetrameter & iambic trimeter

  • Theme:

    • Driving with no end, leaving the darkness behind.

  • Background:

    • 5th generation Australian environmentalist/conservationist

  • Literary devices:

    • Kinesthetic imagery:

      • “Behind the shouldering hill”

      • “The fence-posts whizzed along wires”

      • Both are used to create an image of speed and enthusiasm.

    • Simile:

      • “And like a long black carpet”. Referencing the road + leaving the darkness behind

      • “Like days that fly too fast”: time passing too quickly

    • Alliteration:

      • “The stars swarmed”

        • Also zoomorphism

    • Metaphor:

      • “The Road” is a metaphor for life because it is describing how we should leave the bad things in life behind and drive towards the brighter side.

      • “I drove towards the sun”

        • This shows how they are looking for the brighter side of life.

  • Plot:

    • Stanza 1: The speaker is driving until she loses track of time.

    • Stanza 2: It was nighttime; We determine what will happen in our lives.

    • Stanza 3: The headlights lit up the road in front of her, but behind was pure darkness.

    • Stanza 4: Examples of things that she drives by, symbolize leaving them in the past and moving into the future.

    • Stanza 5: Everything was aligned and perfect, giving the speaker tranquility and peace as they now were in control of where they were going.

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Publication Date for The Road

Published in 1957.

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Who in One Lifetime (Muriel Rukeyser)

  • Structure:

    • 1 octet, 1 sestet

    • Sonnet

    • POV: 3rd person omniscient

    • No meter

    • Rhyme scheme: 

      • 1st stanza: none

      • 2nd stanza: abc, abc

        • This symbolizes the transition from chaos→order.

  • Theme:

    • Hope: hopeful that future generations will do better when it comes to war/conflicts that our ancestors had to live through

  • Background:

    • American - graduated from Vassar College, all female school

    • Embodied feminism/early feminist

    • Lived through major world conflicts like WWII and the Vietnam War

      • got jailed for protesting Vietnam War

  • Literary Devices:

    • Repetition:

      • “Sickness” being repeated is an epizéuxis that emphasizes the tough times that were occurring.

    • Paradox:

      • “A childless goddess of fertility”: This is also an allusion to little girls all over and children waiting to be born that might change the world.

      • “Treaty before the war”


  • Hyperbole:

    • “though her whole world burn”

    • “Who in one lifetime sees all causes lost”

  • Allusion:

    • “Seeing the integrated never fighting well”: racism

    • “The camps of ambush to chambers of imagery”: the Holocaust

  • Plot:

    • This poem is showing the violence in the world

    • Wars that are occuring.

    • Women’s roles were different in the 80’s

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Publication Date for Who in One Lifetime

Published in 1978.

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an afternoon nap (Arthur Yap)

  • Structure:

    • 4 quatrains, 1 quintain

    • This is a circular poem, so it begins and ends with the same structure.

    • POV: 3rd person

    • Free verse

      • No meter/rhyme scheme

  • Theme:

    • The emotional toll of tiger moms on children

  • Background:

    • The author was born in Singapore

    • He criticizes the toxicity of the education system

    • Begins in media res

  • Literary Devices:

    • Asyndeton:

      • “each monday, wednesday, friday, miss low & madam lim”

      • “leaving him an adagio, clause analysis, little pocket-money”

    • Informal Diction:

      • Informal diction is used to show the poet’s rebellious side, as he grew up learning to be formal in everything he did.

    •  

  • Plot:

    • His mother is mentally & physically abusive

    • His tutors are leaving him easy work because they feel bad for him

    • The parallel “The embittered boy across the road is at it again” shows how the agressee became the aggressor

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Publication Date for an afternoon nap

Published in 1977.

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A Long Journey (Musaemura Zimunya)

  • Structure:

    •  Rhyme: free verse

    • 32 lines

    • 7 stanzas

    • POV: 1st person

Theme:

  • Societal change and feeling guilty for changing tradition

  • Background:

    • Zimbabwe is a country in South Africa

      • It is one of the poorest countries in the world

    • It used to be called Rhodesia b/c it was claimed by the British (Cecil Rhodes).

    • The poem is during a time period of transition because the colonial era was ending.

    • A lot of westernization and progress, but at what cost?

    • The poet was expelled from the University of Rhodesia for protesting.

    • Went to university in England, and then returned to Zimbabwe to teach at the University of Rhodesia

    • This poem talks about the long journey that Zimbabwe has undergone.

      • The journey is as a country/nation.

  • Literary devices:

    • Anaphora:

      • “O such a long long journey”: This sets the tone for the poem and it emphasizes that the people in Zimbabwe have been through a long journey.

