Urbanism and Landscape Architecture

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Last updated 7:36 AM on 9/23/26
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90 Terms

1
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According to Kostof, what can go wrong when architects and planners use historical forms for new urban designs?

Historical forms can be copied superficially and separated from the social and historical processes that originally produced them.

2
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Why does Kostof focus on the idea of ‘urban process’?

Because cities are never finished objects; their physical form continually changes through social, political, and economic processes.

3
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What is the difference between the approaches to urban development used by Kostof and Kevin Lynch?

Lynch uses more abstract models of urban form and perception, while Kostof studies historically specific forms and the processes that produced them.

4
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Kostof writes that his approach to urban development is influenced by social history, but that he makes changes to that approach. What is that change?

He adds a strong focus on physical urban form and on how social processes become visible in the built environment.

5
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Kostof describes Conzen’s method which uses three elements of urban fabric. Which one of these images shows one of these elements: the ‘land use pattern’?

The image showing the spatial distribution of different functions or uses of land and buildings.

6
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Why doesn’t Kostof like using the term ‘medieval’ in urban history?

Because it is a Western European periodization that can be misleading when applied universally to cities in other cultures.

7
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What is the most important reason for Kostof to distinguish the ‘industrial city’ from the ‘socialist city’?

They arose under different systems of ownership, economic organization, and planning: capitalist industrialization versus centralized socialist planning.

8
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What is Kostof’s definition of the Greek concept ‘polis’?

A political community of citizens together with its city and surrounding territory, not merely the physical settlement.

9
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Why does Kostof show this plan of Naarden?

To show that seemingly organic urban form can contain deliberate planning and formal intervention.

10
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What does the concept of ‘transcription’ mean?

The preservation or rewriting of earlier urban patterns within later city form, leaving historical layers visible in the plan.

11
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Why does Kostof note down ‘organic’ between quotation marks?

Because cities do not literally grow like natural organisms; apparently irregular patterns are still shaped by human actions and historical processes.

12
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Which of the following phenomena is NOT considered by Kostof as a cause for an ‘organic’ city pattern?

Look for the option that does not involve gradual growth, topography, pre-existing routes, property divisions, social organization, or similar historical processes.

13
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What is Aristotle’s definition of synoecism?

The joining of previously separate villages or communities into one political settlement or city.

14
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What is the principal source for building rules for the traditional Islamic city model?

Islamic law, especially legal principles concerning property, neighbors, and prevention of harm.

15
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What is a mohalla?

A neighborhood or quarter, often functioning as a socially cohesive subdivision of a South Asian or Islamic city.

16
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According to Leon Battista Alberti, which of the following qualities is NOT a benefit of an ‘organic’ city?

Look for the option unrelated to defense, climatic comfort, health, visual variety, or beauty.

17
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Why did Siena cultivate curved streets in 1346 according to Kostof?

For visual and aesthetic beauty and to create harmonious street compositions rather than perfectly straight streets.

18
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What was the main reason the US did not embrace the Garden City ideal?

Its controlled or communal land-ownership model conflicted with strong American traditions of private property and land speculation.

19
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What is the best description of Geddes’ idea about the conservation of historic cities?

“Conservative surgery”: understand and preserve the existing city while making selective interventions instead of wholesale clearance.

20
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What is a common factor of all grids?

They impose a regular, repetitive geometrical framework for dividing and organizing urban land.

21
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What are the two main purposes the grid has served historically?

Settlement and orderly land division, and the extension or reorganization of cities.

22
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Where did the grid as a ‘formal planning unit’ originate?

In the ancient world, especially in Greek urban planning, although similar grid traditions also developed elsewhere.

23
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According to Kostof, which development caused a standardized grid plan in the Roman world?

The standardized Roman military camp and the professional standing army.

24
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Which of the following is not a characteristic of Stevin’s model for an ideal port city?

A radial or concentric plan; Stevin’s model instead uses a regular grid, canals, fortifications, and ordered port functions.

25
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What are the Laws of the Indies?

Spanish imperial ordinances regulating colonial settlement, including plazas, street grids, and allocation of land.

26
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Which important decision by US congress in 1785 is discussed by Kostof?

The Land Ordinance of 1785, which established a rectangular survey and systematic subdivision of western lands.

27
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What is the spatial difference between the ‘Colonial grid’ and the capitalist grid in the US?

The colonial grid was a more finite community framework, while the capitalist grid was open-ended, extendable, and linked to land speculation.

28
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Which invention by Leonardo da Vinci and Fra Giocondo is important for urban history?

The accurately surveyed ichnographic or ground-plan view of the city.

29
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What is discussed by Kostof as a crucial condition for the gridded extensions of the cities Turin and Amsterdam?

Strong municipal authorities capable of controlling suburban development and enforcing a coherent extension plan.

30
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What is the name of the urban model on this image?

Cannot be determined without the image.

