Art History Exam #2 Study Guide

0.0(0)
Studied by 0 people
call kaiCall Kai
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
GameKnowt Play
Card Sorting

1/35

flashcard set

Earn XP

Description and Tags

Comprehensive vocabulary flashcards covering Byzantine, Medieval, Romanesque, Gothic, and Early Renaissance art history based on course lecture notes.

Last updated 12:53 AM on 6/26/26
Name
Mastery
Learn
Test
Matching
Spaced
Call with Kai

No analytics yet

Send a link to your students to track their progress

36 Terms

1
New cards

Iconoclasm

The destruction of religious images (icons) believed to lead to idol worship, specifically favored by Emperor Leo III in 726726.

2
New cards

Byzantine Art

Art and architecture associated with Constantinople (modern-day Istanbul), divided into Early (527726527–726 AD), Middle (8431204843–1204 AD), and Late (126114531261–1453 AD) periods.

3
New cards

East-West Schism

The split of the church in 10541054 into the Roman Catholic Church and the Orthodox Church due to doctrinal authority, the 'filioque' clause, and the iconoclastic controversy.

4
New cards

Byzantine Painting Elements

Characterized by being Flat (two-dimensional), Frontal (figures shown in frontal view), Floating (figures not standing on the ground), and Fine/painterly.

5
New cards

Andrei Rublev

The defining figure of Late Byzantine and Russian icon painting, known for works such as 'The Hospitality of Abraham (The Trinity)' (c.14101425c. 1410–1425).

6
New cards

Orant Figure

A figure with outstretched arms in prayer, exemplifying syncretism in Early Christian and Byzantine art.

7
New cards

Pantokrator Pose

A representation of Christ with one hand raised to bless and the other holding a book or scroll.

8
New cards

Mozarabic Art

Art created by Christians living under Islamic rule in Spain, showing significant Islamic influence, such as the Beatus manuscripts.

9
New cards

Westwork

A Carolingian architectural feature with a narthex on the ground level and a throne room on the second floor opening to a chapel.

10
New cards

Cloister

A rectangular open courtyard surrounded by covered walks leading to other monastic buildings.

11
New cards

Doors of Bishop Bernward

Bronze doors at the Abbey Church of St. Michael's in Hildesheim (10151015) depicting narrative scenes from the Old and New Testaments.

12
New cards

Ambulatory

A second aisle around the apse designed to ease congestion and allow movement for pilgrimage traffic without disrupting services.

13
New cards

Relics

Physical remains of saints believed to have miraculous power, which served as the primary draw for pilgrimage journeys.

14
New cards

Romanesque Architecture Characteristics

Features heavy stone walls, small windows (dimly lit), round arches, barrel vaults, and exterior sculpture.

15
New cards

Tympanum

A semicircle directly over the door of a Romanesque portal, often carved with narrative scenes like the Last Judgment.

16
New cards

Trumeau

The central pier supporting the lintel and archivolts in a Romanesque portal, providing space for sculpture.

17
New cards

Bayeux Tapestry

A linen embroidery with wool dating c.10661082c. 1066–1082 depicting the Norman Conquest and the Battle of Hastings (10661066).

18
New cards

Gothic Architecture Goals

To increase the light into and the height of buildings to imitate heaven.

19
New cards

Pointed Arch

A Gothic architectural feature that directs weight more vertically than semicircular arches, allowing for thinner walls and larger windows.

20
New cards

Flying Buttress

An arched masonry support extending from the external wall of a tall Gothic building to provide extra support.

21
New cards

Abbot Suger

The figure who began the reconstruction of the abbey church at Saint-Denis in the 1130s1130s, marking the birth of Gothic architecture.

22
New cards

Giorgio Vasari

Famed art historian who coined the term 'Gothic' (which he disliked) and mistakenly credited Jan van Eyck with inventing oil paints.

23
New cards

Cimabue (Cenni di Pepi)

A Florentine painter known for using chiaroscuro while maintaining a largely Byzantine style in works like 'Virgin and Child Enthroned' (c.1280c. 1280).

24
New cards

Giotto di Bondone

Considered the 'father of Western pictorial art,' he drew from live models and created the Scrovegni (Arena) Chapel frescoes (130513061305–1306).

25
New cards

Duccio di Buoninsegna

The founder of the Sienese school, known for the 'Maesta Altarpiece' at Siena Cathedral (130813111308–1311).

26
New cards

Oil-based Paint

A medium that gave Early Renaissance artists flexibility and allowed for more accurate representations and finer detail than tempera.

27
New cards

Jan van Eyck

A court painter to Philip the Good especially skilled at pictorial illusions; signed his work with the motto 'Als ice kan' (As well as I can).

28
New cards

Donatello

Florentine sculptor influenced by the ancient world who created the first freestanding nude bronze David since antiquity (c.14401460c. 1440–1460).

29
New cards

Filippo Brunelleschi

A goldsmith and sculptor who turned to architecture and discovered the principle of linear perspective through the study of Greek and Roman art.

30
New cards

Sandro Botticelli

A Florentine artist apprenticed to Fra Filippo Lippi who focused on mythological subjects like 'Primavera' (c.1482c. 1482) and 'Birth of Venus' (c.14841486c. 1484–1486).

31
New cards

Di sotto in su

A technique meaning 'from below upward,' involving extreme foreshortening viewed from a low perspective, famously used by Andrea Mantegna.

32
New cards

Humanism

An Early Renaissance intellectual movement promoting education, individual potential, and a return to the study of classical antiquity (Greece and Rome).

33
New cards

Buon Fresco

A technique where color is applied to the intonaco (thin coat of fine plaster) while it is still wet.

34
New cards

Scriptorium

A room in a monastery where illustrated books (illuminated manuscripts) were produced through a division of labor.

35
New cards

Pendentive

A triangular section of vaulting between the rim of a dome and the adjacent arches that support it, prominently used in Hagia Sophia.

36
New cards

Catacombs

Underground burial chambers containing loculi (body niches) and cubicula (private rooms) with painted murals.