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linear motion
motion along a straight line produced by a force acting directly through an objects (persons) center of mass
when does rotation happen
when force is applied outside of the center of mass (above or below)
what is angular (rotational) motion
motion about a fixed point or a point axis, can have linear motion as well
what is the difference between rotation and swing
both are angular motion, both are created with off center forces around and axis. A swing rotates about an external axis (on a bar) , rotation is an internal axis (somersault)
rotation
turning about the body’ internal axis. It can be transverse, longitudinal, or anterior/posterior axis
swinging
rotation about an external axis. Can be on bars, rings, pommel horse. Can occur anywhere that there is an external axis to rotate around. uses force and lever arm to create torque. off center force multiplied by length of arm, gives torque.
the greater the force we can generate, the greater the distance from our axis we have applied
** axis is not in center of mass
where does a swing start from
swings can start from either a hang or a support, therefore we can do them before swings
swings are helpful in developing motor and physical components of fitness, how?
momentum and finesse, ability to find the rhythm
it is not about power, or balance
how to generate swing
internal force- for both hang and support, utilize muscles of core and upper body
External forces- gravity and action/reaction of the bar
gravity is the off center force being applied
mechanics of swinging
descending phase and ascending
descending phase
gravity- positive off center force= increased rotation about external axis
to maximize- increase distance between center of mass and axis of rotation, lengthen your body as much as possible
ascending phase
gravity- negative off center force= decreased rotation about external axis
teaching swings
need to maximize gravity but also use internal torques as well
when you back swing, want to hallow so you can arch at the bottom and kick into another hallow/pike position on the ascending swing, bent at the waist, rather then the shoulders
how to initiate a swing
need an off center torque
COM must move off center for gravity to be applied, mut be done quickly
core development and upper body strength are helpful as well as flexibiltiy of the trunk and shoulder
how to maximize swing
GRF (action reaction)- internal muscular contraction, more force= more swing
utilize muscles of core and upper body
use the bar
coordinate the relaxation with the contraction phases (use visual, kinesthtic cues for timing)
decreases negative effect of gravity/ increases positive effect
decrease negative effect of friction
how to swing safely
hook, not squeeze
swing low to start
release are at the top of backward swing
regrasp the bar at the top of backwards swings (dead psot)
minimal inverted swings, and when ready. Do not regrasp while inverted
set up apparatus appropriately
use chalk to allow swing
Thumbs around skinny bar
axes that we rotate on
transverse. longitudinal and A/P
what axis do we swing about
an external axis on the bar
what is learning
relatively permanent acquisition of skill developed with repetition or a relatively permanent change in action/behavior
what is repetition
10000 hours of things to become efficent in a skill (be able to do it from muscle memory)
senses role in learning
(visual, tactile, auditory, kinesthetic)
out brain goes through a process when attempting new motor skills. it takes on info from our senses to identify what is happening with this motor skill. either recognizes it as already learned, then pulling up the motor pattern to complete skill
long term skills
motor patterns for skills done for a long time develop extremely strong neural networks so they require less brain space, making it easier to do other things will preforming the skill (multitasking) The pathway becomes reinforced so it i the dominant way the body preforms the skill or responds to stimuli
once a bad habit id formed and the pathways are reinforced it is hard to break
visual
they need to see what they are to do, demonstrate, use props, show them where to put there hands, etc
Auditory
they like to hear what the instructions are, they respond well to verbal instructions, rhymes, word play
kinesthetic
they need to feel what it is like to do the skill. touch the body part you want them to move. many times spotting them through the skill is the kinesthetic cue. Both proprioceptive and vestibular
tactile
similar to kinesthetic but instead of gross motor movements, fine motor skills, hand eye coordination, have something to feel (felt, foam)
how you can apply the learning styles to a cartwheel
visual- look at your hands on the floor, put hands on the target (use props)
auditory- say 1-2-3-4 (hand, hand, foot, foot)
Kinesthetic- touch their cartwheel foot to put them in front ot spot them through it
tactile- have felt o floor to place hands, use chalk on hands to draw on floor
what are the three stages of learning
cognitive, intermediate, automatic
cognitive
understand, organize, thoughts into a process, get the idea/feel, identify and select the properties mot relavant, trial and error, do not over teach or over verbalize
intermediate (associative phase)
Learning is noticeable, motor change occurring
Errors eliminated
Movement patterns are predictable and stable (consistent)
Models are important
Verbalize with key words
automatic (expert)
Movement becomes reflexive
Performance is consistent and automatic
Looks easy
Fine tuning stage
attention can be focused on other cues
movements can be done within a variety of situations
factors that facilitate learning skills
•ESP&F and motor ABC’S are well developed
•Short practice bouts repeated often is more effective than lengthy time
•Material interesting and meaningful
•Learning is fastest when strongly motivated
•Progress more rapid when success is achieved more often
•Motor performance is enhanced in social context
•Feedback is important
•“Part” practice in early learning, and then move to “whole” practice
what is the teaching process