      • “Through decades that ran like rivers”, “through pick and shovel sjambok and jail”

        • To show the struggles that people have been through.

    • The lack of any punctuation in the poem represents that the journey was continuous and without pause. It also symbolizes how Zimbabwe was stripped of tradition.

    • Synecdoche:

      • “I hear the cry from human blood and wicked bones rattling around me”

      • “We moved into the lights”: urbanization

    • Polysyndeton:

      • “Threatened by wind and rain and cold”: shows endless struggles.

    • Metaphor:

      • “A long journey from bush to concrete”

      • “an almighty hand reaches for our shirts”: the ancestors.

  • Plot

    • It was a time period of colonization & abuse

    • Modernization began.

    • There were more opportunities + people were dreaming of better things.

    • Colonization started: South African competition under Rhodes claimed land & people to utilize

    • Traditional values + ancestors “left behind”

    • The rivers are symbolic of years.

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Publication Date for A Long Journey

Published in 1985.

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I Hear an Army (James Joyce)

  • Structure:

    • 3 quatrains

    • POV: 1st

    • Lines 12

    • Alternating rhyme scheme

  • Theme:

    • Losing people.

  • Background:

    • The poet is 22 years old and wants to find love

    • It is the last poem in his collection “chamber music”

  • Literary devices:

    • Onomatopeia:

      • “Clanging, clanging upon the heart as upon an anvil”: To show how the army is basically teasing the speaker.

    • Imagery:

      • “I hear an army charging upon the land”

      • “They come shaking in triumph their long, green hair”

    • Zoomorphism:

      • “with fluttering whips, the charioteers”

    • Apostrophe:

      • “My heart, have you no wisdom thus to despair?”

      • “My love, my love, my love, why have you left me alone”

  • Plot:

    • He is having a nightmare

    • The army coming from the depths of the water represents how they came out of nowhere

    • He’s struggling.

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Publication Date for I Hear an Army

Published in 1907.

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Growing Old (Matthew Arnold)

  • Structure:

    • POV: 1st person plural

    • 7 cinquains

    • Blank verse, with alternating trimeter and pentameter

  • Theme:

    • The stages of life.

  • Background:

    • He is a Victorian poet with a pessimistic view of life

    • He is someone who educates and guides others on social issues.

    • He was influenced by Woodsworth

    • 7 stages of man:

      • 1) Infant 2) Child 3) Lover/student-teens 4) Soldier/20s 5) Justice/30s&40s making decisions 6) Old man/50s&60s more relaxed life 7) 2nd childhood/extreme old age with dementia, assisted living and Home Health Aid.

  • Literary devices:

    • Synecdoche:

      • “The lustre of the eye”: how taxing growing old can be.

      • “Deep in our hidden heart” Memories have become forgotten.

    • Hypophera:

      • “Is it for beauty to forego her wreath?”: Questioning what growing old is.

      • “It is to suffer this, And feel but half, and feebly, what we feel” Answering the question “Is it to feel each limb grow stiffer”

    • Caesura:

      • “Grow stiffer, every function less exact,” growing old can be a slow process.

      • “As from a height, with rapt prohetic eyes” 

    • Metaphors:

      • “Not our bloom only, but our strength decay” comparing us to a flower

      • “In the hot prison of the present, month”

    • Euphemism:

      • “It is - last stage of all - ” Is a euphemism for nearing death.

  • Plot:

    • The poem is divided into the 7 stages of life.

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Publication Date for Growing Old

Published in 1867.

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from Fears in Solitude (Samuel Taylor Coleridge)

  • Structure:

    • POV: 1st

    • Rhyme: loose rhyme

    • Begins on the 3rd stanza out of 8 from the poem.

    • Iambic pentameter

  • Theme:

    • War is not always good

  • Background:

    • Youngest of 14 kids, his siblings were in the military.

    • Opium addict b/c of laudnam.

    • Was often depressed & bipolar

    • Was friends with Rudyard Kipling, and best friends with Woodsworth.

      • They wrote and lived together some times.

    • Written during the Revolutionary War

    • 1790: Napoleon controls France and wants to take over England

  • Literary Devices:

    • Paradox:

      • “Peace long preserved by the fleets and perilous seas”: the navy brings peace

    • Polysyndeton:

      • “Famine or blue plague, Battle, or siege, or flight through wintry snows”: To show the endless effects of war and the repetition shows emphasis

    • Allusion:

      • “And adjurations of the God in Heaven”

      • “To ask a blessing from his Heavenly Father”: allusion to God

    • Chiasmus:

      • “However dim and vague, too vague and dim”

      • “The poor wretch, who has learnt his only prayers/From curses, and who knows scarcely words enough”

    • Hyperbole:

      • “We, this whole people, have been clamorous”

      • “Of thousands and ten thousand! Boys and Girls”

    • Irony:

      • “The best amusement for our morning meal”: Shows a change in routine, caused by war

    • Imagery:

      • “For war and bloodshed; animating sports”

      • “Pull off an insects wing, all read of war”

  • Plot:

    • In stanzas 1 & 2 he was saying that the English benefited from corruption. 