31
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Which spatial element is discussed in the theories by Cataneo and Scamozzi to break the grid pattern?

Squares or plazas of different importance inserted into the grid.

32
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How does Kostof explain the change from a grid with squares to a grid with strip parcels in the late Middle Ages?

Long narrow plots gave more properties direct street frontage and reflected subdivision and the increasing value of frontage.

33
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What is NOT a central element of Cerdà’s design for Barcelona?

A monumental hierarchical center or closed medieval-style blocks; Cerdà emphasized an egalitarian grid, chamfered blocks, circulation, light, air, and open interiors.

34
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What is the most important Modernist change to the grid, as can be seen in Chandigarh?

The traditional street-block grid becomes large superblocks or sectors with separated traffic systems and freestanding buildings.

35
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What is the difference between a utopia and an ideal city?

A utopia describes an ideal social order, while an ideal city primarily describes an ideal physical or spatial urban form.

36
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Why is Saltaire discussed as a ‘design of regimentation’?

Because the employer comprehensively organized workers’ housing, workplaces, institutions, and daily environment in a paternalistic manner.

37
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Kostof calls the diagram of holy cities like Ankor Thom a ‘cosmic landscape’. What does he mean by that?

The city and landscape reproduce a sacred cosmological order, representing the structure of the universe on earth.

38
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What was the formal model for the King’s Way in New Delhi?

The Mall in Washington, D.C.

39
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Kostof discusses Sforzinda as an example of radial urban design. Which city is a famous example of this scheme in the eighth century?

Baghdad, especially the Round City founded in 762.

40
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What aspect of Sforzinda would give the radial city an enormous popularity in the second half of the 16th century?

Its radial geometry was well suited to star-shaped gunpowder fortifications and bastioned defensive systems.

41
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Why was it possible to give up the radial scheme of fortified towns for a grid in the first half of the seventeenth century?

Improved bastioned defensive systems allowed the internal street layout to be separated from the geometry of the fortifications.

42
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What is the name of this element of a fortified town?

Cannot be determined without the image.

43
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How is the problem of traffic congestion in radial cities solved in Canberra?

By using several interconnected smaller radial or star systems rather than concentrating all routes on one center.

44
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What is a phalanstery?

Fourier’s self-contained communal building and settlement designed for a cooperative social group called a phalanx.

45
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What is a hinge building?

A building placed at a bend or junction to connect two spatial compositions or mediate a change in direction or axis.

46
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To what type of cities does Kostof connect the European Baroque?

Capital and court cities associated with centralized or absolutist political power.

47
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Which principle describes the essence of baroque aesthetic?

The dynamism of the diagonal.

48
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What is the specific reason Kostof discusses the Champs Elysées in Paris in Chapter 4?

As an example of the long development of the Grand Manner axis and its continuing influence on later Parisian planning.

49
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Which two purposes do height serve in Grand Manner designs?

To give important buildings symbolic prominence and to create a dramatic sense of approach and arrival.

50
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Who designed the Cordonata stairs on Capitol hill in Rome?

Michelangelo.

51
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Which development in the field of transport was an important factor in Grand Manner urban planning at the beginning of the 16th century?

The growing use of wheeled coaches and carriages, which increased demand for wider and straighter streets.

52
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Which modern style embraced the baroque diagonal?

City Beautiful and Beaux-Arts urbanism.

53
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What is the name of this baroque element?

Cannot be determined without the image.

54
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Why is the trivium a pre-eminent baroque element?

Because three streets converge on one focal point, creating dramatic movement, vistas, and visual focus.

55
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What is the definition of an avenue?

A formal, usually straight and often tree-lined approach leading toward an important destination or focal point.

56
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For which problem is the boulevard à redans a solution?

It breaks the monotony and rigidity of a continuous straight street wall and creates more varied frontage and open space.

57
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How did planning authorities ensure the execution of uniform streets and squares?

Through building regulations, prescribed façades or elevations, and official enforcement or inspection.

58
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Which element was used by pope Sixtus V and Domenico Fontana as a focal point of urban vistas?

Obelisks.

59
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Why is the Fountain of Neptune in Bologna an important case in the history of urban planning?

The surrounding urban fabric was altered to reveal and frame the monument, showing how a focal object could reshape urban space.

60
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Why was the triumphal arch reintroduced as an urban element in the seventeenth and eighteenth centuries?

For its monumental form and its symbolism of victory, political authority, ceremony, and urban entry.

61
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Which changes did Hitler make to the existing ceremonial axis in Berlin?

The east-west axis was widened and monumentalized, and the Victory Column was moved to the Grosser Stern as part of the Germania scheme.

62
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What was the consequence of the Industrial Revolution for skylines?

Factory chimneys and other industrial structures became major vertical landmarks alongside traditional church and civic towers.

63
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What is the Schauseite of a city?

The deliberately composed “show side” or representative face of a city, often seen from an important approach.