teacher led —> drills and progressions —> reciprical (partner) teaching —> guided discovery —> problem solving —> learner led
direct (traditional)
the coach names, explains, and demonstrates
problem solving
the coach asks “ show me different body shapes when you jump”
guided/indirect
s skipping rope is elevated until the gymnasts are doing a tuck jump
Drills vs movement problems
specific drills form teacher vs giving the students movement problems to solve on their own
efficiency vs creativity
advantages and disadvantages to each
drills and progressions = proper technique
problem solving = creativity and individual differences
some combination of both is likley best, but every individual and teacher are different
Spotting
a coach should not remedy a potentially dangerous situation by spotting
remove dangerous situations
spotting one gymnast means you aren’t spotting others
make enviroment safe
what is linear motion
repetitive displacement of the center of mass. (not staying in the same spot) BOM is repetitively moving
can be forward backwards up or down
how is linear motion created
Internal and external forces cause CofM shift
Causing instability, reestablished ability
Repetitive nature= repetitive forces
VGRF- vertical ground reaction force on a force plate
what is rotation
Skills when the body moves about one of its three internal axes
Longitudinal- turns, twists, pirouettes
Transverse axis- saltos, rolls, bar circles
anterior/posterior axis- cartwheels, side roll
the mechanics of rotation
Generated by a single or pair of ‘off centre’ forces
Generated by ground reaction force (newton's third law)
Any force passing through the centre of mass will only generate linear motion (displacement)
“off center” forces
The further ‘off center’ the force, the greater the rotation and the less the linear displacement
force couple
Two off center forces acting simultaneously to create rotation
Forces are acting in different directions, creating rotation in one direction
To get more rotation, add more force
how to maximize rotation
Increase the force- contact (external) and non-contact (internal)
Increase the distance the force is applied away from the axis (torque)
Apply the force for as long as optimally possible. contact time= push for longer
Impulse = force x time
altering rotation
based on distribution of mass around rotational axis
Mass closer to axis, increases rotational velocity
Mass further from axis, decreases rotational velocity
springs
skills from abase of support in a single explosive movement
can be initiated from either legs, arms, or both or body on a trampoline
can be from muscles or an apparatus to help
spring mechanics
it is a rapid (explosive) displacement of the centre of mass
displacement id the moving of something from its place or position
can be in the vertical or horizontal
typically associated with the physical component of power
what is power
how fast one can generate maximal force
combination of both speed and strength
biomechanical concept of power
power= force x velocity
essential it states that the faster we displace something (velocity) the greater the power generated
displacement
if you want to displace something faster, either increase force or decrease the time
at a certain point too much velocity will decrease force
use of non-support limbs
use of newtons third law
“every action has an equal, opposite and concurrent reaction”
uses both strength and speed
developing power
must develop adequate levels of strength and endurance before adding speed
this reduces the potential for injury because of the high levels of strain placed muscles, tendons, and ligaments
few reps (1-6) max 10 but as quickly as possible
ex) plyometrics, olympic lifts
rigid body for producing powerful spring
guarantees that the generated force is utilized fully rather then being absorbed by the body and joints
the goal is to not have the forces absorbed into the body but to use ot in aiding displacement
Labans Movement Analysis
by Rudolf Laban (1879- 1958)
to bring movement variety into a known set of parameters
to allow instructor endless creativity
for challenge
sports have prescribed technical movements, where activity is not any restrictions
physical literacy is the motivation confidence, physical competence knowledge and understanding to value and take responsibility for engagement in physical activities for life
able to apply to dance/gymnastics/games/fitness
General human movement: concepts
get away from thinking of gymnastics as a ‘sport” rather think of it in terms of the movement underlying gymnastics activities
kinesphere
used to define “ the sphere around the body whose periphery can be reached by easily extended limbs without steeping away from that place which is the point of support when standing on one foot”
when the body moves, the kinesphere also moves
how to analyze movement
ask four key questions
what moves
where does it move
how does it move
with whom or what does it move
Movement variable #1 body
parts- contact: body part integral to the skill land, support/balance/hang, swing, spring, locomote from different body parts
ex) landing on 2 feet, rotation
non- contact- body parts not in contact ex) hang with bent legs, piked legs, stride legs
actions- independent or as a sequence (flexion/extension)
a) sequential- starting, middle, ending position
b) simultaltaneous- all parts move at one time
body: body shape
1) straight or bent
2) curl
3) stretch or narrow
4) twist
movement variable: space
1) area
a) general (enviroment) - the room, on the ice, in the street
b) personal- kinesphere
c) apparatus
2) direction
a) forward/ backwards/ sidewards
b) up/down
3) pathway
a) straight vs curved
b) angular
c) twisted
4) level
a) high
b) low
c) medium
5) planes
a) saggital (wall)
b) frontal (door)
Horizontal (table)
movement variable: effort
1) time
sudden- fast, accelerates or decelerates quickly
sustained- takes long or endures, repeated
2) weight
strong/heavy/ explosive
light/soft/ smooth
3) space
striaght/ direct
flexible/ indirect (flowing)
4) flow
free/ongoing/ sustained
bound/ unstoppable/ interrupted
movement variable: relationship
1) individual
2) partner
3) group
4) apparatus
5) music/ rhythm/ sound
ask the question “ with whim or what does it move”