    • He says there’s hypocrisy because England benefits from slavery in colonies.

    •  He is addressing his concern that England wants a war.

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Publication Date for from Fears in Solitude

Published in 1798.

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Renouncement (Alice Meynell)

  • Structure:

    • Stanzas: 1

    • 14 lines

    • Petrarchan sonnet

    • The first 8 lines are about the day, last 6 lines are about the night.

  • Theme:

    • Forbidden love/one’s dreams can provide a new reality

  • Background:

    • 27 years old and she was not married, which wasn't good for the time

    • She was falling in love with the priest who was teaching her about Catholicism because she was converting from Anglican to Catholic

    • The poem is about forbidden love

    • In the poem, she has to “renounce” the man that she loves.

    • These poems are a prelude to her life

    • Her father was friends with Charles Dickens

    • She published along with her husband for the rest of her life, not the priest.

  • Literary devices:

    • Juxtaposition:

      • “Tired yet strong”: Shows how she wants their love to become a reality, but she is getting tired of dreaming.

    • Hyperbole:

      • “But it must never, never come in sight”: She knows that their love will never come to life.

      • “I must stop short of thee, all day long”: The speaker is unsatisfied in the daytime because she cannot be with him in the way she wants.

    • Caesura:

      • “This breast, the thought of thee waits hidden yet bright”

      • “Oh, just beyond the fiarest thoughts that throng”

      • The purpose of the caesuras is to show the speaker in despair since she must hid her feelings.

    • Synecdoche:

      • “This breast, the thought of thee waits hidden yet bright;”

      • “I run, I run, I am gathered to thy heart”

        • Also is epizeuxis

  • Plot:

    • She dreams of him and imagines them together

    • She can’t stop thinking of him

    • She cannot wait for the nighttime when she can finally dream of him.

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Publication Date for Renouncement

Published in 1875.

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Winter Song Lit Devices

  • Literary Devices:

    • Imagery

    • Sibilance

    • Hyperbole

      • Where all is wind and all is waste

    • Consonance + personification

      • If there the tim’rous stag

    • Symbolism:

      • The stag is a symbol of the king of England

    • Savage spoils: Things they’ve acquired.

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Surplus value lit devices

  • Literary Devices:

    • Allusion to big 3 automakers

    • Metaphor:

      • “Bantam with thick fingers”

      • “Slashed and burn”

      • “Scars grew deeper now”

    • Jargan:

      • “Tool and die guy”

    • Personification:

      • “America to drive”

      • “Factories flushed”

    • Turn/Alliteration:

      • “But that road ran out”

    • Imagery:

      • “Twice a year. The Harley went and then the cabin; food stamps/Bought essentials, nothing more.”

    • Anaphora:

      • “Day to week to month to the years”

    • Hyperbole:

      • “Now it’s frozen all year long”

        • The only present tense in the whole poem.

      • “That it never iced, even/In the depths of winter”

    • Slang:

      • “But the road ran out”

        • Affects the tone of the poem by showing a turn from stability to instability.

      • “The union went south”

        • Illustrates the chaos that the economic crash caused in the worker’s lives.

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Father Returning Home lit devices

  • Literary Devices:

    • Imagery:

      • “Commuters in the yellow light”

      • “Coming out the trembles at the sink/The cold water running over his brown hands,/A few droplets cling to the greying hairs to his wrists.”

        • Color imagery: Brown and grey

      • “Eating a stale chapati, reading a book./He goes into the toilet to contemplate.”

      • “Black raincoat”

      • “Humid monsoon night”

    • Paradox:

      • “Unseeing eyes”

    • Personification:

      • “His eyes dimmed by age:”

    • Asyndeton:

      • “Home again”

    • Polysyndeton:

      • “His shirt and pants are soggy and his black raincoat stained with mud and his bag stuffed with books.:

    • Endstops

    • Turn:

      • “He will now go to sleep”

    • Simile:

      • “Like a word dropped from a long sentence”

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phantom of delight lit devices

  • Literary Devices:

    • Metaphor:

      • “She was a Phantom”

      • “A lovely Apparition”

      • “a moment’s ornament;”

      • “Sweet records”

      • “The very pulse of the machine”

        • This poem was written during the midst of the Industrial Revolution.