64
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Put these domes in the correct chronological order: the Duomo of Florence, Wren’s St. Pauls in London, Hagia Sophia in Istanbul, the Capitol in Washington DC.

Hagia Sophia → Florence Duomo → St Paul’s Cathedral → U.S. Capitol.

65
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According to Christopher Wren, as written in Parentalia, what is “to be seen at the End of a Vista of Houses”?

Handsome spires or lanterns serving as visual focal points at the end of the vista.

66
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Which of those elements is not used for both religious and secular buildings according to Kostof?

Cannot be answered reliably without the answer options.

67
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Why did towers appear on the new building type of railway stations in the nineteenth century according to Kostof?

To make stations prominent urban landmarks and gateways, often using clock towers or forms associated with civic authority.

68
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Why is there so little highrise architecture in Washington DC?

Because federal building-height laws restrict how tall buildings can be.

69
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Why was the skyline of Urbino reorientated in the fifteenth century?

To emphasize Duke Federico da Montefeltro’s palace and political authority on the important approach to the city.

70
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On what type of locations did Moscow plan 8 highrise buildings in 1947?

At strategic urban points and major axes where they could function as prominent skyline landmarks.

71
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According to Kostof, what was the true message of the first generation skyscraper in America?

Private enterprise, self-interest, and the power of laissez-faire capitalism rather than merely technological progress.

72
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Barlow Rogers repeatedly states that, until the eighteenth century, the ordering principles of gardens and cities are the same. What does she mean?

Both were organized using formal geometry, axes, symmetry, perspective, proportion, and controlled vistas.

73
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Barlow Rogers explains that, following humanist philosophy, a change took place in Renaissance Italian garden design. What was that change?

Design became more focused on the human observer, classical principles, perspective, and rational spatial order.

74
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In the eighteenth century, by what was harmonic proportion replaced as a leading notion for design?

By subjective perception, emotion, association, and aesthetic experience associated with Romantic and picturesque design.

75
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The first sentence of Barlow Rogers’ Introduction is: ‘A history of landscape design is necessarily a history of human culture’. Why is that so obvious for her?

Because designed landscapes physically express human beliefs, religion, politics, philosophy, aesthetics, and ideas about nature.

76
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Why can villa gardens and landscapes, lying in the countryside, be considered ‘urban’?

They were created by urban elites and extended urban architectural, cultural, and planning ideas into the countryside.

77
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In her Introduction, Barlow Rogers refers to Renaissance gardens as ‘third nature’. What does she mean?

Designed gardens are “third nature,” distinct from wild first nature and cultivated agricultural second nature.

78
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According to Barlow Rogers, ‘the wall surrounding the Renaissance garden eventually became, metaphorically, a shell to be cracked open.’ What was the reason for this opening up of garden walls in the Renaissance?

A changing worldview toward a boundless universe encouraged axes and vistas to extend visually beyond the enclosed garden.

79
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What was one of the fundamental ideas underlying the design of Islamic and Judeo-Christian gardens?

The garden as an earthly image of Paradise, often associated with life-giving water and sacred order.

80
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Can you tell why the town of Oldenzaal never gained as much importance as other towns that originated in the Middle Ages?

Its inland position became less advantageous as important long-distance trade increasingly followed navigable waterways and routes that bypassed it.

81
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Which of the following does not apply to new towns created by dukes, counts, and bishops from c. 1200-1270 to create a power base in the territorial strategy?

Look for the option suggesting spontaneous growth without deliberate intervention by territorial rulers.

82
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Which is the most striking feature of younger medieval towns originating from c. 1270-1400?

Many were deliberately laid out as relatively regular new towns rather than simply growing organically.

83
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Which is the most regular late-medieval New Town in the Netherlands?

Elburg.

84
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What was the main effect of The Hague being the main administrative center on its appearance?

Its form became dominated by court, governmental, and elite functions around the Binnenhof rather than by the structure of a typical merchant town.

85
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What was the effect of the introduction of powerful artillery on urban fortifications?

High thin medieval walls were replaced by lower, thicker earth-backed defenses with projecting bastions and larger fortified zones.

86
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Why were many country estates in the Netherlands built along rivers and barge canals?

Waterways provided convenient and comfortable transport for owners, visitors, goods, and building materials.

87
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Why does the center of Rotterdam not look like most other city centers?

The historic center was destroyed in the bombing of 14 May 1940 and rebuilt afterward using modern planning principles.

88
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Which of these features are typical for a ‘cauliflower estate’?

Irregular branching streets, loops and cul-de-sacs, traffic-calmed residential courts, clustered low-rise housing, and a non-geometric layout.

89
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Why was the Ruhr area an interesting destination for Dutch architects, planners, and city administrators?

It was a nearby laboratory of industrial urbanization, worker housing, infrastructure, rapid growth, and regional planning.

90
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Why does the author think nature conservation results in landscape uniformity?

Conservation can apply similar standardized ideas of valuable nature in many places, reducing local historical and landscape difference