    • Anaphora:

      • “For human nature’s daily food; For transient sorrows”

      • “A Being Breathing thoughtful breath, A Traveller betwixt life and death”

    • Alliteration:

      • “A Being breathing thoughtful breath”

    • List:

      • “Endurance, foresight, strength and skill;”

      • “To warn, to comfort, and command”

    • Hyperbole:

      • “ A perfect Woman”

      • “With something of an angel light”

    • Allusion to God:

      • “Nobly planned,”

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In The Park Lit devices

  • Literary Devices:

    • Caesura:

      • “She sits in the park. Her clothes are out of date.”

    • 2 endstops in stanza 1.

    • Sibilance:

      • “Someone she loved once passes by”

    • Visual Imagery

    • Dialogue:

      • Shows us the shallow conversation between her and the man

    • Metaphor:

      • “a small balloon”

        • Like a text bubble.

      • “They have eaten me alive”

    • Imagery:

      • “Flickering light”

      • “Sits staring at her feet”

    • Turn:

      • “Then, nursing the youngest child,”

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lost woman lit devices

  • Literary devices:

    • Stanza 1:

      • Euphemism: 

        • “My mother went with no more warning”

      • Endstopht/metaphor to heart attack: 

        • “a bright voice and a bad pain.”

      • Visual, auditory, & color imagery

    • Stanza 2:

      • Repetition: 

        • “She never returned and I never saw/Her buried.”

          • To show how affected she is.

      • Metaphor:

        •  “The ivy-mother turned into a tree”

          • Ivy wraps around and its vines pass through things. This shows the mother’s involvement in her life.

        • “My tendrils are the ones that clutch”

          • She wants her mom back.

      • Imagery/simile: 

        • “That still hops away like a rainbow down/The avenue”

          • Shows how her mom slipped away from her, but she’s still trying to hold onto the memories.

    • Stanza 3:

      • Metaphor:

        • “I made a life for her”

      • Alliteration + slang:

        • “She met her match at an extra-mural”

      • Anaphora:

        • “Who will not alter, who will not grow”

          • Shows how her mother’s image will never change from what it was when she was 14.

    • Stanza 4:

      • Hyperbole:

        • “And every poet has acquired”

      • Caesura/anaphora:

        • “Who will not alter, who will not grow:

    • Stanza 5:

      • Imagery:

        • “Hear how they hate/Themselves for losing her as they did”

    • Stanza 6:

      • Turn:

        • “But my lost woman evermore snaps”

      • Dialogue

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stabat mater lit devices

  • Literary Devices:

    • Alliteration:

      • For the first few years”

      • How hard it had been”

    • Imagery:

      • “I learned this from a book she had inscribed”

    • Sibilance:

      • “Made her seem so small”

    • Turn:

      • Now in a different way,”

        • Shows shift of power from father to mother

      • “That once I stand up straight, I too must learn”

        • To disclose the message of the poem.

    • Simile:

      • “Still like a girl”

      • “Sometimes turns to me as if it were a game”

    • Hyperbole:

      • “She calls my father every other sort of name;”

    • Metaphor:

      • “Roams old age”

    • Consonance:

      • “She was embarrassed when I asked her why/But later on explained how hard it had been”.

        • Helps characterize the mother because she is still immature, even with the sudden shift in power.

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australia 1970 lit devices

  • Literary devices:

    • The ENTIRE poem is an APOSTROPHE b/c Australia isn’t responding.

    • Simile:

      • “Die, wild country, like the eaglehawk”

      • “Die like the tighersnake”

      • “Like suicided invading stain.”

      • “Die like the soldier-ant”

    • Repetition:

      • The words ending in “ing” in the first stanza emphasizes the aggressivity of Australia.

    • Visual imagery

      • “I see your living soil ebb with the tree to naked poverty”

        • Being stripped of nutrients.

        • Shows the speaker's sadness for nature’s condition.

    • Personification:

      • “Suffer, wild country, like the ironwood”

    • Turn:

      • “For we are conquerors”

        • The speaker stops beginning every stanza with “Die”

    • Pathos:

      • To get the audience to empathize.

    • Paradox:

      • “We are conquerors and self-poisoners more than scorpion or snake and dying of the venoms that we make even while you die of us”

        • We are killing the earth and the earth is killing us.

      • “That we are ruined by the thing we kill”

    • Asyndeton:

      • “I praise the scoring drought, the flying dust”

    • Anaphora:

      • That they oppose us still; that we are ruined by the thing we kill”

    • Caesuras:

      • To give the reader a moment to take in what the speaker is saying

    • Enjambments:

      • Represent continuous thought.